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Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids. "A powerful book."—Samuel G. Freedman, New York Times Book Review "[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."—Ann Grimes, Washington Post Book World "There is no comparable study of teenage suburban culture . . . and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."—Andrew Ross, Transition "An outstanding case study. . . . Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."—Richard Lachman, Contemporary Sociology "The best book on contemporary youth culture."—Rolling Stone
First appearing in the pages of Seventeen Magazine, “Teenage Wasteland” has become one of Anne Tyler’s most widely beloved short stories—an affecting and masterful portrait of a life interrupted and a family come undone. Daisy Coble had been a good mother, and so she was ashamed to find out from Donny’s teacher that he had been misbehaving. He was noisy, lazy, disruptive, and he was caught smoking. At night, she lay awake wondering where she had gone wrong, and how she could have failed as a parent. Unsure of herself, Daisy follows the advice of professionals, and hires Donny a tutor with some unusual ideas to set the boy straight. But, has the gap between them grown too wide to bridge? A Vintage Short.
The horrorfilm subgenre; slasher is described from the beginning 1978 until 1984, which is considered the pinnacle of this movement.
Collects Ms. Marvel (2015) #25-30. Kamala Khan has vanished! But where has she gone, and why? Jersey City still needs heroes, and dozens have begun stepping up to the plate in the wake of Ms. Marvel’s disappearance. The city’s newest super hero, Red Dagger, and even ordinary citizens attempt to carry on the brave fight in Kamala’s honor. Somehow, Ms. Marvel is nowhere but also everywhere at once! Absent but not forgotten, Ms. Marvel has forged a heroic legacy to be proud of. But when an old enemy re-emerges, will anyone be powerful enough to truly carry that legacy — except Kamala herself? As her friends reach out for aid, Kamala’s former idol, Captain Marvel, answers the call! But what happens when Bruno returns from Wakanda — and what will that mean for the Red Dagger?
Robin, the Boy Wonder, contends with the appearance of the rookie crimefighter Dodge, finds himself attracted to his tutor Zoanne, and has an unusual visit from Klarion, the Witch Boy.
"When you (or your tumors make you) drift off to sleep during class, you see another classroom, with the American Algebra teacher on TV talking about how to calculate a body count during a war where American lives are lost, how the bodies with the non-preferred skin color aren't factored in. The Math teacher says this is how we can show the American god how much we are winning by how much we aren't losing." Introducing Teenage Wasteland: An American Love Story, the debut novel from the prizewinning flash fiction author J. Bradley. Capturing a singular drop of our position in America's history is not a small task, but if we trust anyone to do so, it should be Bradley. "The girl whose mouth opens sideways then tells you about how the boy who coughs up oil speaks throughout his body, and you nod as if you didn't already know this, didn't make out "you" and "beautiful" when you nuzzled up to the boy who coughed up oil as he showed you your first star through the wheezing smokestacks while you struggled for air from the second bottle of wine."
“You all believe that losing one-hundred-plus pounds will solve everything, but it won’t. Something far heavier is weighing on you, and until you deal with that, nothing in your lives will be right.” –Betsy Glass, PhD, at first weekly group counseling session for ten severely obese teens admitted into exclusive weight-loss surgery trial Patient #1: Female, age 16, 5'4", 288 lbs. Thrust into size-zero suburban hell by remarried liposuctioned mom. Hates new school and skinny boy-toy stepsister. Body size exceeded only by her big mouth. Patient #2: Male, age 16, 6'2", 335 lbs. All-star football player, but if he gets “girl surgery,” as his dad calls it, he’ll probably get benched. Has moobies—male boobies. Forget about losing his V-card—he’s never even been kissed. Patient #3: Female, age 15, 5'6", 278 lbs. Morbidly obese and morbid, living alone with severely depressed mother who won’t leave her bed. Best and only friend is another patient, whose dark secret threatens everything Patient #3 believes about life. Told in the voices of patients Marcie Mandlebaum, Bobby Konopka, and Annie “East” Itou, Teenage Waistland is a story of betrayal, intervention, a life-altering operation, and how a long-buried truth can prove far more devastating than the layers of fat that protect it. Contains an afterword by Jeffrey L. Zitsman, MD, director of the Center for Adolescent Bariatric Surgery at Morgan Stanley Children's Hospital
The much-anticipated reissue of a novel that is one of Joyce Carol Oates’s personal favorites among her oeuvre; featuring a new afterword by Oates IN THE HEART OF A LANGUID JULY, ELEVEN-YEAR-OLD JOHN REDDY HEART drives a traffic-stopping, salmon-colored Cadillac into the quiet upstate town of Willowsville, New York. His mother, Dahlia Heart, a blackjack dealer, has brought her family east from Las Vegas to claim the rambling mansion left to her by a wealthy suitor. But it is John Reddy—already growing into a heartbreaking hybrid of James Dean, Marlon Brando, and Elvis Presley—who will claim the town itself. It is John Reddy who will arouse the desire of Willowsville’s teenage girls and the worship of its boys, the fear and envy of its men, and the yearning of its women. And it is John Reddy who will capture the town’s soul forever on the night a prominent citizen is shot dead in Dahlia Heart’s bedroom—and a statewide manhunt sweeps Willowsville’s rebel outlaw into the realm of living myth. Over the course of thirty years, Broke Heart Blues charts the rise and fall—and the ultimate call to reckoning— of John Reddy Heart, through the myriad voices of those who find him their whipping boy, savior, dream lover, and confessor. At once a scathing indictment of the cultlike nature of fame and celebrity in America and a deeply moving mediation on human need and longing, the novel explores loneliness, and the profound price we pay for our desires and dreams.
Account Rendered was first published in Germany in 1963 as Fazit: Kein Rechtfertigungsversuch or Account Rendered: No attempt at justification. Maschmann wrote to Hannah Arendt that her intent in writing this memoir was to help her former Nazi colleagues think about their actions, and to help others “better understand” why people like her had been drawn to Hitler. Written as a letter to an unnamed Jewish girl, this memoir details the trajectory of a socially-conscious, well-educated, middle-class girl as she joins the Hitler Youth, supervises the eviction of Polish farmers from their land and works in the high echelons of Nazi press and propaganda. Maschmann was arrested in 1945, at the age of 33, completed mandatory de-Nazification and became a freelance journalist. This eBook edition includes a new introduction explaining how the Publishers identified Maschmann’s high school Jewish friend, Marianne Schweitzer Burkenroad, born in 1918 and now living in California. In an afterword, she recounts for the first time her friendship with Maschmann and her reactions to Account Rendered. Listen here to a conversation about this eBook on WAMC. “[Account Rendered is an] important document of its time [...] I have the impression that you are totally sincere, otherwise I wouldn’t have written back to you.” — letterfrom Hannah Arendt to Melita Maschmann “[A] soul-searching record in which [Melita Maschmann] attempts to state and understand her guilt as a Nazi... her account here is intelligent and convincing.” —Kirkus Reviews “There weren’t a lot of books by former Nazis in the Sixties. I found in [Account Rendered] someone who had been overtaken by history, was struggling to make sense of what no longer made sense, and to understand why it had once done so. In other books, the Jews were an abstraction. For Maschmann, the Jews were neighbors and friends, which complicated the process of dehumanization that she participated in. The memoir seemed believable and honest in ways that other testimonies from the defeated did not.” — Arthur Samuelson, former Editor-in-Chief, Schocken Books “Melita Maschmann’s candid [book], sub-titled ‘No attempt at justification,’ is a valuable study of the political seduction of youthful zeal” — Der Spiegel
This book provides the first major historical account of the recovery high school movement from its beginnings in the alternative schools of the 1970s that overlapped with the first adolescent substance use treatment programs.