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According to Egyptian mythology, when the ancient Egyptian sun god Re cried, his tears turned into honey bees upon touching the ground. For this reason, the honey bee was sacrosanct in ancient Egyptian culture. From the art depicting bees on temple walls to the usage of beeswax as a healing ointment, the honey bee was a pervasive cultural motif in ancient Egypt because of its connection to the sun god Re. Gene Kritsky delivers a concise introduction of the relationship between the honey bee and ancient Egyptian culture, through the lenses of linguistics, archeology, religion, health, and economics. Kritsky delves into ancient Egypt's multifaceted society, and traces the importance of the honey bee in everything from death rituals to trade. In doing so, Kritsky brings new evidence to light of how advanced and fascinating the ancient Egyptians were. This richly illustrated work appeals to a broad range of interests. For archeology lovers, Kritsky delves into the archeological evidence of Egyptian beekeeping and discusses newly discovered tombs, as well as evidence of manmade hives. Linguists will be fascinated by Kritsky's discussion of the first documented written evidence of the honeybee hieroglyph. And anyone interested in ancient Egypt or ancient cultures in general will be intrigued by Kritsky's treatment of the first documented beekeepers. This book provides a unique social commentary of a community so far removed from modern humans chronologically speaking, and yet so fascinating because of the stunning advances their society made. Beekeeping is the latest evidence of how ahead of their times the Egyptians were, and the ensuing narrative is as captivating as every other aspect of ancient Egyptian culture.
Have you ever been so stubborn that you failed at something? Yeah? Me too! I hail from an ancient line of werewolves, so you’d think being me would be easy. If only two very important things were not standing in my way. ONE: Zach Brighton - my betrothed. TWO: My wolf was very different! Everyone said I should be happy he still wanted me. I was not. Then, I met someone else, a mystery man who changed everything, but held secrets of his own that threatened his ability to claim me. Maybe I wasn’t meant to be claimed. Maybe I was broken. Or Maybe, I was just waiting for my new life to catch up. This is book ONE of The Ancients Series. This paranormal romantic suspense story MUST be read in order. The main character's story concludes in book 4, but all four of those books are already available! 1 - Shadows of the Ancients 2 - Falling into the White 3 - Branches of the Willow 4 - Bound by the Moon 5 - Stars from Author J. Kirsch - One sexy, witty, enticingly snarky wolf girl? Check. A unique take on werewolf power and relationship dynamics? Check. This is an overall fun read with dialogue that will have you laughing out loud at times and raising your eyebrows at others. In one evening I ran across this deliciously wolfy paranormal book, and a few hours later I had to buy book #2 and #3 in the series. Yes, it's THAT good. If you like Patricia Briggs or Jeaniene Frost, you will enjoy Ms. Butler's writing.
This translation of 65 pieces from Qian Zhongshu's Guanzhui bian (Limited Views) makes available for the first time in English a representative selection from Qian's massive four-volume collection of essays and reading notes on the classics of early Chinese literature. First published in 1979, it has been hailed as one of the most insightful and comprehensive treatments of themes and motifs in early Chinese writing to appear in this century. Scholar, novelist, and essayist Qian Zhongshu (b. 1910) is arguably contemporary China's foremost man of letters, andLimited Views is recognized as the culmination of his study of literature in both the Chinese and the Western traditions.
It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.
Widower Dan Ryan is led on a great adventure by a peculiar character who claims to be the Greek God, Hermes. Ryan discovers that the Greek gods of myth are real and imprisoned on the lost continent of Atlantis. Only he can release them, yet if he does, the human race is doomed. This is the first book in a trilogy.