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From the author of The Long Run comes another unflinchingly raw and boldly hilarious novel about an unlikely group of teens coming together to exact revenge on the person who wronged them. All’s fair in love and revenge… Phil Reyno is a “troublemaker.” With a punk aesthetic and a quick temper, Phil knows that it’s surprising to see him dating universally beloved Cameron Ellis, whose viral coming out video made him an internet darling. Jackson Pasternak is a “good guy.” Junior class president, star rower, and Ivy bound, Jackson is burnt out and misses the only person who ever truly knew him—his ex-best friend, Phil. When Cameron dumps Phil and torpedoes his already-iffy reputation in the process, Phil hatches a plot to expose Cameron as the two-faced liar he truly is. And he finds the perfect weapon in his old pal Jackson, who agrees to infiltrate Cameron’s circle and uncover dirt. But as Phil and Jackson rediscover their friendship—and more—they start to wonder… Will knocking Cameron off his pedestal really solve their problems? Praise for The Long Run “Written with equal doses of heart and ferocity, this is a fabulous debut.” —Abdi Nazemian, author of Stonewall Honor book Like a Love Story and The Chandler Legacies “Raw, real, electric, and unputdownable.” —Steven Salvatore, critically acclaimed author of And They Lived… “James Acker is a splashy new voice with an unforgettable romcom about tough guys with soft hearts.” —Adam Sass, award-winning author of Surrender Your Sons and The 99 Boyfriends of Micah Summers * “A stunning novel.” —Bookpage, starred review
Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids. "A powerful book."—Samuel G. Freedman, New York Times Book Review "[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."—Ann Grimes, Washington Post Book World "There is no comparable study of teenage suburban culture . . . and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."—Andrew Ross, Transition "An outstanding case study. . . . Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."—Richard Lachman, Contemporary Sociology "The best book on contemporary youth culture."—Rolling Stone
Apple’s iPad puts a limitless world of entertainment, communication, and everyday functionality in the palms of your hands. iPad for the Older and Wiser, 4th Edition quickly teaches you how to make the most of your new gadget with easy-to-follow instructions. Fully updated to include the iPad Air and iOS 7, this step-by-step guide shows you exactly how to set up your device and discover what it can do – all in jargon-free language. Learn how to: Set up your iPad and copy music and photos from your computer Keep in touch with email and messages Browse the web and shop online Have video chats with your friends and family Discover a digital library of books and magazines Use Siri to dictate memos, create and send emails, and answer questions Explore new places and get directions with maps Take photos and videos and share them with friends Enhance your iPad or iPad mini with amazing apps
A secret history of the garage as a space of creativity, from its invention by Frank Lloyd Wright to its use by start-ups and garage bands. Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream. The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers—surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation—opportunities for isolation or empowerment.
Killer Looks is the definitive story about the long-forgotten practice of providing free nose jobs, face-lifts, breast implants, and other physical alterations to prisoners, the idea being that by remodeling the face you remake the man. From the 1920s up to the mid-1990s, half a million prison inmates across America, Canada, and the U.K willingly went under the knife, their tab picked up by the government. In the beginning, this was a haphazard affair -- applied inconsistently and unfairly to inmates, but entering the 1960s, a movement to scientifically quantify the long-term effect of such programs took hold. And, strange as it may sound, the criminologists were right: recidivism rates plummeted. In 1967, a three-year cosmetic surgery program set on Rikers Island saw recidivism rates drop 36% for surgically altered offenders. The program, funded by a $240,000 grant from the Department of Health, Education, and Welfare, was led by Dr. Michael Lewin, who ran a similar program at Sing-Sing prison in 1953. Killer Looks draws on the intersectionality of socioeconomic success, racial bias, the prison industry complex and the fallacy of attractiveness to get to the heart of how appearance and societal approval creates self-worth, and uncovers deeper truths of beauty bias, inherited racism, effective recidivism programs, and inequality. ,
I'm Sophie Shields. At least, that's one of my names... My whole life has been running. Surviving. I've only known love once, and it was so fierce that it nearly destroyed me. He became a part of me. In this brutal, violent world, he was my only safe place. But I was afraid. And I lost him. Since then, I've been a shell of a woman. Going through the motions, barely existing. I thought it was better that way. Until everything came crashing down. And I realized... I would tear down heaven and earth to get back what I've lost. I will risk facing the monsters who nearly destroyed me when I was a child, in order to seize justice. No more hiding. I will risk death, dismemberment, or any sort of pain, if it means making this right... I know that I'm damaged, and I know that I broke the purest, most beautiful thing I've ever had. But I'm ready to fight. I'm ready to heal. I'll do whatever it takes to mend my mistakes, if it isn't too late... This is a dark romantic suspense and psychological thriller of 80,000 words, featuring a main character with Dissociative Identity Disorder. Trigger warnings for abuse, self-harm, CSA, pregnancy-related issues. Award winner in the 2017 Readers' Favorite Contest Finalist in the 2017 Next Generation Indie Book Awards
Everyone at Animal Haven is stunned when Alice has eight pups: four golden and four black labradors! Clearly, the father is Lex, the pedigree black lab from down the road. But before long the pups get out of control and need training - and good homes. Meg and Mike find trouble at puppy school, however, and when they try to organise homes for the pups, the Angels discover that some families and their motives are not very honest. PUPS 4 SALE is the sixteenth instalment in a series loved by children all over Australia.
Six short stories. Six houses, all of them bad in various ways. Six different scenarios or states of mind, all thematically connected, in that they each portray snapshots of everyday life. Using searing, lacerating and explosive prose, 'Bad Houses' takes the reader on a roller-coaster journey through the horrors of modern life and the human condition.
The latest volume in Russ Kick's New York Times best-selling series retells classic crime fiction in full-color visual comix splendor. "Easily the most ambitious and successfully realized literary project in recent memory." --NPR "A treasure trove for literary comics fans." --WIRED Here are Teddy Goldenberg's dense, murky treatment of Dashiell Hammett's "The Road Home," often considered the first hardboiled detective story ever published. Shawn Cheng renders the first serial-killer story, the so-called fairy tale "Bluebeard" by Charles Perrault. Landis Blair reimagines The Trial as a choose-your-own-adventure story that you cannot win, and Ted Rall retells an O. Henry story about a petty criminal who just can't get arrested. Plus 28 other contributors using a wide range of illustrative styles. As with previous volumes in the Graphic Canon series, the illustrations run the full gamut of media and techniques, and artistic interpretations range from verbatim literalism to metaphorical extensions to surrealism and abstraction. The common theme, tracing the origins and standout texts of the morbid and mysterious, unites these multifarious partners in crime.
In this YA pop punk debut about queer romance and destroying labels, a teen risks everything to write his own story. Perfect for fans of Sonora Reyes and Adib Khorram. Stonebridge High’s resident bad boy, Wesley “Big Mac” Mackenzie, is failing senior year—thanks to his unchecked anger, rowdy friends, and a tendency to ditch his homework for skateboarding and a secret photography obsession. So when his mom drags him to a production of The Nutcracker, Wes isn’t interested at all . . . until he sees Tristan Monroe. Mr. Nutcracker himself. Wes knows he shouldn’t like Tristan; after all, he’s a ballet dancer, and Wes is as closeted as they come. But when they start spending time together, Wes can’t seem to get Tristan out of his head. Driven by a new sense of purpose, Wes begins to think that—despite every authority figure telling him otherwise—maybe he can change for the better and graduate on time. As a falling out with his friends becomes inevitable, Wes realizes that being himself means taking a stand—and blowing up the bad-boy reputation he never wanted in the first place. From a debut author to watch, Skater Boy delivers a heart-wrenching, validating, and honest story about what it means to be gay in a world where you don’t fit in.