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This social biography chronicles the life histories of several generations of Kalanga men and women in a single extended family.
The body of a man with a crushed skull is found in outback Australia. Discovered hidden nearby is a letter containing cryptic clues to the location of a massive gold find in the unchartered Dead Heart of Australia. Greedy rumours fly, when a wife arrives to collect her dead husbands belongings. Not only is the not-entirely-bereaved widow out for a take, but also local authorities find themselves overrun by those willing to kill for a chance to find the gold. Speaking of killing, who bashed in the victims skull? Obese Sergeant Gillings is on the case with the help of his officers and trackers. The roguish Bob and his lover, Chaenee, are on the hunt as well. Australian Aborigines in the Dead Heart are on a rampage because strangers enter their forbidden territory. These gold-hungry adventurers have to fight each other, wild natives, and the unforgiving terrain itself on the perilous path to striking it rich.
In the aftermath of the Battles of Khambula and Gingindlovu, a lull fell over the war-torn Zulu Kingdom. Though British forces under Lord Chelmsford emerged victorious during both encounters, earlier defeats, casualties, and supply shortages required them to withdraw back into Natal. Now with waves of long-awaited reinforcements arriving, Chelmsford prepares to launch a second invasion of Zululand.Death and destruction have taken their toll on the Zulu people. Thousands of families mourn for their loved ones, while refugees flee from the devastation of the border regions. Despite the defeats and fearful losses, King Cetshwayo, who never wanted war in the first place, takes heart in knowing that, strategically, his enemies were compelled to retreat from his lands. He hopes this will allow him to come to terms with the British before Chelmsford can renew the war in earnest.Unbeknownst to the king, Lord Chelmsford has received word from London that he is to be replaced by General Sir Garnet Wolseley. His lordship is determined to expedite the invasion and utterly crush Cetshwayo's forces at any cost, denying Wolseley the chance to usurp him before he can expunge the humiliation that has lingered since the dark days following the defeat at Isandlwana.
Police Detective Harry Lyon is caught in a whirlwind of terror that threatens to sweep away not only him but his partner and everyone he loves.
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
A rogue agent crisscrosses the globe to investigate the assassination of JFK in this acclaimed spy novel by the acclaimed author of The Miernik Dossier. When President Kennedy is shot in Dallas, the nation is shocked and mystified. But American spy Paul Christopher has a different perspective. He believes he knows who arranged the assassination and why. But if his theory is correct, it would destroy the dead president’s image and endanger vital foreign policy. Christopher is therefore ordered to end his investigation. Determined to uncover the truth, Christopher resigns from the Agency and embarks on a quest that takes him from Paris to Rome, Zurich, the Congo, and Saigon. Threatened by Kennedy’s assassins and by his own government, Christopher follows the scent of his suspicion into the dark heart of a geopolitical conspiracy. The Tears of Autumn is an incisive study of power and a brilliant commentary on the force of illusion, the grip of superstition, and the overwhelming strength of blood and family in the affairs of a nation.
At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English, remaining faithful to the author's original intentions within a colloquial and readable style for today's actors.