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What’s the world like without the TMNT? Since their time-spanning victory over Armaggon, the Turtles have started to pursue other interests, leaving a void in New York among humans and mutants alike. This special issue explores the effects this change has on those connected to the brothers, from Old Hob to Jennika, across the five boroughs and all the way through Mutant Island. It’s hard to tell how important someone is until they are gone. And who better to write such a story than Tom Waltz, the man who scripted the first 100 issues of IDW’s series and the co-writer of The Last Ronin, and resign TMNT artist Gavin Smith! Also, get your first glimpse of what is coming in a special prequel to the new TMNT #1, written by superstar scribe Jason Aaron (Scalped, Batman: Off-World) and drawn by white-hot artist Chris Burnham (Batman, Inc.; Die!Die!Die!). Donatello has had a hard time since he came back from the future, and he’s found himself in an unexpected place.
The Power Rangers arrive in New York City to find their missing teammate Tommy Oliver, AKA The Mighty Morphin Green Ranger, but soon discover he’s joined forces with the villainous Shredder and the Foot Clan! But the Rangers must also deal with another unexpected (fr)enemy—the Teenage Mutant Ninja Turtles! Can these heroes find a way to work together to defeat the bad guys and save the world from total destruction?! Written by Ryan Parrott (Power Rangers: Necessary Evil) and illustrated by Simone di Meo (Power Rangers: Beyond The Grid), the Mighty Morphin Power Rangers fight—and maybe team up with—the Teenage Mutant Ninja Turtles for the first time ever. Collects the complete 5-issue series
When the Turtles discover a mutated crocodile named Leatherhead, they learn about his plight and the return of an old enemy.
Old Hob, Slash, and their crew have become a force to be reckoned with, but a kidnapping leads them on an adventure more wild and dangerous than they could ever have imagined. Then, the Turtles return from Burnow Island to find unimaginable tragedy. Meanwhile, Casey prepares for a final showdown with Hun, and April has come into possession of an ancient scroll that seems to point to answers regarding the Pantheon. It all leads to a final showdown as Karai decrees a Gauntlet battle between Splinter and Shredder. Collects the Mutanimals mini-series, issues #45–50 of the ongoing series, the 2015 Free Comic Book Day issue, and the Casey & April mini-series.
'CITY FALL'' part 4: City Fall continues as Shredder reveals his new second-in-command: Leonardo! While the underworld readies their armies, the Turtles must come together if they have any hope of saving their brother. Don't miss this landmark 25th issue that sees the launch of a full-scale war on New York City! The Savate, Foot Clan, and Slash are all back ‹ along with a couple of shocking special guests!
The Turtles are separated, each trying to find their own way forward. With their absence, Old Hob fills the power vacuum with the help of some very unusual new mutants!
A New York Times Bestseller!Who is the Last Ronin? In a future, battle-ravaged New York City, a lone surviving Turtle embarks on a seemingly hopeless mission seeking justice for the family he lost. From legendary TMNT co-creators Kevin Eastman and Peter Laird, get ready for the final story of the Teenage Mutant Ninja Turtles three decades in the making! What terrible events destroyed his family and left New York a crumbling, post-apocalyptic nightmare? All will be revealed in this climactic Turtle tale that sees longtime friends becoming enemies and new allies emerging in the most unexpected places. Can the surviving Turtle triumph? Eastman and Laird are joined by writer Tom Waltz, who penned the first 100 issues of IDW's ongoing TMNT series, and artists Esau & Isaac Escorza (Heavy Metal) and Ben Bishop (The Far Side of the Moon) with an Introduction by filmmaker Robert Rodriguez! Collects the complete five-issue miniseries in a new graphic novel, an adventure as fulfilling for longtime Turtles fans as it is accessible for readers just discovering the heroes in a half shell.
The Teenage Mutant Ninja Turtles come to the big screen in a major summer 2023 theatrical event! Producer Seth Rogen and his partners at Point Grey Pictures take Leonardo, Michelangelo, Raphael, and Donatello back to their DNA in this animated boys-to-men origin story. Boys and girls ages 7 to 11 will thrill to this junior novel featuring eight pages of exciting full-color images.
Vampire, werewolves, witchesso many different stories about these creatures that have changed and evolved in time. Karmalla finds herself introduced to the world of the supernatural where vampires and werewolves and witches exist, leading her to discover that not only does her family have more to do with the supernatural than she has ever begun to imagine but so does shewith a caul-bearing twist. Having an interest in vampiric myths is one thing, but its an entirely different thing when you become the myth. And its a whole new story when youre more than what the myths say, taking vampires and werewolves and witches to a whole new level.
Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current “crisis” that sociologists and others have noted in boy culture. In Pixar’s Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar’s males succeed or fail according to the “boy code,” the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, socialhierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar’s Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.