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John Dunton, the eccentric London bookseller, left two accounts of his visit to Ireland in 1698. One, entitled The Dublin scuffle, was published in 1699 and in a new edition by Four Courts Press in 2000. The other, Teague land . (1698), is a vivid description of Dunton's experiences throughout Ireland which has, until now, only been printed in censored form. Dunton's lively - if sometimes indecent - stories and his irreverent comments about late 17th-century Ireland and her people have remained in manuscript. This new edition, prepared from Dunton's manuscript by Professor Andrew Carpenter of UCD, prints the unexpurgated text. The result is a fascinating and hitherto unknown account of life in the Irish countryside just after the battle of the Boyne. Dunton's retelling of the stories he heard and his descriptions of everyday life in Ireland are particularly valuable for Irish folklorists. This is a vivid, lively text, which is not only entertaining in itself but also of considerable scholarly interest.
Strangers to that Land, subtitled 'British Perceptions of Ireland from the Reformation to the Famine', is a critical anthology of English, Scottish and Welsh colonists' and travellers' accounts of Ireland and the Irish from the sixteenth to the nineteenth centuries. It consists exclusively of eyewitness descriptions of Ireland given by writers using the English language who had never been to Ireland before and were seeing the country for the first time. Each extract, where necessary, is set in context and briefly explained. The result is a vivid, continuous record of Ireland as defined and judged by the British over a period of four centuries. In their general introduction the editors discuss the significance of these changing historical perceptions, as well as the impact upon them of literary conventions which played a part in shaping the emerging texts. It is argued that the relationship between Ireland and England within a British context constitutes a unique case study in the procedures of racial stereotyping and colonial representation, the exploration of cultural conflict and the aesthetics of travel writing. There are twenty-one contemporary illustrations
The poets who wrote these verses, otherwise unknown men and women from the worlds of the Old English and native Irish, or visitors or settlers newly arrived from England, emerge from the pages of this book as sardonic observers of the dangerous times in which they lived, and as writers of originality, freshness and, sometimes, of wit and ingenuity."
Beautifully illuminated by a color insert and with black-and-white illustrations throughout, this compelling narrative of night is panoramic in scope yet fashioned on an intimate scale and enriched by personal stories.
This groundbreaking and controversial new study tells the story of two nations in Ireland; an Irish Catholic nation and a Protestant nation, emerging from a blood-stained century. This survey confronts the violence and enmity inherent in the consolidation of conquest. Lenihan contends that the overriding grand narrative of this period was one of conflict and dispossession as the native elite was progressively displaced by a new colonial ruling class. This struggle was not confined to war but also had cultural, religious, economic and social reverberations. At times the darkness was relieved throughout the period by episodes of peaceful cooperation. Consolidating Conquest places events in Ireland in the context of three Stuart kingdoms, religious rivalry within and between those kingdoms, and the shifting balance of power as monarchy and commonwealth, Whitehall and Westminster, fought for ultimate power.
This book is composed of a selection of papers presented at a conference in Cambridge in December 2005. Cultural history is a relatively new sub-discipline. Over the past few decades, it has become increasingly apparent that a new generation of historians has emerged. These scholars have become concerned with research, sources and questions traditionally beyond the scope of the discipline of history. Indeed, recent monographs in history have demonstrated a growing awareness of the cultural imagination in analyses of patterns of change and continuity in the past. Such a movement has also encouraged the development of new networks between different disciplines in the Arts and Social Sciences. The authors of these chapters come from a wide range of academic backgrounds. While all are concerned with crucial issues of the past, they represent a substantial variety of disciplines. In addition to the historians are those trained and working in literary studies, art history, design, music and science. As early-career scholars, the research they present is cutting edge: these contributions represent the very latest trends in cultural studies and demonstrate the attempts of new researchers to answer the most current and challenging questions that are being proposed in this field.