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Tejo Tungabhadra tells the story of two rivers on different continents whose souls are bound together by history. On the banks of the river Tejo in Lisbon, Bella, a young Jewish refugee, and her family face daily threats to their lives and dignity from the deeply antisemitic society around them. Gabriel, her lover, sails to India with General Albuquerque's fleet seeking wealth and a secure future for themselves. Meanwhile, on the banks of the Tungabhadra in the Vijayanagara Empire, the young couple Hampamma and Keshava find themselves caught in the storm of religious violence and the cruel rigmarole of tradition. The two stories converge in Goa with all the thunder and gush of meeting rivers. Set in the late 15th and early 16th century, Tejo Tungabhadra is a grand saga of love, ambition, greed, and a deep zest for life through the tossing waves of history.
ತಾಯಿ ಮತ್ತು ಮಗನ ನಡುವಿನ ಸೂಕ್ಷ್ಮ ಒಡನಾಟದ ಹೃದ್ಯ ಬರಹಗಳು. ಈ ಪುಸ್ತಕಕ್ಕೆ ರಾಜ್ಯ ಸಾಹಿತ್ಯ ಅಕಾಡೆಮಿಯ ಪುಸ್ತಕ ಬಹುಮಾನ ಬಂದಿದೆ. A Kannada book by Chanda Pustaka ಛಂದ ಪುಸ್ತಕ
Mohanaswamy has just lost his long-time partner, Karthik, to a woman. Even as he scrutinizes himself, the choices he's made, the friends and lovers he's gained and lost, Mohanaswamy dreams of living a simple, dignified life. A life that will allow him to leave, even forget, the humiliation and fears of adolescence, the slurs his mind still carries around - gandu sule, hennu huli - and the despair that made him crave to conform. A coming out of the closet for Vasudhendra himself, these stories of homosexual love and lives jolted Kannada readers out of their notions of the literary and the palatable. The gritty narratives of Mohanaswamy explore sexuality, urbanisation and class with a nuance and an unflinching honesty that will both unnerve and move readers in English, and serve as a fine introduction to one of the strongest voices in Kannada literature.
AN ECLECTIC COLLECTION OF STORIES BY ONE OF INDIA'S MOST EXCITING NEW WRITERS From the Karnataka Sahitya Akademi winner Vasudhendra comes a powerful collection of stories that shock, move and amuse by turns. As the characters struggle to find their feet in a fast-changing India, they mirror our unspoken dilemmas, torn loyalties and the loss of innocence. In the extremely popular 'Red Parrot', an innocuous image from childhood returns to haunt a man when he visits his idyllic hometown. In 'Recession', the desire for a child leads a couple down unexpected paths. In other stories, a young woman in love rethinks her future when buried family secrets are suddenly revealed; a boy learns that insomnia may be the symptom of something more ominous; lonely apartment residents discover the thrills and perils of social media. Deftly crafted with gentle wit and a lightness of touch, each gripping story exposes the deepest contradictions of modern life. The fluid translation retains the flavour and nuances of the original Kannada, creating a rich reading experience. FROM THE BOOK 'The dance was called Paper Dance, where couples were asked to dance within the boundaries of a newspaper spread out on the floor. Stepping out of the boundary led to disqualification. As Devika was single, someone from the crowd stepped forward. It was Vinayak Kulakarni. . . . Devika sensed her partner's hesitation. He would forget his steps the moment he touched her. His ears turned red and he refused to look into her eyes. His boisterous friends shouted to him from behind: "Hey, Kulki, come on, get closer." But, the more she boldly held his waist and drew him nearer, the more he would shrink; he held on to her gingerly. Devika egged him on nonstop, eventually helping him break out of his shyness. By the time the newspaper size shrank to the size of a paper towel, they were still in the game and, finally, Devika won. That was when she whispered her mobile number in his ear.'
In a coastline as long and diverse as India's, fish inhabit the heart of many worlds - food of course, but also culture, commerce, sport, history and society. Journeying along the edge of the peninsula, Samanth Subramanian reports upon a kaleidoscope of extraordinary stories.
One dark and stormy night, Dalpathado unexpectedly crosses paths with the narrator at Meenambakkam airport. The faceless, middle-aged man from Dalpathado’s past is there mourning the unexpected death of his daughter in a plane crash. After they spend a dangerous night in each other’s company, lashed by rain and reminiscence, neither man remains the same. Ghosts of Meenamkbakkam is a meditation on the violence that detonates human lives and the idea of love that endures all mayhem, even in death.
‘We are warriors, Painda. The Khalsa does not think of war as entertainment; death is not a joke, killing men is no festival,’ said Gobind. A boy grows up, suddenly, into adulthood when he is brought the severed head of his father. He is born to rule but never acts like a monarch. Invincible as a warrior, he has the soul of a mystic. Poetry fills his heart. Few men before or after him have used a bow as he does, few men mastered their sword like him. Guru Gobind Singh turned villagers into warriors, sent shivers up the spine of the army of Aurangzeb and set the foundation stone of the great Sikh empire. The Sacred Sword is a historical fiction based on his life and legend.
Anuradha Patwardhan, a legendary beauty in 1920s India, marries handsome and well-to-do doctor Vardhmaan, but their married years are challenged by the death of their child and the arrival of a mysterious girl.
Who were the Harappans? How are they related to present-day Indians? Was there never an "Aryan Invasion"? The Sarasvati Civilization: A New Paradigm in Ancient Indian History brings together evidence from satellite imagery, geology, hydrodynamics, archaeology, epigraphy, textual hermeneutics, and DNA research to place together ancient Indian history in the light of new discoveries and facts which were simply not available to colonial historians of the 19th century and have been overlooked thereafter. At the heart of the ancient Indian Civilization was the mighty Sarasvati river which was in full flow 5000-6000 years ago. 60-80 % of the so-called Indus Valley Civilisation sites which have been discovered are not on the banks of the Indus but on the course of the Sarasvati. The drying-out of the river is the most significant factor in the history and migrations of the ancient Indians. With new evidence, the time has come for a significant paradigm shift in Indology. This book breaks new ground to lay the foundation for an authentic Indian history.
The blind matriarch, Matangi-Ma, lives on the topmost floor of an old house with many stories. From her eyrie, she hovers unseeingly over the lives of her family. Her long-time companion Lali is her emissary to the world. Her three children are by turn overprotective and dismissive of her. Her grandchildren are coming to terms with old secrets and growing pains. Life goes on this way until one day the world comes to a standstill-and they all begin to look inward. This assured novel records the different registers in the complex inner life of an extended family. Like the nation itself, the strict hierarchy of the joint-family home can be dysfunctional, and yet it is this home that often provides unexpected relief and succour to the vulnerable within its walls. As certainties dissolve, endings lead to new beginnings. Structured with the warp of memory and the weft of conjoined lives, the narrative follows middle India, even as it records the struggles for individual growth, with successive generations trying to break out of the stranglehold of the all-encompassing Indian family. Ebbing and flowing like the waves of a pandemic, the novel is a clear-eyed chronicle of the tragedies of India's encounter with the Coronavirus, the cynicism and despair that accompanied it, and the resilience and strength of the human spirit.