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When Larry Semento signed on with a commercial expedition to climb Denali (formerly Mt. McKinley) in Alaska, he expected an adventure. He didn't anticipate the story of a lifetime. After battling harsh weather to reach the summit, the team encountered a horrible tragedy on descent. Follow along on this amazing journey and discover what it is like to climb a big mountain, and understand the impact that this epic adventure had on him, his family and friends.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
A contemporary novel about the trials of an Australian Army serviceman on operations in the Middle East.Scars are inevitable in life and war. 'Echoes in the Wind' is a story of scars, and how one man¿s life was shaped by their marks.
In On the Trail of the Ruthless Warlock, a band of warriors and two sorceresses—with advice from the Witch of the Great East Wood—joined forces to battle a powerful warlock. Now they are called to a new quest when sorceress Veras senses something strange; tears in the wind. The Witch needs their help! With her new husband the swordsman Nico and the sorceress Creda, she and their warrior friends travel to the Great East Wood to face new challenges . . . a powerful force is trying to seize control of the weather! While they struggle against this force, Veras and Nico face their own challenges as they adjust to married life and Veras's surprise pregnancy, all of which is complicated by the presence of sorcerer Xyron—Veras's former lover. Can the group overcome their doubts and differences to find some way to protect the Great East Wood and the surrounding areas?
How does sleep--or its absence--change us? At the end of another wakeful night, High Winds tears off on a hallucinatory road trip in search of his estranged half brother, led by cryptic signs and coincidences. Part modern-day pillow book, part picture book for adults, and told in an associative, elliptical style, the narrative takes readers deep into a dreamlike Western landscape. Jessica Fleischmann's atmospheric imagery amplifies the words on every page, referencing 1980s graphics, net art, and something yet unseen; Sylvan Oswald's text inhabits and draws meaning from this visual environment. Gas stations, local legends, and unlikely rock formations become terrain for explorations of fear, fantasy, masculinity, medication, spatial structures, and bodily functions--inspired by the author's experience of gender transition, insomnia, and moving to Los Angeles. Poetic and funny, surreal and beautiful--High Winds makes a delightful companion, before or instead of a good night's sleep.
Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.
10 Degrees of Glory is a work comprised of many pieces that amalgamate the premise of self-realization and worldview. Heading into the year 2010, it is crucial one take a look at the last decade and learn from their past in order to brighten their future. Illuminating the positive aspects of personal growth in life, this book takes readers on a lyrical journey of discovery and serves as a wake-up call to what is going on in the world. Throughout the book it is discovered that one person can make a difference in their own realm of well-being and that it is a big thing to be human. For any one who has ever tried, failed, prayed, struggled, lost, laughed, cried, loved, endured, and succeeded, it is a must-read. Any one can pick up this book and take something positive away from it on a personal level. For all people scared of change and for those not fearful of anything, 10 Degrees of Glory will inspire greatness within and inject love in the hearts of readers.
As untamed as the prairie, as free as the wind, she hates what white men are doing to the Cheyenne. But spirited Tears Like Rain risks her life to save a cavalry officer and make him her slave. Although the Indians have beaten and stabbed Zach to the brink of death, the real torture doesn't begin until he loses his heart to Tears Like Rain.
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.