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A Palestinian refugee’s inspiring tale of her lifelong fight to return home. Olfat Mahmoud is a Palestinian refugee – a descendant of the Christian and Muslim people who fled Palestine in the period leading up to and after the founding of the state of Israel in 1948. She is an accomplished woman in her own right: the director of an international NGO, an internationally recognised peace activist, a registered nurse and, most recently, the recipient of a doctorate. Born in a refugee camp in Lebanon more than 60 years ago, Olfat’s determination to help her people in their fight to return to their homeland led to a nursing career that has placed her at the front line of atrocious massacres and wars in the Middle East. Tears for Tarshiha follows Olfat’s career amid the death and destruction of Lebanon’s many conflicts, and chronicles the Palestinian people’s remarkable capacity for love and bravery in the most extreme conditions. Olfat’s extraordinary story is emblematic of the Palestinian plight, illustrating their continued survival and determination that has become an inconvenience to the international community. These are the descendants of those Palestinians who were forced from their homeland at gunpoint by the Israeli military in 1948 in what is known as the Nakba – or Catastrophe. In 1949, David Ben-Gurion, one of the founders and the first prime minister of Israel, stated that ‘we must do everything to ensure [the Palestinians] never do return...the old will die and the young will forget’. Despite Olfat’s parents and grandparents never seeing Tarshiha again, this book is part of Olfat’s ongoing campaign to keep her people’s predicament in the public consciousness.
Growing up in a Palestinian refugee camp in Lebanon, Chaker Khazaal’s mission was to escape displacement and find his rightful place in the world. This detailed glimpse into his life takes you on an exciting adventure from the Middle East to North America and beyond. All will be revealed in Chaker’s pursuit of success-a journey of internal psychological conflicts. Ouch! Denied entry to his homeland in February 2020, Chaker returns to Beirut and liaises remotely with a team of lawyers to contest Israel’s decision. Coincidentally, Covid-19 starts to force lockdowns around the world. Chaker quickly adapts to the restrictions and continues his involvement in a variety of global projects. Meanwhile, the world is struggling to comprehend the unprecedented occurrences taking place-from the Lebanese revolution to the Black Lives Matter protests-culminating in the Beirut Port blast on August 4, 2020. Although Chaker survives the fourth-largest explosion in the world, can he overcome his mental struggles? During the lockdown, Adam, a Palestinian waiter at the Smallville Hotel, develops a friendship with Chaker. Amid the chaos and tension, their inexplicable connection leads to an astonishing climax that no reader will ever foresee. In this psychological thriller, Chaker’s painful secret is finally revealed. Ouch!
Voices of the Ritual analyzes the revival of rituals performed at female saint shrines in the Middle East, highlighting the ways in which members of minority religious groups have laid claim to space through rituals enacted at sacred spaces in the Holy Land. Using ethnographic analysis, Stadler tracks the popularity of the rituals and the themes of female materiality they are often grounded in.
New York Times Notable Book of the Year “An imposingly rich and realistic novel, a genuine masterwork” that vividly captures the Palestinian experience following the creation of the Israeli state (New York Times Book Review) After Palestine is torn apart in 1948, two men remain alone in a deserted makeshift hospital in the Shatila camp on the outskirts of Beirut—entering a vast world of displacement, fear, and tenuous hope. Khalil holds vigil at the bedside of his patient and spiritual father, a storied leader of the Palestinian resistance who has slipped into a coma. As Khalil attempts to revive Yunes, he begins a story, which branches into many: stories of the people expelled from their villages in Galilee; of the massacres that followed; of the extraordinary inner strength of those who survived; and of love. Khalil—like Elias Khoury—is a truth collector, trying to make sense of the fragments and various versions of stories that have been told to him. His voice is intimate and direct, his memories are vivid, his humanity radiates from every page. Khalil lets his mind wander through time, from village to village, from one astonishing soul to another, and takes us with him. Gate of the Sun is a Palestinian Odyssey and the first magnum opus of the Palestinian saga. Beautifully weaving together haunting stories of survival and loss, love and devastation, memory and dream, Khoury humanizes the complex Palestinian struggle as he brings to life the story of an entire people.
First published in 2003. The Mediterranean region, which includes Turkey, the Middle East, and North Africa, along with Italy, Greece, Spain and other European countries, encompasses a plethora of diverse but also interconnected cultures. The musical styles are just as diverse. Mediterranean Mosaic weaves together issues of music contemporary geopolitics and identity struggles. Acknowledging the region's historical legacy, it examines the ebb and flow of traditional musics within the region as well as outside influences on these traditions. Topics covered include: Klapa singing and Cha Wave from Croatia, the pop group Alibina, Pop-Rai from Algeria, and jazz in the Mediterranean. Also includes 20 musical examples.
From the River to the Sea: Palestine and Israel in the Shadow of ‘Peace’ provides original analyses of how different coping strategies were developed as well as new forms of political expression, interaction, and mobilization since the 1993 peace deal between the Palestine Liberation Organization and Israel. Its premise is that an historical realism is essential in order to develop a route out of the post-Oslo impasse that extended and solidified the power imbalance under the auspices of ‘peace’. The book includes chapters from experts across the disciplines of anthropology, economics, law, political science and sociology to map out and critically assess the impacts and responses to this ‘peace’ in different geographical and political settings. These innovative analyses also investigate processes that might enable a future to be built based on greater equality and an end to the oppression and violence that currently exists between the Jordan River and the Mediterranean Sea (and beyond).
Yoel Hoffmann—“Israel’s celebrated avant-garde genius” (The Forward)—supplies the magic missing link between the infinitesimal and the infinite Part novel and part memoir, Yoel Hoffmann’s Moods is flooded with feelings, evoked by his family, losses, loves, the soul’s hidden powers, old phone books, and life in the Galilee—with its every scent, breeze, notable dog, and odd neighbor. Carrying these shards is a general tenderness, accentuated by a new dimension brought along by “that great big pill of Prozac.” Beautifully translated by Peter Cole, Moods is fiction for lovers of poetry and poetry for lovers of fiction—a small marvel of a book, and with its pockets of joy, a curiously cheerful book by an author who once compared himself to “a praying mantis inclined to melancholy.”
Two Sides of the Coin: Independence and Nakba 1948, written by two eminent historians, Adel Manna and Motti Golani, takes the reader on a journey to the War of 1948, by offering contemporary multi-perspective narratives on the war, accompanied by maps that highlight historical events during that time. The Palestinian-Israeli conflict is understood as a conflict over territory, while simultaneously it is a conflict over historical narratives. One of the most important questions asked in this conflict over narrative is: what happened in 1948? Golani and Manna have treated with delicacy and depth this highly complex and divisive question, their approach contributes significantly to a mutual understanding between Israelis and Palestinians on their common history.
In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.
This book reconsiders liminality in postcolonial thought by visiting Mashriqi writers of memoir, offering a unique intervention in the understanding of threshold states within postcolonial literary studies. Challenging received perceptions of the concept, Bugeja's incisive readings situate liminal space today as a fraught form of consciousness that mediates between conditions of historical contingency and the volatile memorializing present.