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The star ballerina finally marries the major league baseball player... ...and the truth about Linc and Tally—his being her air and she being his water—becomes clear when these two finally realize that their love is all that matters. But that was the first day. The day they said, “I do." The day the demons seemed to leave them alone, at least, for a little while. Nonetheless, there were other days, when all the lies of the past and their ways of coping with their fears caught up to them. And, this is that story. "If you believe in fairy tales and happy endings, and you want to stop right here and bask in the wonderment and joy of it all, please do. If you want to know the rest of our story, you need to take a deep breath and tell yourself that everything will be okay, that everything works out, and life happens, and in the end love is all you need. Someone has to tell you these things, just like someone had to tell me. All I know is that the truth never dies, and it does set you free, whether you want it to or not. And in the end? All you have is love. Love is all there is." ~ Talia Landon Presley Author’s note: Tell Me Something True CANNOT be read as a standalone novel. There are two books in the Truth In Lies Series before this one. Those books are: This Much Is True, Book 1 and The Truth About Air & Water, Book 2. READ those two novels first and then read this one. Truth In Lies Series Reading Order: This Much Is True The Truth About Air & Water Tell Me Something True Keep up to date on Owen's novel release dates and other news, sign up for her newsletter http://eepurl.com/benyOD or stop by her website: www.katherineowen.net.
"If you have trouble distinguishing the verbs imitate and emulate, the relative pronouns that and which, or the adjectives pliant, pliable, and supple, never fear--How to Tell Fate from Destiny is here to help! With more than 500 headwords, the book is replete with advice on how to differentiate commonly confused words and steer clear of verbal trouble"--
Recognizing the Stranger is the first monographic study of recognition scenes and motifs in the Gospel of John. The recognition type-scene (anagnōrisis) was a common feature in ancient drama and narrative, highly valued by Aristotle as a touching moment of truth, e.g., in Oedipus’ tragic self-discovery and Odysseus’ happy homecoming. The book offers a reconstruction of the conventions of the genre and argues that it is one of the most recurrent and significant literary forms in the Gospel. When portraying Jesus as the divine stranger from heaven, the Gospel employs and transforms the formal and ideological structures of the type-scene in order to show how Jesus’ true identity can be recognized behind the half-mask of his human appearance.
Mar&ía de Zayas y Sotomayor (1590&–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desenga&ños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her &“scandalous&” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas&’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the &“desire for readers&” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas&’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas&’s own cultural context in shaping her work. She discusses Zayas&’s biography and the reception of her publications; her advocacy of women&’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
Speech-act theory is the interdisciplinary study of the wide range of things we do with words. Originally stemming from the influential work of twentieth-century philosophers, including J. L. Austin and Paul Grice, recent years have seen a resurgence of work on the topic. On one hand, a new generation of linguists, philosophers, and cognitive scientists have made impressive progress toward reverse-engineering the psychological underpinnings that allow us to do so much with language. Meanwhile, speech-act theory has been used to enrich our understanding of pressing social issues that include freedom of speech, racial slurs, and the duplicity of political discourse. This volume presents fourteen new essays by many of the philosophers and linguists who have led this resurgence. The topics span a methodological range that includes formal semantics and pragmatics, foundational issues about the nature of linguistic representation, and work on a variety of forms of indirect and/or uncooperative speech that occupies the intersection of the philosophy of language, ethics, and political philosophy. Several of the contributions demonstrate the benefits of integrating the methodologies and perspectives of these literatures. The essays are framed by a comprehensive introductory survey of the contemporary literature written by the editors.