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From his first appearance in 1912, Tarzan became a multimedia franchise whose cultural influence extended well beyond mere entertainment. The original 20th century superhero, the Lord of the Apes was the inspiration behind such early archetypes as The Shadow and Doc Savage, themselves the basis for heroes like Batman and Superman. Long before Comic-Cons and Trekkies, the first Tarzan fan club was formed in America in 1916, pioneering the fandom movement that pervades modern pop culture. This book examines Tarzan in his various media representations--hunter, warrior, secret agent, fighter of communists and Nazis--and in his numerous story arcs, including crossover adventures featuring historical characters like Arthur Conan Doyle and Nikola Tesla.
From his first appearance in 1912, Tarzan became a multimedia franchise whose cultural influence extended well beyond mere entertainment. The original 20th century superhero, the Lord of the Apes was the inspiration behind such early archetypes as The Shadow and Doc Savage, themselves the basis for heroes like Batman and Superman. Long before Comic-Cons and Trekkies, the first Tarzan fan club was formed in America in 1916, pioneering the fandom movement that pervades modern pop culture. This book examines Tarzan in his various media representations--hunter, warrior, secret agent, fighter of communists and Nazis--and in his numerous story arcs, including crossover adventures featuring historical characters like Arthur Conan Doyle and Nikola Tesla.
This collection seeks to understand the long-lasting and global appeal of Tarzan: Why is a story about a feral boy, who is raised by apes in the African jungle, so compelling and so adaptable to different cultural contexts and audiences? How is it that the same narrative serves as the basis for both children’s cartoons and lavish musical productions or as a vehicle for both nationalistic discourse and for light romantic fantasy? Considering a history of criticism that highlights the imperialistic, sexist, racist underpinnings of the original Tarzan narrative, why would this character and story appeal to so many readers and viewers around the world? The essays in this volume, written by scholars living and working in Australia, Canada, Israel, The Netherlands, Germany, France and the United States explore these questions using various critical lenses. Chapters include discussions of Tarzan novels, comics, television shows, toys, films, and performances produced or distributed in the U.S., Canada, Israel, Palestine, Britain, India, The Netherlands, Germany and France and consider such topics as imperialism, national identities, language acquisition, adaptation, gender constructions, Tarzan’s influence on child readers and Tarzan’s continued and broad influence on cultures around the world. What emerges, when these pieces are placed into dialogue with one another, is an immensely complex picture of an enduring, multi-faceted global pop culture icon.
The sixth book of Tarzan, King of the Jungle. This is actually a collection of several short stories all about the times when Tarzan was a young boy and a teenager being raised by the great apes. The young Tarzan was unlike the great apes who were his only companions and playmates. Theirs was a simple, savage life, filled with little but killing or being killed. But Tarzan had all of a normal boy's desire to learn. He had painfully taught himself to read from books left by his dead father. Now he sought to apply this book knowledge to the world around him. He sought for such things as the source of dreams and the whereabouts of God. And he searched for the love and affection that every human being needs. But he was alone in his struggles to grow and understand. The life of the jungle had no room for abstractions.
Contains essays that provide information on various elements of popular culture in the United States during the twentieth century, covering the major areas of film, music, print culture, social life, sports, television and radio, and art and performance. Arranged alphabetically from A-to-D.
The sixth book of Tarzan, King of the Jungle. This is actually a collection of several short stories all about the times when Tarzan was a young boy and a teenager being raised by the great apes. The young Tarzan was unlike the great apes who were his only companions and playmates. Theirs was a simple, savage life, filled with little but killing or being killed. But Tarzan had all of a normal boy's desire to learn. He had painfully taught himself to read from books left by his dead father. Now he sought to apply this book knowledge to the world around him. He sought for such things as the source of dreams and the whereabouts of God. And he searched for the love and affection that every human being needs. But he was alone in his struggles to grow and understand. The life of the jungle had no room for abstractions.
The sixth book of Tarzan, King of the Jungle. This is actually a collection of several short stories all about the times when Tarzan was a young boy and a teenager being raised by the great apes. The young Tarzan was unlike the great apes who were his only companions and playmates. Theirs was a simple, savage life, filled with little but killing or being killed. But Tarzan had all of a normal boy's desire to learn. He had painfully taught himself to read from books left by his dead father We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience
Silent as the shadows through which he moved, the great beast slunk through the midnight jungle, his yellow-green eyes round and staring, his sinewy tail undulating behind him, his head lowered and flattened, and every muscle vibrant to the thrill of the hunt.
Cruel slave traders had invaded the jungle of Tarzan of the Apes. Now they were headed toward a fabled empire of riches which no outsider had ever seen, intent on looting. And toward the same legendary land was stumbling the lost James Blake, an American whom Tarzan had vowed to rescue. Following their spoors, the ape-man came upon the lost Valley of the Sepulcher, where Knights Templar still fought to resume their Holy Crusade to free Jerusalem.