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Tears of Theory demonstrates the value of making storytelling and personal experience integral parts of International Relations (IR) scholarship. Through an examination of the disappearance of Korean Air (KAL) flight 858 in 1987, the book also explores what it means to conduct research in sensitive and difficult settings. According to South Korea, a female secret agent bombed the plane under instructions from the North Korean leadership, killing 115 people. Many unanswered questions emerged and resulted in two rounds of reinvestigations. Taking this case in the context of the ongoing Cold War, Park-Kang presents the story about a researcher, whose life is deeply entangled with the Cold War mystery. The story is based on the author’s dramatic research journey of twenty years on the mysterious spy. The book will be of interest to students and scholars of IR, Asian/Korean Studies, Narrative Studies, Security Studies, Pedagogy and methodology.
Seeing Through Tears is a groundbreaking examination of crying behavior and the meaning behind our tears. Drawing from attachment theory and her own original research, Judith Nelson presents an exciting new view of crying as a part of our inborn equipment for establishing and maintaining emotional connections. In a comprehensive look at crying through the life cycle, this insightful volume presents a novel theoretical framework before offering useful and practical advice for dealing with this most fundamental of human behaviors.
"This book argues for making storytelling and experience integral parts of IR scholarship"--
A rogue agent crisscrosses the globe to investigate the assassination of JFK in this acclaimed spy novel by the acclaimed author of The Miernik Dossier. When President Kennedy is shot in Dallas, the nation is shocked and mystified. But American spy Paul Christopher has a different perspective. He believes he knows who arranged the assassination and why. But if his theory is correct, it would destroy the dead president’s image and endanger vital foreign policy. Christopher is therefore ordered to end his investigation. Determined to uncover the truth, Christopher resigns from the Agency and embarks on a quest that takes him from Paris to Rome, Zurich, the Congo, and Saigon. Threatened by Kennedy’s assassins and by his own government, Christopher follows the scent of his suspicion into the dark heart of a geopolitical conspiracy. The Tears of Autumn is an incisive study of power and a brilliant commentary on the force of illusion, the grip of superstition, and the overwhelming strength of blood and family in the affairs of a nation.
"Bell's work is a concoction of the surreal and the hyper-real, the hilarious and the devastating."—The New Yorker "One of the most tonally versatile young poets working today."—Boston Review "A contemporary knockout, Bell's poems run the gamut of good: they're seriously funny, bizarre, wry, ambitious, acrobatic, gorgeous. Sometimes they have zombies."—Flavorwire Joshua Bell's unnerving and darkly funny second collection of poems inhabits various personae—including a prominent series starring the garrulous and aging rock star Vince Neil from Mötley Crüe—through which he examines paranoid, misogynist, and murderous elements within contemporary American culture. Throughout are prose "movie poems" that feature zombies, a summer camp slasher, exorcism, and courtroom drama. From "The Creature": Like many humans, I enjoy lifting small, living things. Your wife qualifies, but doesn't like to be lifted. I guess it's probably because, as is true with many humans, your wife doesn't want to be eaten, and often we are lifted, by the bigger thing, right before it drops us on a rock and eats us. I understand, I say to your wife, lowering her body to the kitchen floor, her legs bending slowly as she takes back the weight I've returned to her, like an astronaut moving back into the gravity of the capsule… Josh Bell earned an MFA from the Iowa Writers' Workshop and a PhD from the University of Cincinnati. He was a member of the creative writing faculty at Columbia University and is currently Briggs Copeland Lecturer at Harvard.
In science, answering ‘What’ is simpler than answering ‘Why’. Humans have been learning new things and gaining knowledge about the universe for thousands of years, but the reason behind their existence, the beginning of the universe and the ultimate fate of the both are still concealed. Who was the first person? Where did living things come from? All these questions were unanswerable a couple of centuries ago, but Charles Darwin in 1859 gave us a huge clue. Is black a color? Why do we dream? Can there be a dream within a dream? Sunny Dhondkar takes you through such complex questions in his book Theory vs. Theories. He introduces you to the reality about which you may not have thought before, by thinking on anything through a different perspective. All of the common and frequently-asked questions will be answered in detail with accurate predictions. There will be great competition between various seemingly accurate theories when a question reaches the ‘unanswerable’ category, thus, theory vs. theories.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual. In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
This volume, edited from the proceedings of a unique conference held at Sam Houston State University, offers the reader an independent Texas-style celebration of Medieval and Renaissance culture and thought. In the opening article, Richard North reveals some ways in which medieval literature pioneered the modern novel. The following essays, drawing from philosophy, literature, music, art, architecture, history, and linguistics, include studies of the portrayal of women in medieval literature and art; discussions surrounding the hero of Paradise Lost; explorations into the thought of Thomas Aquinas; explications of linguistic puzzles in Beowulf; analyses of Shakespeare’s plays; considerations of renaissance architecture and instrumental music; and an investigation into the influence of rhetoric on musical composition.