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"Teer-e-Neemkash: Mirza Ghalib's Gems of Meaning" is an honest and humble attempt to bring Ghalib’s poetry close to the readers of English language so they can appreciate the genius that Ghalib is. The book presents a heart-felt, immersive, insightful and profound discussion in English on Ghalib's Urdu poetry. Classifying Ghalib's poetry into themes, it is a study in perspective aimed at bringing the greatest poet closer to the English readers, celebrating Ghalib's astounding poetry.
This book has the unique distinction of presenting, in one compendious volume, the best of Ghalib in poetry and prose. It contains 104 ghazals, seven miscellaneous poems, and a bouquet of sixty-eight selected letters, besides a few striking couplets and qitas. The ghazals and poems are first given in the original form in calligraphic Urdu. This is followed, on the opposite page, by their English translation, couched in a language that is simple, lucid and rhythmical. The ghazals and poems have also been provided with a transliterated version in the Roman script. This should enable the non-Urdu-knowing reader to have a feel and flavour of the Urdu text. In addition, the book contains a critical-cum-biographical introduction which is comprehensive, well-documented, and insightful. It is hoped that the book will receive a welcome response from the lovers of Ghalib, who was an outstanding poet fit to rank with the greatest poets of the world, and a precious part of our cultural heritage.
This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.
Maangey Allah se bas itni dua hai Rashid Main jo Urdu mein vaseeyat likhoon beta parh ley All Rashid asks of Allah is just one small gift: If I write my will in Urdu, may my son be able to read it. Urdu, one of the most widely used languages in the subcontinent, is, sadly, dying a slow death in the land where it was born and where it flourished. This definitive collection spans over 200 years of Urdu poetry, celebrating well-known and relatively unknown poets alike. It is essential reading for all who love Urdu verse and for all looking for the ideal introduction.
This book offers a representative selection of humorous and satirical Urdu poetry, drawn from the works of seventeen major poets, including the classics like Mohammed Rafi Sauda and Akbar Allahabadi, besides the famous practitioners of this art in the 20th century. The poems are chosen on the basis of their artistic and thematic quality. These are then translated, verse by verse, into English, and transliterated in the Roman script for the benefit of the non-Urdu-knowing reader. This is probably the first book of its kind in Urdu-English translated literature.
A Brilliant Biography Of Nineteenth Century India S Greatest Poet Mirza Mohammad Asadullah Khan Ghalib Began Writing Poetry In Persian At The Age Of Nine And The Pre-Eminent Poet Of The Time, Mir, Predicted A Great Future For The Precocious Genius When He Was Shown His Verse. But Success And Material Rewards Did Not Come To Ghalib Easily For The Times Were Against Him, And He Did Not Suffer Fools Gladly Even If They Occupied Positions Of Importance. Ghalib Was At The Height Of His Powers When Events Took A Turn For The Worse. First Came The Decline Of The Mughal Court, Then The Rise Of The British Empire And, Finally, The Revolt Of 1857. Though Ghalib Lived Through The Upheavals And Purges Of The Revolt, In Which Many Of His Contemporaries And Friends Died And His Beloved Delhi Was Irrevocably Changed, He Was A Broken Man And Longed For Death. When He Died, On 15 February 1869, He Left Behind Some Of The Most Vivid Accounts Of The Events Of The Period Ever Written. In This Illuminating Biography Pavan K. Varma Evocatively Captures The Spirit Of The Man And The Essence Of The Times He Lived In.
The fifteenth century saint-poet Kabir's extempore outpourings of songs and couplets numbering thousands have been hailed widely for their deep spiritual fervour and poetic quality. They are widely read with rapture and regard by old and young alike in India. Kabir's couplets which are considered as rich gems for their spiritual message and worldly wisdom have not been rendered into English so far. Here are rhymed English verse translation of three hundred of them from a wide cross-section of the multifaced genius' utterances. Under each verse has been given a few lines in prose to help the reader grasp the underlying import of the message of the saint-poet.
Amit Basole teaches Economics at Azim Premji University, Bangalore. Urdu poetry as well as history and architecture of the Indian subcontinent are his passions. Anjum Altaf is a South Asian living in Lahore. He is the author of Transgressions: Poems Inspired by Faiz Ahmed Faiz, Aakar Books Delhi 2019, Liberty Books Karachi 2020.
Mirza Ghalib is perhaps the most widely chronicled Urdu poet in English. But few can pithily capture the essence of his life and work as enjoyably as Raza Mir can. In this lively, witty and illuminating account, Ghalib emerges from these pages as a man of his time but also one who looms large over history. Raza infuses his research with just the right amount of anecdote and trivia, evoking Ghalib as an outspoken genius, a game-changer who never shied away from aiming a witty barb (or three) at his rivals. Moreover, Ghalib also lived in a crucial age that saw the end of Mughal rule and the destruction of his beloved Delhi. Ghalib: A Thousand Desires also comprises a selection of the great poet's most enduring poems and ghazals, accompanied by Raza's insightful commentary that decodes underlying themes and meanings in these verses.
W. H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech. Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry. As I Walked Out One Evening contains some of Auden's most memorable verse: "Now Through the Night's Caressing Grip," "Lullaby: Lay your Sleeping Head, My Love," "Under Which Lyre," and "Funeral Blues." Alongside them are less familiar poems, including seventeen that have never before appeared in book form. Here, among toasts, ballads, limericks, and even a foxtrot, are "Song: The Chimney Sweepers," a jaunty evocation of love, and the hilarious satire "Letter to Lord Byron." By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting.