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"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover
This account of an ethnomusicologist's experience conducting fieldwork offers a glimpse into the life of New Zealand's Maori people through his documentation of traditional songs. The audio recordings included span 1958 through 1979, a time when many of the culture's traditions were fading. Sensitive writing and attention to the challenges of anthropological fieldwork shed light on postcolonialism in New Zealand and its effects on Maori and Polynesian cultures and the continuance of traditional music.
Cover -- Geology of North-West Borneo Sarawak, Brunei and Sabah -- Acknowledgements -- Contents -- Introduction -- History of Geological Investigation -- Early exploration -- Netherlands East Indies geological and mining department -- The oil company era -- The Geological Survey (European era 1949-1968) -- The Geological Survey (Malaysian era 1969-onwards) -- Regional Tectonic Setting -- Part A Sarawak -- Regional Geology Concepts -- Palaeomagnetism of Sarawak -- Geomorphology -- Mesa Topography -- Karst Topography -- Rajang Group Inliers in Miri Zone -- Synclines of Sandy Formations -- Mud Volcanoes -- The Kuching Zone -- Basement Schists -- Correlatives -- Terbat Formation -- Thickness and relationships -- Lithology -- Palaeontology and age -- Correlatives -- Upper Triassic Formations -- Serian Volcanic Formation -- Jagoi Granodiorite -- Sadong Formation -- Regional palaeogeography -- Upper Jurassic and Cretaceous Formations -- Kedadom Formation -- Bau Limestone Formation -- Pedawan ...
The studies in this volume provide an ethnography of a plantation frontier in central Sarawak, Malaysian Borneo. Drawing on the expertise of both natural scientists and social scientists, the key focus is the process of commodification of nature that has turned the local landscape into anthropogenic tropical forests. Analysing the transformation of the space of mixed landscapes and multiethnic communities—driven by trade in forest products, logging and the cultivation of oil palm—the contributors explore the changing nature of the environment, multispecies interactions, and the metabolism between capitalism and nature. The project involved the collaboration of researchers specialising in anthropology, geography, Southeast Asian history, global history, area studies, political ecology, environmental economics, plant ecology, animal ecology, forest ecology, hydrology, ichthyology, geomorphology and life-cycle assessment. Collectively, the transdisciplinary research addresses a number of vital questions. How are material cycles and food webs altered as a result of large-scale land-use change? How have new commodity chains emerged while older ones have disappeared? What changes are associated with such shifts? What are the relationships among these three elements—commodity chains, material cycles and food webs? Attempts to answer these questions led the team to go beyond the dichotomy of society and nature as well as human and non-human. Rather, the research highlights complex relational entanglements of the two worlds, abruptly and forcibly connected by human-induced changes in an emergent and compelling resource frontier in maritime Southeast Asia. Chapters ‘Commodification of Nature on the Plantation Frontier’ and ‘Into a New Epoch: The Plantationocene’ are available open access under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License via link.springer.com.
Volume II includes chapters on anthropology and sociology, medicine, plants and cooking, fishery, men's work, ornamentation and dress, recreation and war, and flora and fauna.
This book makes the unorthodox claim that there is no such thing as mental health. It also deglamourises nature-based psychotherapies, deconstructs therapeutic landscapes and redefines mental health and wellbeing as an ecological process distributed in the environment – rather than a psychological manifestation trapped within the mind of a human subject. Traditional and contemporary philosophies are merged with new science of the mind as each chapter progressively examples a posthuman account of mental health as physically dispersed amongst things – emoji, photos, tattoos, graffiti, cities, mountains – in this precarious time labelled the Anthropocene. Utilising experimental walks, play scripts and creative research techniques, this book disrupts traditional notions of the subjective self, resulting in an Extended Body Hypothesis – a pathway for alternative narratives of human-environment relations to flourish more ethically. This transdisciplinary inquiry will appeal to anyone interested in non-classificatory accounts of mental health, particularly concerning areas of social and environmental equity – post-nature.
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.