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"One of theatre's subtlest, most sophisticated minds" (The Times) Alphabetical Order: "A comic essay about two types of woman... a very intelligent comedy because of its classic simplicity, and unusual in the way that the two types of women do not become stereotypes" (Daily Telegraph); Donkeys' Years, a satire on the establishment and British Institutions "Gorgeous farce, all the funnier for emerging from credible aspirations and natural anxieties... the play is richer and cannier than we expect farces to be." (New Statesman); Clouds, is a satire on government sponsored trips and a portrait of sexual jealousy,"it is poignantly and unerringly funny" (Guardian); Make and Break is a satirical commentary on British corporate interests abroad "Full of pain, ruthless observation, and a sense of humour which is sardonic, lunatic and warm" (Sunday Times); Noises Off - the West End hit play about a company of actors stepping from a sex farce into their own nightmarish lives backstage "A very intelligent joke about the fragility of all forms of drama...a pulverisingly funny play." (Guardian) "All of these plays are attempts to show something of the world, not to change it or to promote any particular idea of it. That's not to say there are no ideas in them. In fact what they are all about in one way or another is the way in which we impose our ideas upon the world around us...it might be objected that one single theme is a somewhat sparse provision to sustain five separate and dissimilar plays. I can only say that it is a theme which has occupied philosophers for over two thousand years and one which is likely to occupy them for at least two thousand more..."(Michael Frayn)
I was lost—in more ways than I can count. I'd lost my way, lost my family, lost my friends. I was totally screwed up from all the acid trips, and the speed and the MDA binges, with strange-coloured animals flitting by me, seeing and hearing things that weren't there. I knew I had done something to myself, that I had crossed a line. I knew I was messed up in a bad way. I'd seen the end of Danny Brooks: in an alleyway with a needle sticking out of my arm. But God had another idea. He wouldn't let me forsake the life He'd given me. My spirit cried out for help from a place of black despair. I believe this book is one of the reasons He kept me alive. He wanted me to share my story of loss and redemption. No matter how badly strung out you are, there is always hope. There is always Him to call on. Faith can make you clean. Faith can keep you sober. Faith can give you your life back, and your dignity, family and friends. My story isn't pretty, but my hope is that it will be a light at the end of the tunnel for you or a loved one who has lost his way. May the way be found. Sincerely, Danny.
'The Autocrat of the Breakfast-Table' is a collection of essays written by Oliver Wendell Holmes Sr. The essays take the form of a chiefly one-sided dialogue between the unnamed Author and the other residents of a New England boarding house who are known only by their profession, location at the table or other defining characteristics. The topics discussed range from an essay on the unexpected benefits of old age to the finest place to site a dwelling and comments on the nature of conversation itself. The tone of the book is distinctly Yankee and takes a seriocomic approach to the subject matter. Each essay typically ends with a poem on the theme of the essay. There are also poems ostensibly written by the fictional disputants scattered throughout.