Download Free Taxila An Ancient Metropolis Of Gandhara Book in PDF and EPUB Free Download. You can read online Taxila An Ancient Metropolis Of Gandhara and write the review.

Kurt Behrendt in this book for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan.
This book offers an introduction to Gandharan art and the mystery of its relationship with the Graeco-Roman world of the Mediterranean. It presents an accessible explanation of the ancient and modern contexts of Gandharan art, the state of scholarship on the subject, and guidance for further, in-depth study.
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
The book describes the world’s oldest human settlements during the rather long and diversified sets of civilizations and cultural epochs in the regions, which are now situated within the territorial limits of Pakistan, and highlights three historical periods, namely (i) the age of neolithic settlements, (ii) the Indus Valley civilization, and (iii) the period of precolonial empires and kingdoms and against this backdrop deals with the human settlements of the colonial and postcolonial period in Pakistan. The main motivation for writing this book has been threefold. First, to increase the awareness among the current and prospective students of town planning in particular and the planners at large, in general, about the evolutionary process of town planning in Pakistan. Second, to identify some of the shortcomings, gaps, and overlapping in the process of planning and development of towns in Pakistan. And third, to emphasize the need to undertake further research about the various facets of the subject area. This book is a time series rather than a cross-sectional analysis of the Evolution of Town Planning in Pakistan. It attempts to highlight the various processes and geopolitical landmarks during the nine-thousand-years-long evolutionary processes of physical planning and development in the Indian subcontinent in general and those in Pakistan in particular. It traverses a long temporal and evolutionary progression of town planning processes in Pakistan. This book is a very modest effort to fill a huge gap and may even provide an incentive for the future planning historians and academicians to undertake more in-depth cross-sectional analysis of various processes comprehensively.
People who are reading History feel that studying history and keeping it in mind is a complex task. Hence I would like to write the Ancient and Modern History of India in a simplest form collecting all the historical aspects. I am quite sure that these contents in the book will be highly useful for those who aspire for Civil Services and Other Competitive Examinations. It will be a valuable treasure for people who love history.
Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. ‘Gandhara’ is also the term given to this region’s sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara – from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) – as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.
2022-23 All IAS/PCS General Studies Volume-4 History Of Ancient & Medieval India Solved Papers