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Spencer almost drowns in a surfing accident when a sparkling, golden girl saves him with a kiss of life before she suddenly disappears. Where did this dream girl come from, and will she return? Lilly rescues a boy from nearly drowning and dangerously steps out of her own watery world. Curious to explore this forbidden land, she's gotta find her handsome Earthdude. A silver heart locket is their only clue. Ellen Schreiber revamps a classic favorite with a funky magical romance that shows what transpires when boy meets girl, but discovers girl is really a . . .
It's hard being a pre-teen girl; it's even harder when you find out you're a mermaid! This is a fast-paced coming-of-age comedy novel that has adventure, mystery, and a touch of romance by Hélène Boudreau, nominated for a Canadian children's choice award for her middle grade novel ACADIAN STAR. If she hadn't been so clueless, she might have seen it coming. But really, who expects to get into a relaxing bathtub after a stressful day of shopping for tankinis and come out with scales and a tail? Most. Embarrassing. Moment. Ever. Jade soon discovers she inherited her mermaid tendencies from her mom. But if Mom was a mermaid, how did she drown? Jade is determined to find out. So how does a plus-size, aqua-phobic mer-girl go about doing that exactly? And how will Jade ever be able to explain her secret to her best friend, Cori, and to her crush, Luke? This summer is about to get a lot more interesting...
As the only brother in a family of mermaids living in Lake Superior, Calder White is expected to seduce Lily, the daughter of the man believed to have killed the mermaids' mother, but he begins to fall in love with her just as Lily starts to suspect that the legends about the lake are true. Reprint.
Everyone in the broken-down town of Chelsea, Massachussetts, has a story too worn to repeat—from the girls who play the pass-out game just to feel like they're somewhere else, to the packs of aimless teenage boys, to the old women from far away who left everything behind. But there’s one story they all still tell: the oldest and saddest but most hopeful story, the one about the girl who will be able to take their twisted world and straighten it out. The girl who will bring the magic. Could Sophie Swankowski be that girl? With her tangled hair and grubby clothes, her weird habits and her visions of a filthy, swearing mermaid who comes to her when she’s unconscious, Sophie could be the one to uncover the power flowing beneath Chelsea’s potholed streets and sludge-filled rivers, and the one to fight the evil that flows there, too. Sophie might discover her destiny, and maybe even in time to save them all.
From the seas of antiquity to the city streets of today, A Mermaid's Tale explores the myth and meanings of the mermaid. Beginning with Melusina, the bathing mermaid par excellence, Amanda Adams goes on to describe the seductive sirens and their honeyed songs, the powerful Arctic sea goddess Sedna, and the long-haired rusalki or Russian lore, among other legendary mermaids. As she tells their stories, she also expresses a love of the mermaid that surely no sea-bound sailor could ever match. Grounded in cultural anthropology, folklore studies, and intellectual rigor, A Mermaid's Tale also draws on literature, poetry, and mythology for its insights. It is a book filled with depth and detail as it describes Adam's swim through the ocean of her own life in search of the unusual, the beautiful, and the perfectly extraordinary.
"Describes the mystery, cool characteristics, and allure of mermaids, including historical and contemporary examples"--
The ancient city of Atlantis was sunk to the bottom of the sea under mysterious circumstances. Well, while cleaning out the school's new aquarium, Sabrina notices some rather unusual underwater inhabitants. Transforming herself into a tiny mermaid, she discovers the lost city of Atlantis. Sabrina wants to restore it to its rightful glory but can she do it without exposing her powers to Mr Kraft and her mortal classmates? And what if someone doesn't want it to be found?
The representation of aquatic people in contemporary film and television—from their on-screen sexuality to the mockumentaries they’ve inspired. Mermaids have been a feature of western cinema since its inception and the number of films, television series, and videos representing them has expanded exponentially since the 1980s. Making a Splash analyses texts produced within a variety of audiovisual genres. Following an overview of mermaids in western culture that draws on a range of disciplines including media studies, psychoanalysis, and post-structuralism, individual chapters provide case studies of particular engagements with the folkloric figure. From Hans Christian Andersen’s “The Little Mermaid” to the creation of Ursula, Ariel’s tentacled antagonist in Disney’s 1989 film, to aspects of mermaid vocality, physicality, agency, and sexuality in films and even representations of mermen, this work provides a definitive overview of the significance of these ancient mythical figures in 110 years of western audio-visual media.
Analysis of the mermaid in Japanese and English fairy tales through the framework of pleasure. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid "explores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale "The Little Mermaid" by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages. The book begins with the various approaches to reading and writing fairy tales, with a history of "The Little Mermaid" in Japanese and English culture. Disney's The Little Mermaid and Studio Ghibli's Ponyo on the Cliff by the Sea are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's "The Little Mermaid" and of the fairy tale itself, furthering the discussion with Nonaka Hiiragi's novel Ningyo-hime no kutsu, and D[di?]'s novel Sento no ningyo-hime to majo no mori, as well as an episode of the science fiction television series Dark Angel.Fraser concludes that the "pleasure" framework is useful for a cross-cultural study of creative engagements with and transformations of a particular fairy tale. Few studies have examined Japanese fairy-tale transformations to the extent that Fraser has, presenting fascinating information that will intrigue fairy-tale scholars and those wanting to learn more about the representation of pleasure behind the imaginative and fantastical.
A desperate orphan turned pirate and a rebellious imperial daughter find a connection on the high seas in a world divided by colonialism and threaded with magic. Aboard the pirate ship Dove, Flora the girl takes on the identity of Florian the man to earn the respect and protection of the crew. The brutal life of a pirate is about survival: don't trust, don't stick out, don't feel. When the pirates prepare to sell their unsuspecting passengers into slavery, Flora is drawn to the Lady Evelyn Hasegawa, who is en route to a dreaded arranged marriage with her own casket in tow. The pair set into motion a wild escape that will free a captured mermaid (coveted for her blood, which causes men to have visions and lose memories) and involve the mysterious Pirate Supreme, an opportunistic witch, and the all-encompassing Sea itself.