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This book profiles characters who were featured in some of the most popular television shows of the 1960s. Each entry includes personal details that were revealed during each show's run: names, addresses, maiden names, nicknames, date of births, phone numbers, relatives, and other fascinating details.
By 1960, watching television had become the pastime of millions of viewers around the world. Week after week, audiences tuned in to watch their favorite programs and catch up with their favorite characters. During the 1960s, some of the most beloved shows of all time originally aired, including The Andy Griffith Show, The Fugitive, Get Smart, The Man from U.N.C.L.E., and The Wild, Wild West. Even after these shows departed the airwaves, they lived on in syndication, entertaining several generations of viewers. Devoted and casual fans alike can probably remember basic facts about these shows—like the name of Rob Petrie’s boss on The Dick Van Dyke Show or the original captain of the USS Enterprise—but more obscure facts, like Barney Fife’s middle name, might be harder to recall. In Television Series of the 1960s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy-five programs from the decade. For example, did you know that on The Addams Family, Lurch’s mother wanted him to become a jockey? Or that on The Avengers, John Steed had a pet dog named Freckles? Or that Patty and Cathy Lane of The Patty Duke Show had a distant cousin named Betsy Lane? These are but a few of the hundreds of fun and intriguing specifics contained within this volume. Shows from all three major networks (ABC, CBS, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of the facts associated with each of these programs. From Mister Ed’s social security number to the zip code for Hooterville on Green Acres, readers will discover a wealth of fascinating information that, for the most part, cannot be found anywhere else. In some cases, the factual data detailed herein is the only such documentation that exists. Television Series of the 1960s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
Batman: A Celebration of the Classic TV Series is the definitive book for all fans of the popular Sixties show. Presented in a lavish hardcover edition, the book features classic images, rare stills, photography and production art and serves as the ultimate tribute for fans of the series. Now at long last, collectors and Bat-fans alike can indulge in a detailed and in-depth look at the show that inspired generations. BATMAN and all related characters and elements are trademarks of and (c) DC Comics. (s15)
The Fugitive made its debut on ABC on September 17, 1963. Over the next four seasons, the show enjoyed enormous commercial and critical success. Millions of fans followed the heroic exploits of Dr. Richard Kimble (David Janssen) as he eluded police lieutenant Philip Gerard (Barry Morse) and doggedly pursued the killer of his wife, the notorious one-armed man. The four-year television run was a commercial and critical success and the 1993 movie of the same name sparked renewed interest in the show. The coverage is episode-by-episode: title, cast lists, director, writer, original airdate, and a comprehensive plot synopsis.
Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.
Caricatures of sixties television--called a "vast wasteland" by the FCC president in the early sixties--continue to dominate our perceptions of the era and cloud popular understanding of the relationship between pop culture and larger social forces. Opposed to these conceptions, The Revolution Wasn't Televised explores the ways in which prime-time television was centrally involved in the social conflicts of the 1960s. It was then that television became a ubiquitous element in American homes. The contributors in this volume argue that due to TV's constant presence in everyday life, it became the object of intense debates over childraising, education, racism, gender, technology, politics, violence, and Vietnam. These essays explore the minutia of TV in relation to the macro-structure of sixties politics and society, attempting to understand the struggles that took place over representation the nation's most popular communications media during the 1960s.
Television of the 1970s reflected the shifting attitudes of the nation, as more shows attempted to represent social changes across the country. Edgier programs like All in the Family and M*A*S*H pushed the boundaries of popular programming to become standards of quality viewing. At the same time, the small screen began to acknowledge that viewers were open to more diverse programming, resulting in hit shows like Sanford and Son and Good Times. Some of the most beloved shows of all time originally aired during the 1970s, including Columbo, Happy Days, Little House on the Prairie,and The Mary Tyler Moore Show. Even after these shows departed the airwaves, they live on in syndication and on DVDs, entertaining many generations of viewers. In Television Series of the 1970s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy programs from the decade. For example, did you know that Jim Ignatowski on Taxi attended Harvard? Or that John-Boy Walton was a reporter for the Jefferson County Times? Or that Lieutenant Columbo’s favorite sandwich was peanut butter and raisins? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all three major networks (ABC, CBS, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. FromOscar Madison’s middle name on The Odd Couple to Jim Rockford’s license plate number, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on bygone shows of the era. Television Series of the 1970s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
Slavery is back. America, 1962. Having lost a war, America finds itself under Nazi Germany and Japan occupation. A few Jews still live under assumed names. The 'I Ching' is prevalent in San Francisco. Science fiction meets serious ideas in this take on a possible alternate history.
Trading cards based on popular television series and comic book characters were incredibly prolific and popular during the 1960s, '70s, and '80s. This pictorial study includes such comics and TV shows as Stingray, Supercar, Thunderbirds, Doctor Who and the Daleks, The Man from UNCLE, Superman, Tarzan, The Incredible Hulk, Robin Hood, Sea Hunt, and Amos Burke-Secret Agent, as well as toddler favorites Andy Pandy, Lenny the Lion, Noddy, Pinky and Perky, and Sooty and Sweep, and cartoon classics Bugs Bunny, The Flintstones, Huckleberry Hound, Popeye, Quick Draw McGraw, and Yogi Bear. In some cases, enlarging the artwork has not done the finished product any favours; in other cases, we can finally see what the artist achieved and do him justice.This is not a defining history or a definitive collection, but a small contribution to the study of a mostly forgotten and ignored area of popular culture. If it turns out to be nothing else, it will be a warm buzz of nostalgia.Also included is a short section on jigsaw puzzles from the same era, featuring Gerry Anderson and Hanna-Barbera creations.This is part of the fun 4 fans series of pictorial 20th century histories that also includes Spirit of the '60s and Visions of the Future From the Past.