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Roy Lichtenstein is one of the best-known and accessible artists of the pop art generation of the 1960s. Taking much of his subject matter from comic strips and popular advertising, Lichtenstein produced large, rigorous and highly stylised paintings such as "Whaam!" and "Drowning Girl". Challenged on the originality of his work, Lichtenstein maintained that its purpose and presentation made it more than just reproduction, and with his characteristic playfulness argued that the purpose of his art was not to be original at all. Lichtenstein's imagery has endured through the decades and is still as iconic as it was fifty years ago, as this fascinating introduction to his life and work proves.This consice book, written by Nathan Dunne, a writer and the editor of Tarkovsky (2008), is the perfect introduction to the life and work of this pop artist and painter.
Henri Matisse is a leading figure of modern art and one of the most significant colourists of all time. In a career spanning over half a century, Matisse made a large body of work encompassing drawing, painting, sculpture and ceramics. After 1948 he was prevented from painting by ill health but, although confined to bed, he produced a number of works known as the 'cut-outs'. These were made by cutting or tearing shapes from painted paper. This concise book, written by Juliette Rizzi, Assistant Curator at Tate Modern, is the perfect introduction to the life and work of this artist and modern master.
A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today. • At the height of his fame, Warhol claimed he was "abandoning" painting, shifting his practice towards a commitment to the theoretically limitless channels ofpublishing, film, fashion, music, and broadcasting. It was this "transmission" of art and radical ideas that embodied his ethical conviction that "art should be for everyone". • Stephanie Straine is Assistant Curator at Tate Liverpool, and specialises in American art of the 1960s. Her lively yet authoritative text provides the perfect introduction to the life and work of a pioneering artist whose legacy extends into the digital age.
Tarkovsky pays tribute to the substantial legacy of Andrei Tarkovsky, the most important Soviet filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. His reputation has grown significantly since his death twenty years ago in Paris. Tarkovsky created spiritual, existential films of incredible beauty, repeatedly returning to themes of memory, dreams, childhood and Christianity. Hugely influential on directors such as David Lynch, Steven Soderburgh and Lars Von Trier, he is particularly known for his re-imagining of the science fiction genre in films such as Solaris and Stalker. Tarkovsky provides a collection of accessible academic essays by leading film studies professionals that explore aspects of Tarkovsky's films including their sociological and psychological dimensions, their cinematic language and their rich symbolism. Contributions include the first ever English translation of Jean-Paul Sartre’s famous essay on the film Ivan’s Childhood, along with pieces by Harvard professor Stephanie Sandler, film critic and curator James Quandt, and Evgeny Tsymbal, assistant director to Tarkovsky on Stalker. Tarkovsky is illustrated with original stills along with studio shots, lobby cards, posters and other rare ephemera and contains a wealth of previously unseen material from Soviet archives, making it the definitive text on Tarkovsky’s singularly complex body of work.
Henry Spencer Moore (1898-1986) was arguably the most influential British sculptor of the twentieth century. Brought up in Castleford in Yorkshire, Moore ended his life completing commissions for large-scale public sculptures in countries around the world. The scale of Moore's success in later life has tended to obscure the radical nature of his achievement. Rejecting the influence of his teachers and inspired by works from other cultures he saw in museums, Moore championed direct carving, evolving abstract sculptures derived from the human body. He was involved in the modernist Seven and Give Society and later in Unit One. Written by Henry Moore in the 1930s, these three powerful, polemical texts lay out his ideas about sculpture, calling for truth to materials, openness to other sculptural traditions and understanding of the importance of scale. Illustrated with archival photographs and with an introduction by his daughter Mary Moore, this book gives new insights into Moore's working methods and inspiration and speaks directly to artists today.
The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.
Max Beckmann is widely acknowledged as one of Germany's leading twentieth-century artists. A figurative painter throughout his career, Beckmann depicted the world around him with an unparalleled intensity. His art emerges directly from his experiences of the First and Second World Wars, the political upheavals of the 1920s and 1930s, the rise of Nazism, exile in Amsterdam and his final emigration to the United States. By capturing the objects and events that surrounded him, Beckmann hoped to grasp the deeper mysteries underlying human existence. He perceived and painted the world as a vast stage, at once real and magical, upon which his own life and the traumas of contemporary history were closely intertwined. "On My Painting" can give a valuable insight into understanding his work. It was composed in 1938 at a crucial juncture in Beckmann's life, just a year after he was included the "Degenerate Art" exhibition in Nazi Germany. It was read by him at the opening of the "Twentieth Century German Art" exhibition. With an introduction by Mayen Beckmann, the artist's granddaughter, and an afterword by Sean Rainbird.
In February and March of 1849, the "Illustrated London News" carried a series of announcements about the works of the painter John Martin being exhibited at the British Institution, the third of which included an account of his early life. On the 17 March the paper received a long letter from the artist, reproduced here in full, in which he demands a right of reply. Their article is, he claims, "so unfortunate a tissue of errors from beginning to end, that it can only have the effect of misleading your readers." Martin's brief autobiography makes fascinating reading. Beginning with his youth in Newcastle where he was apprenticed to a coach-builder, it recounts his initial struggles in London and the eventual recognition accorded to his vast, apocalyptic landscape painting and stunning engravings, ending with the civic works he devoted himself to in later years. The reader is left in awe of Martin's determination and drive.With an introduction by Martin Myrone, Lead Curator of Pre-1800 British Art at Tate Britain, this engaging book provides many new insights into the work of this extraordinary painter of sublime landscapes and the times in which he lived.