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Artists & Illustrators magazine's Book of the Month Taking inspiration from iconic paintings in the Tate collection, discover the techniques of the masters and improve your own painting skills with 30 guided projects. As you work through the exercises, you'll learn how to work 'wet into wet' with Maggi Hambling, master colour temperature with John Singer Sargent and create rhythm and unity in your paintings with John Nash. Whether you are looking to reinvigorate your watercolour practice with new techniques, try your hand at a wide variety of painting styles, or discover a new, inspiring master of the art, this book offers something new for every watercolourist.
A practical guide to watercolor painting and an informative history, covering technique, equipment, general theory, painting plein air, and conservation.
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
A fully illustrated account of Richard Dadd's life and career, this title presents a fascinating exploration of the relationship between art and madness.
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
This thorough watercoloring guide starts with an up-to-date review of the tools and techniques used by today's watercolor artists and then offers detailed lessons in basic drawing skills. 420 color, 35 b&w illustrations.
Learn how to paint in the fantastic medium of oil. Taking inspiration from iconic paintings in the Tate Collection, discover the techniques of the masters and improve your own painting skills with 30 guided projects. Master brushwork and form with Cézanne; thin and blend with Turner and Whistler; and play with texture with Richter and Riley.
One of the most popular painters of all time, J.M.W. Turner created a remarkable collection of sketchbooks over the course of his career. The 'Skies' sketchbook takes its name from its many richly coloured sky studies. Most of the sketches in the book were presumably observed in England, but a few many have been seen in Italy, Germany and the Netherlands. The dramatic consequence of the eruption of Mount Tambora in 1815m darkening skies and reddening sunsets around the world, surely caught his attention. Turner's more intensely-coloured studies may document these effects which lasted for over a year. This edition of the sketchbook reproduces all these beautiful drawings in near-facsimile.
A detailed examination of the painting techniques J. M. W. Turner used to create his masterpieces. Joseph Mallord William Turner (1775–1851) was a prolific master of landscape and marine painting in nineteenth-century Britain. His attention to color and atmosphere produced breathtaking images of nature, now immortalized in oil paintings, exquisite watercolors, and works on paper. How Turner Painted guides readers through the artist’s groundbreaking techniques, including experiments with modified paint media, innovative uses of watercolor, and painstaking processes for creating a composition. Author of the acclaimed Turner’s Painting Techniques, Turner expert Dr. Joyce Townsend returns to the subject with two hundred high-quality color reproductions and cutting-edge X-ray photography. Tasmania-based artist, writer, and teacher Tony Smibert also contributes a chapter about Turner from a contemporary painter’s perspective. Gallerygoers, artists, museum educators, curators, art historians, and conservation professionals are sure to treasure this authoritative guide to one of Britain’s most important painters.
When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impression­ists. This continued into the twentieth century, with curato­rial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, technique and personal activities, this new analysis challenges the historical conceptions of Turner's late style. The idea that as an elderly artist Turner was seen as intro­verted and detached by the Victorian art world is set against the fact that his paintings from 1835 were some of the most popular, accessible and intellectual that he created. Mean­while, questioning the notion that Turner's late work articu­lated a conclusive, radical vision that was heedless of public reaction, the texts explore how Turner had a very firm idea of the workings of the art market at that time. Fully illustrated in colour, and with contributions by some of the foremost Turner scholars, this book breaks new ground in the continuing study of the life and legacy of one of art's greatest masters.