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Tennant Creek and Australia’s Unresolved Past Winner of the 2022 Australian Political Book of the Year Award 'A drily elegant, bracing work from a pained and open heart' —Helen Garner 'Refreshing and original. A unique window on Australia's past and its barbed resonance today … Essential reading for anyone interested in the challenge of truth-telling.' —Mark McKenna 'A graceful, unostentatiously scholarly, wise (and highly readable) book on a subject of overwhelming and enduring significance for all Australians.' —Robert Manne The tale of a town, and a nation Returning after fifty years to the frontier town where he lived as a boy, Dean Ashenden finds Tennant Creek transformed, but its silence about the past still mostly intact. Provoked by a half-hidden account, Ashenden sets out to understand how the story of 'relations between two racial groups within a single field of life' has been told and not told, in this town and across the nation. In a riveting combination of memoir, reportage and political and intellectual history, Ashenden traces the strange career of the great Australian silence – from its beginnings in the first encounters of black and white, through the work of the early anthropologists, the historians and the courts in landmark cases about land rights and the Stolen Generations, to still-continuing controversy. In a moving finale, Ashenden goes back to Tennant Creek once more to meet for the first time some of his Aboriginal contemporaries, and to ask how the truths of Australia's story can best be told.
WINNER of the Gotham Book Prize * Finalist for the Los Angeles Times Art Seidenbaum Award, and the Ernest J. Gaines Award for Literary Excellence * Longlisted for the Story Prize Named a BEST BOOK OF THE YEAR by NPR, Kirkus Reviews, Library Journal, Chicago Review of Books, LitHub, and Electric Lit “A standout achievement…American speech is an underused commodity in contemporary fiction and it’s a joy to find such a vital example of it here.” —The Wall Street Journal From a superb new literary talent, a rich, lyrical collection of stories about a tight-knit cast of characters grappling with their own personal challenges while the forces of gentrification threaten to upend life as they know it. At Banneker Terrace, everybody knows everybody, or at least knows of them. Longtime tenants’ lives are entangled together in the ups and downs of the day-to-day, for better or for worse. The neighbors in the unit next door are friends or family, childhood rivals or enterprising business partners. In other words, Harlem is home. But the rent is due, and the clock of gentrification—never far from anyone’s mind—is ticking louder now than ever. In eight interconnected stories, Sidik Fofana conjures a residential community under pressure. There is Swan, in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, in apartment 21J, is a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for the tight-knit cast of characters as they weave in and out of one another’s narratives, working to escape their pasts and blaze new paths forward for themselves and the people they love. All the while we brace, as they do, for the challenges of a rapidly shifting future. Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience in this “singular accomplishment from a writer to watch” (Library Journal, starred review).
Nominated for the Center for Fiction First Novel Prize Nominated for the PEN/Robert W. Bingham Prize A boldly candid, raw portrait of a young woman's search for meaning and purpose in an indifferent world Purposefully aimless, self-destructive, and impulsively in and out of love, Elsie is a young woman who feels lost. She's in a tumultuous relationship, is stuck in a dead-end job, and has a relentless, sharp intelligence that’s at odds with her many bad decisions. When her initial attempts to improve her life go awry, Elsie decides that a dramatic change is the only solution. While traveling through Paris and Sri Lanka, Elsie meets people who challenge and provoke her towards the change she is seeking, but ultimately she must still come face-to-face with herself. Whole-hearted, fiercely honest and inexorably human, Wreck and Order is a stirring debut novel that, in mirroring one young woman's dizzying quest for answers, illuminates the important questions that drive us all.
Noel Okay, so my life is officially at rock bottom. I’m 26 with nothing more to show for myself than a mountain of debt I can't pay back because I just got fired from my job as an assistant manager at a third-rate fast food chain. So, when I get a phone call from a rude lawyer telling me that my great aunt Sophie has died and she's left me a house - a whole damn house! - in Alexandria, Louisiana, I jump at the opportunity to skip out on next month's rent, since I can't afford it anyway. I maybe should have thought about this a little bit longer, because what I find when I get to the house on 2320 Fleur Belle Court is a two-story Victorian dump. The floors creak, the water temperature is either ice cold or scalding hot and I swear it feels like there’s someone watching me. I'm pretty sure this place is haunted. Ruby Of course, this house is haunted. I've been here since 1933 and nothing is getting me out of here, especially not Noel Delisle. His people stole this house from my cold dead hands, and he'll get what his ancestors had coming. Too bad. He’s the prettiest Delisle I’ve ever seen and sometimes I swear he can see me and feel me. I can sure feel him. Content Warnings Mentions of slavery Mentions of physical abuse Mentions of Rape Drowning murder Gunplay Use of a racial slur
First published in 1982, Making the Difference has become a classic in the study of education and of Australian society. Hailed on publication as 'certainly the most interesting book written about Australian schools in a very long time [and] arguably the most important', it has since been recognised as one of the 10 most influential works of Australian sociology, 'not just a major argument, and a 'classic' point of reference, [but] an event, an intervention in ways of doing research and speaking to practice, a methodology, a textual style. it was designed to be read by a much wider audience than the standard sociological text, and it has succeeded'. Making the Difference draws on a detailed study of the schools and homes of the powerful and the wealthy, and of ordinary wage-earners. It allows children, parents and teachers to speak for themselves and from what they say it develops strikingly new ways of understanding 'educational inequality', of how the class and gender systems work, and of schools and their social roles. 'Equality of opportunity', co-education, and 'relevant and meaningful curriculum' are all questioned, sympathetically but incisively. Ranging across educational policy from system level to the everyday experience of kids and teachers, from the problems of schooling to the production of class and gender relations, this path-breaking combination of theory, research and politics remains engaging, thought-provoking, and relevant.
A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”
Reprint of the original, first published in 1881.
Sixteen-year-old Jess Tennant has never met any of her relatives, until her mom suddenly drags her out of London to spend the summer in the tiny English town where her family's from. Her mom's decision is surprising, but even more surprising is the town's reaction to Jess. Everywhere she goes, people look at her like they've seen a ghost. In a way, they have—she looks just like her cousin Freya, who died shortly before Jess came to town. Jess immediately feels a strange connection to Freya, whom she never got to meet alive. But the more Jess learns about the secrets Freya was keeping while she was alive, the more suspicious Freya's death starts to look. One thing is for sure: this will be anything but the safe, boring summer in the country Jess was expecting. Beloved author Jane Casey breaks new ground with How to Fall, a thrilling and insightfully written mystery.