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Telemachy through Space and Time is a spatiotemporal fantasy fiction with new age characteristics, which refers to dreamlike journeys with a strange connection to reality. The lead character, a bourgeois, Telemachus Andronicus is overweight and works as a clerk in a bank. He learns that he has cancer and has six months left to live. He feels alienated and finds a way out in the complex world of dreams. He is experiencing incarnations in prehistoric (antediluvian) times, in ancient Greece, the fall of Constaninople, siege of Messologgi, the French Revolution, the Second World War two and he travels in other dimensions as well. Common thread of his travelling is on one hand a dark swamp which is an animate evil entity and on the other hand a black dressed man with unearthly mystic powers, who’s been persecuting him ever since. Soon the reality and subconscious are beginning to mingle in his sleep, putting his mental stability to the test. The only person who seems to believe in him is a strange, enigmatic and beautiful woman, who knows more than she lets out. In each of his incarnations he encounters different experiences which although seemingly unrelated, they become the key to unlock the ultimate truth at the end.
The Odyssey is one of the oldest works of Western literature, dating back to classical antiquity. Homer’s epic poem belongs in a collection called the Epic Cycle, which includes the Iliad. It was originally written in ancient Greek, utilizing a dactylic hexameter rhyme scheme. Although this rhyme scheme sounds beautiful in its native language, in modern English it can sound awkward and, as Eric McMillan humorously describes it, resembles “pumpkins rolling on a barn floor.” William Cullen Bryant avoided this problem by composing his translation in blank verse, a rhyme scheme that sounds natural in English. This epic poem follows Ulysses, one of the Greek leaders that brought an end to the ten-year-long Trojan war. Longing for home, he travels across the Mediterranean Sea to return to his kingdom in Ithaca; unfortunately, our hero manages to anger Neptune, the god of the sea, making his trip home agonizingly slow and extremely dangerous. While Ulysses is trying to return home, his family in Ithaca is also in danger. Suitors have traveled to the home of Ulysses to marry his wife, Penelope, believing that her husband did not survive the war. These men are willing to kill anyone who stands in their way. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in literary theory. The first part of the book draws on developments in narratology and cognitive science to propose a way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with insights into the fundamental narrative poetics of each.
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
Ancient Epic offers a comprehensive and accessible introduction to six of the greatest ancient epics – Homer's Iliad and Odyssey, Vergil's Aeneid, Ovid's Metamorphoses, and Apollonius of Rhodes' Agonautica. Provides an accessible introduction to the ancient epic Offers interpretive analyses of poems within a comprehensive historical context Includes a detailed timeline, suggestions for further readings, and an appendix of the Olympian gods and their Akkadian counterparts
The most eloquent translation of Homer's Odyssey into modern English.
With an introduction to the oral tradition which lay at the source of the Homeric epics and a discussion on the reception of the Homeric poems in Antiquity, this volume explores the mysterious figure of Homer, an author about whom little is known. Ruth Webb's translation is a revised and much expanded version of the original French text.
A journal of ancient world studies... main emphasis on Greece and Rome [but includes] the Ancient Near East and the Mediterranean from the beginnings of civilization to the Early Middle Ages.