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Tautai is the story of a man who came from the edge of a mighty empire and then challenged it at its very heart. This biography of Ta’isi O. F. Nelson chronicles the life of a man described as the “archenemy” of New Zealand and its greater whole, the British Empire. He was Sāmoa’s richest man who used his wealth and unique international access to further the Sāmoan cause and was financially ruined in the process. In the aftermath of the hyper-violence of the First World War, Ta’isi embraced nonviolent resistance as a means to combat a colonial surge in the Pacific that gripped his country for nearly two decades. This surge was manned by heroes of New Zealand’s war campaign, who attempted to hold the line against the groundswell of challenges to the imperial order in the former German colony of Sāmoa that became a League of Nations mandate in 1921. Stillborn Sāmoan hopes for greater freedoms under this system precipitated a crisis of empire. It led Ta’isi on global journeys in search of justice taking him to Geneva, the League of Nations headquarters, and into courtrooms in Sāmoa, New Zealand, and the United Kingdom. Ta’isi ran a global campaign of letter writing, petitions, and a newspaper to get his people’s plight heard. For his efforts he was imprisoned and exiled not once but twice from his homeland of Sāmoa. Using private papers and interviews, O’Brien tells a deeply compelling account of Ta’isi’s life lived through turbulent decades. By following Ta’isi’s story readers also learn a history of Sāmoa’s Mau movement that attracted international attention. The author’s care for detail provides a nuanced interpretation of its history and Ta’isi’s role in the broader context of world history. The first biography of Ta’isi O. F. Nelson, Tautai is a powerful and passionate story that is both personal and one that encircles the globe. It touches on shared histories and causes that have animated and enraged populations across the world throughout the twentieth century to the present day.
This contextual biblical reading of Luke 18:18–30 (the encounter between Jesus and the rich ruler) foregrounds the political and economic context of the Pacific Island Countries and Territories (PICTs). The reading carefully explores the biblical text’s context, an exploration that includes looking at specific intertextual sources and engaging scholars from Asian and African contexts. The reading is then applied to a contextual biblical approach to poverty in Samoan society. The contextual biblical reading resituates the ruler in the Lukan narrative within the context of the household and the institutional constraints of its ecological environment. The theoretical framework for the contextual biblical reading is guided by the Samoan proverb seu le manu ae taga’i ile galu (catch the bird and watch the wave), symbolizing responsibility and restraint in biblical interpretation. At the end of the contextual biblical reading, a new way of reading Luke is presented, and three broad propositions are suggested for further consideration. The main argument of this deep contextual reading of the Lukan passage is that the rich ruler offers a different form of “following,” which is possible by “living responsibly with wealth.”
Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire, Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse.
Inspired by Disney Animation Studios' latest film, Moana, this middle grade novel features characters and adventures based on the rich culture of Oceania. It includes original content in the form of mini folktales interspersed throughout the story of the film.
'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.
An assassin decapitates a U.S. congressman in American Samoa then enters independent Samoa for other targets. Polynesian beauty Pua, the sole agent of the Samoan Secret Service, must protect their national leader--her grandfather. With an anti-colonial chip on her shoulder and a black belt to back it up, she faces Ken, a down-on-his-luck CIA agent. They close in on each other and the warrior-assassin as they race to discover Robert Louis Stevenson's secret. It leads to evidence that could re-ignite civil war, which a shadowy chief tries to do.
Vols. for 1892-1941 contain the transactions and proceedings of the society.
Reading the Bible in Australia invites reflection about how the Bible matters to Australia. Contributors probe intersections between vital debates about Australian identity (who we have been, are, and aspire to become) and the Bible, bringing a range of perspectives to critical themes—indigeneity, colonization, and migration; landscape, biodiversity, and climate; gender and marginality; economics, ideology, and rhetoric. Each chapter explores the past and present influence of a biblical text or theme. Some offer fresh contextually and ethically informed readings. All interrogate the wider outcomes of reading the Bible in different ways. Given the tragic consequences of how it has been used historically, and sometimes still is, some Australians would exclude the Bible and its interpreters from public debate. Yet, as Meredith Lake’s The Bible in Australia demonstrates, “a degree of biblical literacy—along with critical skill in evaluating how the Bible has been taken up and interpreted in our history—can only help Australians grapple well with the choices Australia faces.” Love it or hate it, there is no getting around the reality that the Bible, and how it is read, still matters.
This book, based on fieldwork spanning a decade, gives a comprehensive analysis of the musical life of a unique Polynesian community whose geographical isolation, together with a local ban on missionaries and churches, combine to allow its 600 members to maintain a level of traditional cultural practices unique to the region. Takü is arguably the only location where traditional Polynesian religion continues to be practiced. This book explores the many ways in which spirit activities impact on both domestic and ritual life, how group singing and dancing give audible and visible expression to a variety of religious beliefs, and how spirit mediums relay songs and dances from the recent dead. Takü’s community is well able to articulate the significance of their own strong performance tradition, and this book allows expert singers and dancers to speak passionately for themselves on subjects they understand intimately. Musical ethnographies from the Pacific are rare. Like Moyle’s earlier landmark volumes on Samoan and Tongan music, and also his trilogy on Australian Aboriginal music, this work will be of immense value to Pacific studies and will assume a place among the recognized staples of ethnomusicological research.