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Tears of Bacchus relates the story of wine in the Middle East, essentially Lebanon and Syria, from the dawn of time to the present day in the form of a linear series of essays written in various "voices"--historian, archaeologist, novelist, wine writer, journalist, curator, anthropologist. It charts wine's influence on early civilizations and cultures, religion and mythology, before heading off into the Byzantine, Medieval Ottoman and ultimately the modern era, an age defined by strife and instability. With an introduction by Hugh Johnson.
'Times and their reasons, arranged in order through the Latin year, and constellations sunk beneath the earth and risen, I shall sing.' Ovid's poetical calendar of the Roman year is both a day by day account of festivals and observances and their origins, and a delightful retelling of myths and legends associated with particular dates. Written in the late years of the emperor Augustus, and cut short when the emperor sent the poet into exile, the poem's tone ranges from tragedy to farce, and its subject matter from astronomy and obscure ritual to Roman history and Greek mythology. Among the stories Ovid tells at length are those of Arion and the dolphin, the rape of Lucretia, the shield that fell from heaven, the adventures of Dido's sister, the Great Mother's journey to Rome, the killing of Remus, the bloodsucking birds, and the murderous daughter of King Servius. The poem also relates a wealth of customs and beliefs, such as the unluckiness of marrying in May. This new prose translation is lively and accurate, and is accompanied by a contextualizing introduction and helpful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Born illegitimately into Roman royalty in AD 48, Ushriya is left for dead. Raised to age four by merchant bakers in the wanton town of Pompeii, she is kidnapped by slave traders and returned to Rome where she becomes the slave of a wealthy Roman soldier and his wife. Hearing of a teacher espousing a new morality, Ushriya begins following him before escaping the Great Fire. She finds herself back in Pompeii, desperate and disoriented at the notorious brothel, the Lupanare, where survival forces her into prostitution. When an unexpected revelation connects Ushriya to the unpredictable Emperor Nero, she must accept her identity to fulfill her royal destiny.
Read Amy Boesky's blogs and view other content on the Penguin Community. The stirring true story of a woman who chose fearlessness in the face of a fatal family legacy and discovered the pleasure of living each moment to its fullest At thirty-two, Amy Boesky thought she had it all figured out: a wonderful new man in her life, a great job, and the (nearly) perfect home. For once, she was almost able to shake the terrible fear that had gripped her for as long as she could remember. Women in her family had always died young-from cancer-and she and her sisters had grown up in time's shadow. It colored every choice they made and was beginning to come to a head now that each of them approached thirty-five-the deadline their doctors prescribed for having preventive surgery with the hope they could thwart their family's medical curse. But Amy didn't want to dwell on that now. She wanted to plan for a new baby, live her life. And with the appreciation for life's smallest pleasures, she did just that. In What We Have, Amy shares a deeply transformative year in her family's life and invites readers to join in their joy, laughter, and grief. In a true story as compelling as the best in women's fiction, written with the sagacity of Joan Didion and the elegance of Amy Bloom, Amy Boesky's journey celebrates the promise of a full life, even in the face of uncertainty.