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Wearing a mask can sometimes feel unfamiliar, uncomfortable and awkward. The book, Task of the Mask, was written with this in mind. Its message to children is clear: the purpose of the mask is to collect germs so they don't spread to other people. The book's colorful illustrations depict both children and adults wearing face masks in everyday life. This engaging story with its rhyming language helps teach and reinforce the importance of wearing a face mask. Most importantly, the story reminds children that although the face mask may make us look different, the person behind the mask is always the same.
He was born that way. Few would forgive his appearance. Fear and revulsion, even rage, were not unfamiliar to him. The villagers, but for one small child, have not been kind. The forest, his home, was not only a sanctuary, ironically, it also became his prison. One day, the forest offered him something more. What he found both chilled and excited him. It was a discovery that would change his life forever. The Mask is an allegorical tale that touches upon our human frailties, inspires us to find our inner truth, and dares us to be more courageous than we can imagine. Beautifully illustrated and designed, The Mask compels a reader to ponder important social issues such as bullying and body image as well as the meaning of beauty and truth.
A book that explains why the world is suddenly wearing masks in a way that toddlers and kids can relate to and understand! 20% of proceeds will be donated to the GoFundMe COVID-19 Relief Fund.
The world is in crisis and Mathlene has provided a way for YOU to help! She's taking a break from Math to show you how to take care of yourself and your neighbor, one mask at a time. This informational text includes Discussion questions, easy-to-understand graphics, and more! Mathlene wants you to help your community!
Any strategy to cope with an influenza pandemic must be based on the knowledge and tools that are available at the time an epidemic may occur. In the near term, when we lack an adequate supply of vaccine and antiviral medication, strategies that rely on social distancing and physical barriers will be relatively more prominent as means to prevent spread of disease. The use of respirators and facemasks is one key part of a larger strategy to establish barriers and increase distance between infected and uninfected individuals. Respirators and facemasks may have a role in both clinical care and community settings. Reusability of Facemasks During an Influenza Pandemic: Facing the Flu answers a specific question about the role of respirators and facemasks to reduce the spread of flu: Can respirators and facemasks that are designed to be disposable be reused safely and effectively? The committee-assisted by outstanding staff-worked intensively to review the pertinent literature; consult with manufacturers, researchers, and medical specialists; and apply their expert judgment. This report offers findings and recommendations based on the evidence, pointing to actions that are appropriate now and to lines of research that can better inform future decisions.
Behind the mask, Appel notes, the stu­dent is free to create a personality; paradox­ically, because the mask hides the self, it en­ables the student to probe more deeply into himself. "This book describes, defines, and dis­cusses the mask characterization process, providing the theory behind the exercises and the step-by-step procedure in the organ­ic development of the character from the masks," Appel notes. The manual is divided into two parts: "The Instructor's Guide" and "The Actor's Guide." There is also an intro­ductory chapter, "The Class Structure," which explains mask characterization pro­cedures in the classroom, and a sample class schedule may be found in the back of the manual. This book adds a new dimension to actor training and learning. It is essential to aspir­ing actors seeking new ways to create honest dramatic characterizations.
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.