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Trading cards based on popular television series and comic book characters were incredibly prolific and popular during the 1960s, '70s, and '80s. This pictorial study includes such comics and TV shows as Stingray, Supercar, Thunderbirds, Doctor Who and the Daleks, The Man from UNCLE, Superman, Tarzan, The Incredible Hulk, Robin Hood, Sea Hunt, and Amos Burke-Secret Agent, as well as toddler favorites Andy Pandy, Lenny the Lion, Noddy, Pinky and Perky, and Sooty and Sweep, and cartoon classics Bugs Bunny, The Flintstones, Huckleberry Hound, Popeye, Quick Draw McGraw, and Yogi Bear. In some cases, enlarging the artwork has not done the finished product any favours; in other cases, we can finally see what the artist achieved and do him justice.This is not a defining history or a definitive collection, but a small contribution to the study of a mostly forgotten and ignored area of popular culture. If it turns out to be nothing else, it will be a warm buzz of nostalgia.Also included is a short section on jigsaw puzzles from the same era, featuring Gerry Anderson and Hanna-Barbera creations.This is part of the fun 4 fans series of pictorial 20th century histories that also includes Spirit of the '60s and Visions of the Future From the Past.
Originally broadcast on American television between 1952 and 1969, the 30 situation comedies in this work are seldom seen today and receive only brief and often incomplete and inaccurate mentions in most reference sources. Yet these sitcoms (including Angel, The Governor and J.J., It's a Great Life, I'm Dickens ... He's Fenster and Wendy and Me), and the stories of the talented people who made them, are an integral part of television history. With a complete list of production credits and rare publicity stills, this volume, based on multiple screenings of episodes, corrects other sources and expand our knowledge of television history.
Reflections on collecting baseball cards in childhood accompany remarks on the skills and achievements of players whose pictures were found in bubble gum packages
Take a fun look back at Quacker Oats, Blisterine, and more classic packaging parodies—plus an interview with creator Art Spiegelman! Known affectionately among collectors as “Wacky Packs,” the Topps stickers that parodied well-known consumer brands were a phenomenon in the 1970s—even outselling the Topps Company’s baseball cards for a while. But few know that the genius behind it all was none other than Art Spiegelman—the Pulitzer Prize–winning graphic novelist who created Maus. This treasury includes an interview with Spiegelman about his early career and his decades-long relationship with the memorabilia company—as well as a colorful compendium that will bring back memories of such products as Plastered Peanuts, Jail-O, Weakies cereal, and many more. Illustrated by notable comics artists Kim Deitch, Bill Griffith, Jay Lynch, Norm Saunders, and more, this collection is a visual treat, a load of laughs, and a tribute to a beloved product that’s been delighting kids (and adults) for decades.
Presents a pictorial history of television broadcasting in Detroit, Michigan.
This book looks at the origins and growth of television through the pages of TV Guide and covers the complete run of this American icon from the first guides in 1953 to the last issue in guide format on October 9, 2005. It includes full color reproductions of every cover ever printed, and is both a collector's guide with pricing included, and a retrospective view of the medium.
Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award The Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively —; as authentic, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the myth of the Heartland endures. Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience. Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
Featuring over 200 full-colour photos of both b/w and colour television sets, this guide identifies and estimates the values of post-war televisions, primarily those manufactured from 1945 to 1960. This book references over 1,400 vintage television sets. Included with each listing is information about the size of the screen, year of manufacture, cabinet composition, and current value.
Text and more than 400 illustrations provide information on every science fiction and fantasy program that has been shown on television.