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A classic, they say, is a book, which people praise but do not read. The book is praised because it is supposed to embody the best of human thought. The present series, INDIAN CLASSICS is designed to bring out the best in Indian thought in a form, which makes these great books readable.
The classical tradition in Telugu, the mellifluous language of Andhra Pradesh in southern India, is one of the richest yet least explored of all South Asian literatures. In this volume, Velcheru Narayana Rao and David Shulman have brought together mythological, religious, and secular texts by twenty major poets who wrote between the eleventh and nineteenth centuries, providing an authoritative volume overview of one of the world's most creative poetic traditions. An informative, engaging introduction fleshes out the history of Telugu literature, situating its poets in relation to significant literary themes and historical developments and discussing the relationship between Telugu and the classical literature and poetry of Sanskrit.
English speakers may read for the first time a previously hidden literature of great beauty and importance, compiled and translated by one of the foremost scholars of the literature of twentieth-century India. Richly appealing, sensitively and masterfully translated, surprisingly accessible, and adeptly organized, these poems from the Telugu language of southern India will find in this groundbreaking anthology the wider international readership they deserve and a place in the worldwide emergence of India's vernacular literature. Velcheru Narayana Rao is an ideal guide for the English-language reader's timely introduction to this long and vigorous literary tradition and to the generously varied poets whose accomplished, exotic, enigmatic voices speak to us here at last in the boundless tradition of all great poetry.
Ten Indian Classics showcases translations from a vast array of India’s literary traditions, Hindi, Kannada, Pali, Panjabi, Persian, Sanskrit, Telugu, and Urdu, with a foreword by the award-winning poet and translator Ranjit Hoskote. It is an invitation to explore classic literature that continues to shape modern South Asian culture and aesthetics.
Seven masterful short stories by a Russian author best known for his longer works.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi. From 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 30/10/1960 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXV. No. 44. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 08-48 ARTICLE: 1. The Story of the Alphabet: Syllabic Writing 2. Recent Scientific Activity 3. The Place of Essay In Literature 4. On playing Host 5. Trekking In Kashmir AUTHOR: 1. Jyoti Swaroup Saxena 2. Prof. M. S. Thacker 3. K. P. S. Sundaram 4. Major C. L. Proudfoot 5. Justice G. D. Khosla KEYWORDS : verbal roots,Serious difficulties, origin of writing Document ID : APE-1960-(J-D)-Vol-II-18 Prasar Bharati Archives has the copyright in all matters published in this and other AIR journals.For reproduction previous permission is essential.