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Offers a look at the life and career of the first African American reporter to work at a mainstream daily newspaper
Preserving an engaging, little-known slice of American life, The Dark Side of Hopkinsville is a collection of ten picaresque tales bearing witness to a black child's life in a southern town at the turn of the century. Born and reared in Hopkinsville, Kentucky, Ted Poston (1906-1974) became the first black career-long reporter for a major metropolitan daily (the New York Post) and served as a member of Franklin D. Roosevelt's "Negro Cabinet" in Washington in 1940. After thirty-five years at the Post, Poston was without question the "Dean of Black Journalists." Acquainted with the major figures of the Harlem Renaissance, Poston regaled his associates with tales of his childhood. These memories resulted in the stories collected in The Dark Side of Hopkinsville. Told from the vantage point of "Ted," a bright, high-spirited student at Booker T. Washington Colored Grammar School, the stories focus on a coterie of imaginative children, their entertainments and games, ties to the church, and relations with immediate and extended families. The memorable, recurring characters in the stories are based on individuals Poston knew: Cousin Blind Mary, a fortune teller who can see into someone's future only after consulting with the servants of the family in question; Ted's father, Ephraim, "the only Negro Democrat in our Hopkinsville, Kentucky, or in the whole state of Kentucky for that matter"; Fertilizer Ferguson, whom Ted credits with coining the phrase "eating higher up on the hog"; and Ted's schoolmate Knee Baby Watkins, the "catalytic agent who precipitated the most disasterous social feud in the history of Hopkinsville." Though the presence of prejudice--both within and outside the race--is acknowledged throughout the stories, that social reality does not lessen the characters' exuberant enjoyment of being young. After watching Bronco Billy and his black sidekick, Pistol Pete, at the nickel movie on Saturdays, Ted and his friends make Pistol Pete the hero and Bronco Billy the sidekick of their games in "The Werewolf of Woolworth's." In "The Revolt of the Evil Fairies," Ted uses Palmer's Skin Success ("guaranteed to give you a light complexion in just seven days") so that he can play Prince Charming opposite his fair-skinned sweetheart in the school play. Kathleen A. Hauke has annotated the stories with recollections of the author's family and friends, who are often major characters in the stories. An extended biographical and critical introduction offers background information on the life and work of Ted Poston, and on old Hopkinsville and its residents.
Twenty philosophers offer new essays examining the form of reasoning known as inference to the best explanation - widely used in science and in our everyday lives, yet still controversial. Best Explanations represents the state of the art when it comes to understanding, criticizing, and defending this form of reasoning.
Michael Bergmann provides a decisive refutation of internalism and a sustained defense of externalism, developing his theory of justification by imposing both a proper function and a no-defeater requirement.
At a time in his life when most people retire, Link felt called to serve the Church and to aid the men that his profession normally put behind bars, ministering healing and forgiveness to murderers, thieves, and what many would call the least of society. This is a book about the value of human life, and about the transformative power of friendship and compassion. He makes the case for adding our own unique gifts to help the least of these, our brothers and sisters from all walks of life.
The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.
We know facts, but we also know how to do things. To know a fact is to know that a proposition is true. But does knowing how to ride a bike amount to knowledge of propositions? This is a challenging question and one that deeply divides the contemporary landscape. A Critical Introduction to Knowledge-How introduces, outlines, and critically evaluates various contemporary debates surrounding the nature of knowledge-how. Carter and Poston show that situating the debate over the nature of knowledge-how in other epistemological debates provides new ways to make progress. In particular, Carter and Poston explore the question of what knowledge-how involves, and how it might come apart from propositional knowledge, by engaging with key epistemological topics including epistemic luck, knowledge of language, epistemic value, virtue epistemology and social epistemology. New frontiers for research on knowledge-how are also explored relating to the internalism - externalism debate as well as embodied and extended knowledge. A Critical Introduction to Knowledge-How provides an accessible introduction to the main arguments in this important and thriving debate suited for undergraduates and postgraduates in philosophy and related areas. A strength of the book is its methodology which places a premium on placing the debates over knowledge-how in a broader conversation over the nature of knowledge. This book also offers an opinionated discussion of various lines of argument which will be of interest to professional philosophers as well.
A fundamental question in philosophy of religion is whether religious belief must be based on evidence in order to be properly held. In recent years two prominent positions on this issue have been staked out: evidentialism, which claims that proper religious belief requires evidence; and Reformed epistemology, which claims that it does not. Evidence and Religious Belief contains eleven chapters by prominent philosophers which push the discussion in new directions. The volume has three parts. The first part explores the demand for evidence: some chapters object to it while others seek to restate it or find space for compromise between Reformed epistemology and evidentialism. The second part explores ways in which beliefs are related to evidence; that is, ways in which the evidence for or against religious belief that is available to a person can depend on that person's background beliefs and other circumstances. The third part contains chapters that discuss actual evidence for and against religious belief. Evidence for belief in God includes the so-called common consent of the human race and the way that such belief makes sense of the moral life; evidence against it includes profound puzzles about divine freedom which suggest that it is impossible for a being to be morally perfect.
Fan favorite author Kasie West delivers an effervescent story about chasing your dreams and following your heart, perfect for fans of Jenny Han and Huntley Fitzpatrick. Lacey Barnes has dreamed of being an actress for as long as she can remember. So when she gets the opportunity to star in a movie alongside one of Hollywood’s hottest actors, she doesn’t hesitate to accept the part. But Lacey quickly learns that life in the spotlight isn’t as picture perfect as she imagined. She’s having trouble bonding with her costars, her father has hired the definition of a choir boy, Donavan Lake, to tutor her, and somewhere along the way she’s lost her acting mojo. And just when it seems like things couldn’t get any worse, it looks like someone on set is deliberately trying to sabotage her. As Lacey’s world spins out of control, it feels like the only person she can count on—whether it’s helping her try to unravel the mystery of who is out to get her or snap her out of her acting funk—is Donavan. But what she doesn’t count on is this straight-laced boy becoming another distraction. With her entire future riding on this movie, Lacey knows she can’t afford to get sidetracked by a crush. But for the first time in her life Lacey wonders if it’s true that the best stories really do happen when you go off script.
A historical account of the efforts of nine African-American students to integrate Central High School draws on interviews to offer insight into the behind-the-scenes experiences of the students and members of their community.