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This book focuses on ways of improving access to psychosocial interventions for people suffering the effects of psychosis throughout the world. Whether biological and psychological interventions can be integrated in treatment is also covered.
Sir Timoti Karetu is one of the country's chief exponents of te reo Maori &– from leading the Maori Language Commission to producing a new generation of language experts through his teaching at Te Panekiretanga o te Reo Maori. He is also an unrivalled creator of waiata and haka, composing songs and judging at Te Matatini and other events.In this book, Sir Timoti shares his extensive experience in the artforms of haka and waiata &– from Maori songs of the two world wars to the rise of kapa haka competitions, from love songs to action songs, from Sir Apirana Ngata to Te Puea Herangi, and from Te Matatini to contemporary hui on marae. Throughout the book, he draws on exemplars of Maori song and haka, explaining form and meanings, maintaining his stance that Lyric is Paramount!Written in exemplary te reo Maori, Matamua ko te Kupu! will become a taonga of Maori knowledge and language.
In haka and waiata, sea shanties and ballads, in the words of Sam Hunt and Selina Tusitala Marsh, Hone Tuwhare and Hera Lindsay Bird, the rhythms of poetry have carried our sounds and stories, our loves and losses for generations. Now Anne Kennedy brings together for the first time a selection of over 200 poems from Aotearoa to learn by heart &– whakatauki and odes, poems of love and of nature, of whanau, history and politics.For a wedding, a tangi, for a day at school or an evening at home, Remember Me will be a lively poetic companion for years to come.
An international comparison of labour markets, migrant professionals and immigration policies, and their interaction in relation to social work.
Vols. for 1892-1941 contain the transactions and proceedings of the society.
"A new relationship is beginning between two extremely different cultures. It's a relationship that will be tested to its very limits. There will be uncertainty, hostility, injustice, hope and promise. Take a glance at New Zealand's early history from Captain Cook's visit in 1769 to when Maori invite missionaries to live amongst them in 1814"--Back cover.
This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a “Multi-Perspective Culturally Sensitive Researcher.” To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau‘ofa’s notion of “a sea of islands.” Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai’i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an “imparative” model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.
This account of Maori traditions, dictated by elders in the 1850s, was published with an English translation in 1913-15.
"... An official collection of Māori historical traditions"--BIM.