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Published to mark 20 years since the landmark opening of Te Papa Tongarewa Museum of New Zealand in 1998, this illustrated book by well-known museum studies academic Conal McCarthy examines the vision behind the museum, how it has evolved in the last two decades, and the particular way Te Papa goes about the business of being a national museum in a nation with two treaty partners. McCarthy provides a warm and at times critical appraisal of its origins, development, innovations, and reception, including some of its key museological features which have drawn international attention, highlights of exhibitions, collections and programs over its first twenty years, and the issues that have sparked national and local debate.
He kupu whakataki (Introduction) -- 1. Ngā whakamāramatanga (Use and meaning) -- 2. Ngā momo me ngā āhua (Types and shapes) -- 3.Te putakenga mai (Physical origins) -- 4. Ngā kōrero kairangi (Exalted histories) -- 5. Ngā tohu a iwi (Tribal styles) -- 6. Ngā tai whakaawe (External versus local influence) -- 7. Ka whiti ka pūmau, 1750-1900 (Change and continuity, 1750-1900) -- 8.Te whānako toi taketake, ngā tau 1890-ināianei (Cultural appropriation, 1890s-present) -- 9. Te hei tiki me te Māori, 1900-ināianei -- He kupu whakakapi (Epilogue).
The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developing sense of identity. Art at Te Papa spans the Museum's collection from superb early European prints to exciting contemporary acquisitions. Te Papa's curators have selected more than 400 artworks, each one beautifully reproduced and accompanied by an engaging mini essay. Works by international artists--from Rembrandt to Mapplethorpe--feature alongside iconic New Zealand art by Charles Goldie, Rita Angus, Bill Hammond, and many more. Lesser-known artworks will also surprise and delight. This special deluxe edition of Art at Te Papa is a treasure to inform, inspire, and delight all New Zealanders and lovers of art.
Preservation of natural and cultural heritage is often said to be something that is done for the future, or on behalf of future generations, but the precise relationship of such practices to the future is rarely reflected upon. Heritage Futures draws on research undertaken over four years by an interdisciplinary, international team of 16 researchers and more than 25 partner organisations to explore the role of heritage and heritage-like practices in building future worlds. Engaging broad themes such as diversity, transformation, profusion and uncertainty, Heritage Futures aims to understand how a range of conservation and preservation practices across a number of countries assemble and resource different kinds of futures, and the possibilities that emerge from such collaborative research for alternative approaches to heritage in the Anthropocene. Case studies include the cryopreservation of endangered DNA in frozen zoos, nuclear waste management, seed biobanking, landscape rewilding, social history collecting, space messaging, endangered language documentation, built and natural heritage management, domestic keeping and discarding practices, and world heritage site management.
"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover
Te Papa holds New Zealands national art collection, whose origins date back to 1865 and the establishment of the then Colonial Museum (later the Dominion and then the National Museum). Built up over the years by a succession of directors and curators, the collections 40,000 works track New Zealand history and the art movements within it. In this generous book, Te Papas curators and a wide range of other expert art writers showcase the strengths of the New Zealand art collection by discussing around 270 works. From very early colonial work through to recent acquisitions, and including photography, their essays offer insights into the art, the artists and the context and issues that drove them. The book is complemented by biographies of all the featured artists, making it a valuable resource.
This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.
A must-have natural science activity book for young New Zealanders and their families.From experiments and observation to conservation and mindfulness, this appealing, activity-packed book stimulates curious minds and encourages children to relate to the natural world around them. Written by an expert museum educator, its beautifully illustrated pages develop budding research skills, awareness of the environment, and understanding of the natural world.All sorts of learning styles are recognised here, with each activity being open to children who like to draw and those who like to write. The book's journal-like format and activities that range across the seasons make it a long-term and much treasured companion.M?tauranga M?ori concepts and the themes present in Te Papa's award-winning Te Taiao | Nature natural history galleries are an integral part of the content.
Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind's lightning-bolt design, opened to acclaim. As Blumenthal writes in the foreword: 'I can no longer remember what possessed me to seriously consider actually reaching out to this fabled Kiwi as a possible answer to my increasingly serious dilemma ...' but the notion paid off and today the JMB is one of Germany's premier cultural institutions. Te Papa to Berlin is a great story--a lively insider perspective about cultural identity and nation building, about how museums can act as healing social instruments by reconciling dark and difficult histories, and about major shifts in museum thinking and practice over time. It is also about the difference that can be made by a visionary and highly effective leader and team builder.