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Inventing counterfactual histories is a common pastime of modern day historians, both amateur and professional. We speculate about an America ruled by Jefferson Davis, a Europe that never threw off Hitler, or a second term for JFK. These narratives are often written off as politically inspired fantasy or as pop culture fodder, but in Telling It Like It Wasn’t, Catherine Gallagher takes the history of counterfactual history seriously, pinning it down as an object of dispassionate study. She doesn’t take a moral or normative stand on the practice, but focuses her attention on how it works and to what ends—a quest that takes readers on a fascinating tour of literary and historical criticism. Gallagher locates the origins of contemporary counterfactual history in eighteenth-century Europe, where the idea of other possible historical worlds first took hold in philosophical disputes about Providence before being repurposed by military theorists as a tool for improving the art of war. In the next century, counterfactualism became a legal device for deciding liability, and lengthy alternate-history fictions appeared, illustrating struggles for historical justice. These early motivations—for philosophical understanding, military improvement, and historical justice—are still evident today in our fondness for counterfactual tales. Alternate histories of the Civil War and WWII abound, but here, Gallagher shows how the counterfactual habit of replaying the recent past often shapes our understanding of the actual events themselves. The counterfactual mode lets us continue to envision our future by reconsidering the range of previous alternatives. Throughout this engaging and eye-opening book, Gallagher encourages readers to ask important questions about our obsession with counterfactual history and the roots of our tendency to ask “What if...?”
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Grace: Telling It like It Is is a collection of life stories from people who live all over the world paired with inspired designs that readers are free to color in any way they desire. Whether you are dealing with an addiction, struggle of infertility, the loss of a child, or other difficult life experiences, the hope is that you can find some comfort and encouragement while reading this book. Several men and women who have lived through horrible ordeals have been gracious enough to share their stories with me in the hopes that their own personal stories will inspire the reader. Those who have contributed to this book have surrendered their lives to the God of the universe and desire to share their stories with others in need of motivation. They are eager for their stories to touch others' lives and make a difference. Most importantly, this book stands as a guide to help those hurting and broken to know that they are not alone. Jesus has taken all of your brokenness and hurt onto Himself. For those who are grieved and tormented needing to feel God's love or who don't know God, this book is for you. These stories are about God's marvelous and, in some cases, miraculous action in the lives of ordinary, everyday people""people living normal lives but trusting God to enable them to do wonderful things for His kingdom. Most are living lives that are far better than what they ever imagined possible. This book is about how God uses ordinary people to do extraordinary things. It is believed that this book will uplift the reader to live their lives and go after the heart of God so that He can use them to do things they never imagined possible. This book is meant to show those who don't know God what exactly His love for His children looks like. God is love and the love He has for His children is more than anyone can imagine, and the prayer of this book is that others see that love.
This autobiographical work is truly the capstone to the career of the man widely regarded as the "Father of Black Theology." Dr. Cone, a distinguished professor at Union Theological Seminary, died April 27, 2018. During the 1960s and O70s he argued for racial justice and an interpretation of the Christian Gospel that elevated the voices of the oppressed.ssed.
**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
The compelling, groundbreaking guide to creative writing that reveals how the brain responds to storytelling Stories shape who we are. They drive us to act out our dreams and ambitions and mold our beliefs. Storytelling is an essential part of what makes us human. So, how do master storytellers compel us? In The Science of Storytelling, award-winning writer and acclaimed teacher of creative writing Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can write better stories, revealing, among other things, how storytellers—and also our brains—create worlds by being attuned to moments of unexpected change. Will Storr’s superbly chosen examples range from Harry Potter to Jane Austen to Alice Walker, Greek drama to Russian novels to Native American folk tales, King Lear to Breaking Bad to children’s stories. With sections such as “The Dramatic Question,” “Creating a World,” and “Plot, Endings, and Meaning,” as well as a practical, step-by-step appendix dedicated to “The Sacred Flaw Approach,” The Science of Storytelling reveals just what makes stories work, placing it alongside such creative writing classics as John Yorke’s Into the Woods: A Five-Act Journey into Story and Lajos Egri’s The Art of Dramatic Writing. Enlightening and empowering, The Science of Storytelling is destined to become an invaluable resource for writers of all stripes, whether novelist, screenwriter, playwright, or writer of creative or traditional nonfiction.
Debut author Laura Tims writes an intense and utterly gripping contemporary YA tale perfect for fans of Pretty Little Liars. Joy has done everything to protect her twin sister...including murder. Joy killed Adam Gordon for what he did to her sister, Grace. At least, that’s what she thinks happened. Now Adam can’t hurt anyone ever again, and her sister can be free from the boy who harmed her. But someone else knows what Joy did, and they’re going to out her as a cold-blooded killer if she doesn’t expose the scandalous secrets bubbling just below the surface of her mundane town. As the demands escalate, and she finds herself falling for Adam’s half brother, Joy must figure out the blackmailer’s identity before everything spirals out of control.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
Now an original movie on Prime Video starring Anne Hathaway and Nicholas Galitzine! When Solène Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favorite boy band, she does so reluctantly and at her ex-husband’s request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s disparate worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. And for Solène, it is as much a reclaiming of self, as it is a rediscovery of happiness and love. When their romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her new status has impacted not only her life, but the lives of those closest to her.
Pleeaze! Tell me that wasnt a teacher! is a humorously written, anecdotal account based on the multifarious events and incidents the author, Nick Crozby, has been privileged to encounter, enjoy and occasionally suffer during his long career in education. The events related were real but the names of all those involved have been changed to preserve anonymity. Pleeaze! Tell me that wasnt a teacher! follows his hesitant steps as a trainee teacher, struck dumb during an early lesson, confronted by parents in his first few weeks of teaching, and then encountering talented and dangerous pupils. Near disasters at a steel works, sea sickness on a ferry, claustrophobia down a coalmine and narrowly escaping avalanches in the Alps are just some of the fun times he enjoyed with his pupils. With his well-chosen stories and incidents Nick not only entertains but informs the reader about the nefariouscolourful behind the scenes goings on in the educational world. The dialogue is colourfully illustrated with many incidents some sad, others naughty and some very moving. Nick encountered a stuttering sportsman, a one handed pupil and even a boy brought up in a kennel providing him and you the reader with many poignant moments. He describes attempts to involve the wider community encountering in the process cases of child abuse, meeting a target criminal and working with police and social services on a regular basis. Incidents and characters seemed to follow him during his time in higher education Many pupils stand out for different reasons and Nick is still in contact with several of them. Nick Crozby married his childhood sweetheart and has been happily married for over 50 years. They have two children and three grandchildren. Nick Crozby is the authors pen name.