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Te Rauparaha is most well known today as the composer of the haka &‘Ka mate', made famous the world over by the All Blacks. A major figure in nineteenth-century history, Te Rauparaha was responsible for rearranging the tribal landscape of a large part of the country after leading his tribe Ngati Toa to migrate to Kapiti Island. He is venerated by his own descendants but reviled with equal passion by the descendants of those tribes who were on the receiving end of his military campaigns in the musket-war era. He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui is a 50,000-word account in te reo Maori of Te Rauparaha's life, written by his son Tamihana Te Rauparaha between 1866 and 1869. A pioneering work of Maori (and, indeed, indigenous) biography, Tamihana's narrative weaves together the oral accounts of his father and other kaumatua to produce an extraordinary record of Te Rauparaha and his rapidly changing world. Edited and translated by Ross Calman, a descendant of Te Rauparaha, He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui makes available for the first time this major work of Maori literature in a parallel Maori/English edition.
"Volume One, Te Tangata me te Whenua - the people and the land, encompasses myths and legends of the region, the succession of tribes who have inhabited Te Tau Ihu o te Waka and their interactions, early encounters with Europeans, the arrival of the New Zealand Company, the Treaty of Waitangi, land transactions, and the administration of Maori Resserves." - p. 16.
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
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Vols. for 1892-1941 contain the transactions and proceedings of the society.
An Unsettled History squarely confronts the issues arising from the Treaty of Waitangi in New Zealand today. Alan Ward writes lucidly about the Treaty claims process, about settlements made, and those to come. New Zealand’s short history unquestionably reveals a treaty made and then repeatedly breached. This is a compelling case – for fair and reasonable settlement, and for the rigorous continuation of the Treaty claims process through the Waitangi Tribunal. The impact of the past upon the present has rarely been analysed so clearly, or to such immediate purpose.
Distinguished author and lawyer Ron Crosby brilliantly rewrites his seminal The Musket Wars on a thematic basis, simplifying it to a concise work full of maps and illustrations for the general reader. Years of presentations to schools and groups is reflected in this dynamic new approach. Muskets, potatoes and other introductions fundamentally altered the balance of power in 19th-century Aotearoa, leading to inter-iwi conflicts over almost 40 years that claimed tens of thousands of lives (killing, wounding or displacing up to half of the Māori population). This important work will further understanding of how the boom of muskets continues to echo in New Zealand today. And it needs to — the wars are still neglected by government and glossed over by other histories. The Forgotten Wars ensures these epic conflicts will be remembered.
The settlement of iwi claims under the Treaty of Waitangi has drawn international attention, as other nations seek ways to build new relationships between indigenous peoples and the state. Here leading scholars consider the impact of Treaty settlements on the management and ownership of key resources (lands, forests and fisheries); they look at the economic and social consequences for Māori, and the impact of the settlement process on Crown–Māori relationships. And they ask ‘how successful has the settlement process been?'
This book explores the history, practice, and possibilities of writing about the lives of First Nations’ peoples in Australia as well as Aotearoa New Zealand, North America, and the Pacific. This interdisciplinary collection recognises the limitations of Western biographical conventions for writing Indigenous long‐ and short‐form biographies. Through a series of diverse life stories of both historical and contemporary First Nations figures, this book investigates innovative ways to ameliorate the challenges we face in recovering the stories of Indigenous people and reimagining their lives in productive new ways. Many of the chapters in this collection are deeply reflective, aiming not just to relate the life story of an individual but also to reflect on the archival, intellectual, and emotional journeys that biographers undertake in researching Indigenous biography. This volume will be of value to scholars and students interested in Indigenous Studies, biography, history, literature, creative writing, archaeology, and colonial and postcolonial studies.