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Telex : Iran is an extraordinarily personal document of a public event. The photographs Gilles Peress took over a five-week period during the 1979/80 seizure of the American embassy in Tehran form neither a study nor an analysis. Peress didn't plan to go to Iran: the instant imagery, the caricatures of "fanatics" on his TV got to him. He felt the need to understand for himself the apparent madness about which the Western media could only generalize
Fotos fra Bosnien 1993
A fresh look at Iranian popular culture and women's role within this prior to the 1979 Revolution.
The Iran-United States Claims Tribunal is arguably the most significant arbitral institution of the twentieth century. Although the completion of its last few cases could take a long time, the Tribunal's impressive work must be made available now as a guide to the resolution of ongoing disputes and for future tribunals. The Tribunal has, by this point, disposed of well over 98 percent of its caseload. Little more remains for its participants to learn, but the Tribunal shows no signs of fading away. Both of the two States Parties, for different reasons, see greater advantage in the Tribunal's prolongation than in its elimination. The authors have succeeded in dealing with all of the most deserving Tribunal subjects. Moreover, their intimate involvement in and knowledge of the Tribunal ensure that their book is a fascinating, important, and indispensable contribution to the literature of International Law. This is a definitive book on a monumental event in the law and in history at the close of a century. "The Iran-United States Claims Tribunal" was awarded the ASIL Certificate of Merit.
Using the exploits of three international hackers, Cyberpunk explores the world of high-tech computer rebels and the subculture they've created. In a book as exciting as any Ludlum novel, the authors show how these young outlaws have learned to penetrate the most sensitive computer networks and how difficult it is to stop them.
Moises Saman, born in Lima, Peru, in 1974, was a Los Angeles college student when he traveled Chiapas to photograph the aftermath of the 1995 Zapatista uprising. After graduation he traveled to Kosovo, and he's been working as a photojournalist ever since. Saman was one of only a few American photographers to remain in Baghdad during the 2003 Coalition bombing campaign, when he was arrested and accused of espionage by the Iraqi secret police. He spent eight days in prison before being deported to Jordan, after which he returned to continue his coverage. In this book, he returns to Afghanistan. The dramatic photographs collected in Afghanistan Broken Promises track five years of conflict in that country, and observe the apparent failure of the reconstruction effort: due to violence and government corruption, all of the large-scale reconstruction projects outside Kabul are at a standstill, while high-rise luxury hotels and late-model BMWs can be seen all over the capital. As before and during Taliban rule, warlords and militias control whole provinces without regard for human rights. And now the Taliban itself has been embarking on major offensives again. Broken Promise observes the lives of Afghan civilians beginning with the 2001 U.S. invasion and up through the resurgence of violence in 2006-07. Saman is a full-time photographer for Newsday.
Reveals how the Federal Reserve under Paul Volcker engineered changes in America's economy.
A photographic documentation of the Beatty-Cole Circus, recording and portraying the customs, activities, animals, and singular personalities of an endangered way of life.
Richard Kalvar, a member of the elite club of Magnum photographers, has an exceptional eye and a talent for catching moments when societal behavior becomes humorous or shifts into the absurd. His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. He explores everyday life but with an altogether fresh perspective, at times funnier or darker. This collector's monograph was produced in conjunction with the artist from photographic "evidence" compiled on his travels from Rome to Paris, New York to Varsovie, and San Francisco to Tokyo.This is the first monograph published on Kalvar, one of the world's most important post war photographers.