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When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture, the diversity of which is nowhere more evident than in the folk art and folk craft. This first book-length publication to focus on Texas-Mexican material culture shows the richness of Tejano folk arts and crafts traditions.
Examines the cultural geography of Tejano South Texas and the Mexican ancestry of its residents, discussing where they originated, when they came to Texas, and how the area differs from other Mexican American regions.
Originally published under title: Dictionary of Chicano folklore. Santa Barbara, Calif.: ABC-CLIO, c2000.
Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. Latino folklore is a fun and fascinating subject to many Americans, regardless of ethnicity. Interest in—and celebration of—Latin traditions such as Día de los Muertos in the United States is becoming more common outside of Latino populations. Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions provides a broad and comprehensive collection of descriptive information regarding all the genres of Latino folklore in the United States, covering the traditions of Americans who trace their ancestry to Mexico, Spain, or Latin America. The encyclopedia surveys all manner of topics and subject matter related to Latino folklore, covering the oral traditions and cultural heritage of Latin Americans from riddles and dance to food and clothing. It covers the folklore of 21 Latin American countries as these traditions have been transmitted to the United States, documenting how cultures interweave to enrich each other and create a unique tapestry within the melting pot of the United States.
The uniquely Texan system that arose from the state's agricultural heritage, a mixture of practices and traditions from New Spain, Mexico, Europe, and the South, was the foundation for Texas' economic strength after the Civil War. In "Texas Roots," Jones brings alive this aspect of the state's history that contributed immeasurably to its identity and prosperity.
Hispanic culture is woven into all aspects of Texas life, from mission-style architecture to the highly popular Tex-Mex cuisine, from ranching and rodeo traditions to the Catholic religion. So common are these Hispanic influences, in fact, that they have been widely accepted as a part of everyone's heritage, comfortingly familiar and distinctively Texan. This new edition of Hispanic Texas contains all the guidebook entries of the original volume in a compact format perfect for taking along on trips throughout the state. Entries are arranged by region: San Antonio and South Texas Laredo and the Rio Grande Valley El Paso and Trans-Pecos Texas Austin and Central Texas Houston and Southeast Texas Dallas and North Texas Lubbock and the Plains Within each region, a city-by-city listing details the historic and modern sites and structures that bear Hispanic influence. Descriptions of local festivals and events, public art, museums, natural areas, and scenic drives enhance the entries, which are also profusely illustrated with historic and modern photographs and other illustrations.
Over a period of some twenty years, Mexican-born artisan Dionicio Rodríguez created imaginative sculptures of reinforced concrete that imitated the natural forms and textures of trees and rocks. He worked in eight different states from 1924 through the early 1950s but spent much of his early career in San Antonio, where several of his creations have become beloved landmarks. More than a dozen of Rodríguez’s works have been included on the National Register of Historic Places. Patsy Pittman Light has spent a decade documenting the trabajo rústico (“rustic work”) of Rodríguez, along with its antecedents in Europe and Mexico, and the subsequent work of those Rodríguez trained in San Antonio. Rodríguez’s unique and unusual art will fascinate those new to it and delight those to whom it is familiar. San Antonio sites such as the bus stop on Broadway, the faux bois bridge in Brackenridge Park, and the “rocks” on the Miraflores Gate at the San Antonio Museum of Art, along with the Old Mill at T. R. Pugh Memorial Park in North Little Rock and Memorial Park Cemetery in Memphis, are just a few of the locations covered in this volume celebrating the life and work of a Latino artisan. Students and devotees of Texas and Southwestern art will welcome this book and its long-overdue appreciation of this artist. Additionally, this book will commend itself to those interested in Latino studies, art history, and folklore.