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As Tatiana Dobrova stands with the smoking group outside the university in Moscow on this snowy January 25 of 1990, shes shocked when the popular and charismatic Oleg Isaev invites her to his party. It marks the beginning of their turbulent love story. Studious and shy, Tatiana is dazzled by Olegs talents and drive. The breakdown of the Soviet Union and economic turmoil presents ambitious Oleg with exciting opportunities. He becomes part of a new industry: advertising. His success in business and wealth grow rapidly, and Tatiana must adapt to the new lifestyle. But Tatiana wonders if Oleg is playing with danger. Can anyone trust him? Amid all the glamour and temptation, does love stand a chance, and can Tatiana remain true to herself and find her own strength? Praise for Tatianas Day Oleg and Tatianas love story is set against the dramatic changes taking place in Russia at the end of the twentieth century. Written with charm and brio, Katia Perova is a fresh, new voice to watch out for. Jill Dawson, Author, Fred & Edie
As Tatiana Dobrova stands with the smoking group outside the university in Moscow on this snowy January 25 of 1990, she's shocked when the popular and charismatic Oleg Isaev invites her to his party. It marks the beginning of their turbulent love story. Studious and shy, Tatiana is dazzled by Oleg's talents and drive. The breakdown of the Soviet Union and economic turmoil presents ambitious Oleg with exciting opportunities. He becomes part of a new industry: advertising. His success in business and wealth grow rapidly, and Tatiana must adapt to the new lifestyle. But Tatiana wonders if Oleg is playing with danger. Can anyone trust him? Amid all the glamour and temptation, does love stand a chance, and can Tatiana remain true to herself and find her own strength? Praise for Tatiana's Day "Oleg and Tatiana's love story is set against the dramatic changes taking place in Russia at the end of the twentieth century. Written with charm and brio, Katia Perova is a fresh, new voice to watch out for." -Jill Dawson, Author, Fred & Edie
On vacation in Greece, Judith Kahn, a forty-five year old foundation executive from San Francisco, forms a friendship with Tatiana Starova, a foundation grantee from St. Petersburg, Russia. Staying at a converted windmill on an Aegean island, the two women become friends through sharing their life stories. Back in St. Petersburg, Tatiana discovers she is suffering from ovarian cancer. Judith puts together a group of women to help Tatiana -- Kay, Judith's dynamic boss; Gloria, an African-American family practitioner; and Carmen, a Hispanic oncologist. The women bring Tatiana to San Francisco and, with the help of a visiting Russian doctor, Stas Arnatov, shepherd her through treatment with an experimental drug. As each member of the group interacts with Tatiana, she begins, through Tatiana's guidance, to cope with her own life dilemma -- an unsatisfying romance and career; or a past break with family; or a daughter's anorexia; or a lonely personal life. In trying to heal Tatiana, the group members themselves are healed. Although Judith and Tatiana never return to Greece together, they return to the windmill in their hearts and find courage and peace as they face the end of Tatiana's life.
In the last decades of the nineteenth century, two thousand women physicians formed a significant and lively scientific community in the United States. Many were active writers; they participated in the development of medical record-keeping and research, and they wrote self-help books, social and political essays, fiction, and poetry. Out of the Dead House rediscovers the contributions these women made to the developing practice of medicine and to a community of women in science. Susan Wells combines studies of medical genres, such as the patient history or the diagnostic conversation, with discussions of individual writers. The women she discusses include Ann Preston, the first woman dean of a medical college; Hannah Longshore, a successful practitioner who combined conventional and homeopathic medicine; Rebecca Crumpler, the first African American woman physician to publish a medical book; and Mary Putnam Jacobi, writer of more than 180 medical articles and several important books. Wells shows how these women learned to write, what they wrote, and how these texts were read. Out of the Dead House also documents the ways that women doctors influenced medical discourse during the formation of the modern profession. They invented forms and strategies for medical research and writing, including methods of using survey information, taking patient histories, and telling case histories. Out of the Dead House adds a critical episode to the developing story of women as producers and critics of culture, including scientific culture."
The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn: 'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.' Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'. 'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review 'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian
"The turn of the twentieth century was a decisive moment in the institutionalisation of Russia's literary scholarship. This is the first book in the English language to provide an in-depth analysis of the emergence of Russia's literary academia in the pre-Revolutionary era. In particular, Byford examines the rhetoric of self-representation of major academic establishments devoted to literary study, the canonisation of exemplary literary historians and philologists (Buslaev, Grot, Veselovskii, Potebnia, Ovsianiko-Kulikovskii), and attempts by Russian literary academics of this era to define their work as a distinct form of scholarship (nauka). By analysing a range of academic rituals, from celebrations of institutional anniversaries to professors inaugural lectures, and by dissecting the discourse of scholars' obituaries, commemorative speeches and manuals in scholarly methodology, Byford reveals how the identity of literary studies as a discipline was constructed in Russia. He provides not only a unique insight into fin-de-siecle Russian literary scholarship, but also an original approach to academic institutionalisation more widely."
Don't just see the sights—get to know the people. Discovering the Russian soul is like opening a matryoshka, a Russian doll, revealing the many layers. The Russian orthodox religion is unique; Russian history is tragic; and the people are unpredictable. Russia s military and political power, as well as the rich contribution of its art and culture, is the result of an inner dynamic not always understood by outsiders. Culture Smart! Russia sets out to help you to become a more perceptive traveler, and to make your trip more personally fulfilling. It explores the connections between Russia s turbulent past and its paradoxical present; it describes present-day values and attitudes, and offers practical advice on what to expect and how to behave in different social circumstances. Have a richer and more meaningful experience abroad through a better understanding of the local culture. Chapters on history, values, attitudes, and traditions will help you to better understand your hosts, while tips on etiquette and communicating will help you to navigate unfamiliar situations and avoid faux pas.
Tatiana is a unique story from the early 1800s brought into the 21st century by oral tradition. Tatiana recalls the genuine romance and fearful adventures of a young girl born in Cook Inlet during a season of cultural con ict, violence, greed, and extreme hardship. She was forced to choose between the simple desires of her Dena'ina Athabaskan mother and the adamant demands of an adoring yet intensely stubborn Russian father. Her decision changed history during that era and inspires this generation with rich cultural knowledge and values. “At that time of the world, every family was its own last resort. e innocent were forced to defend themselves, o en emerging less than innocent...if they emerged at all.”
The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.