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A biography that takes a penetrating look at Edgar Rice Burroughs, the writer who invented the superhero of the century--Tarzan--whose adventures continue to enthrall audiences. of photos.
This collection seeks to understand the long-lasting and global appeal of Tarzan: Why is a story about a feral boy, who is raised by apes in the African jungle, so compelling and so adaptable to different cultural contexts and audiences? How is it that the same narrative serves as the basis for both children’s cartoons and lavish musical productions or as a vehicle for both nationalistic discourse and for light romantic fantasy? Considering a history of criticism that highlights the imperialistic, sexist, racist underpinnings of the original Tarzan narrative, why would this character and story appeal to so many readers and viewers around the world? The essays in this volume, written by scholars living and working in Australia, Canada, Israel, The Netherlands, Germany, France and the United States explore these questions using various critical lenses. Chapters include discussions of Tarzan novels, comics, television shows, toys, films, and performances produced or distributed in the U.S., Canada, Israel, Palestine, Britain, India, The Netherlands, Germany and France and consider such topics as imperialism, national identities, language acquisition, adaptation, gender constructions, Tarzan’s influence on child readers and Tarzan’s continued and broad influence on cultures around the world. What emerges, when these pieces are placed into dialogue with one another, is an immensely complex picture of an enduring, multi-faceted global pop culture icon.
Like millions of other readers and moviegoers, as a youngster the late Robert W. Fenton loved swinging through the jungle with Tarzan. As an adult his interest was revived when he bought Tarzan creator Edgar Rice Burroughs' original office-estate in Tarzana, California, and began writing a biography of Burroughs. Originally titled The Big Swingers, it was the first full-scale, commercially published account of ERB's life and work. Here is Fenton's 1967 biography, back in print, as a wonderful source for a new generation of readers. Burroughs' early years were far from promising--he was dropped from school, was undistinguished as a cavalryman at Fort Grant, lost out in gold mining, and had little success as a salesman. He knew nothing about writing, but decided to try it anyway--and created Tarzan, one of the most famous characters of all time. A new foreword by George T. McWhorter and new photographs--there are 66 in all--are included.
Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel. Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.
Narrating Life explores the relationship between literature, science and the arts and the way in which they are informed by the process of narrating life. More specifically, it asks: how do literature, science and the arts affect and are affected by the emergence of a critical culture of biopolitics and its rhetorical figurations? Its topicality for literary and cultural studies lies therefore in its exploration of the question: to what extent could narratives of life (or life-writing) be understood as a special practice through which to access the contemporary discussion about biopolitics with its strategies of immunity, mutation, and contagion. The individual contributions address these questions through focusing on new forms of life writing in traditional and new media, science writing and artistic and critical creative practice. In doing so, they also explore and redraw the boundaries between fictional and factual experimental practices. Contributors: Amelie Björck, Elisabeth Friis, Holly Henry, Stefan Herbrechter, Tom Idema, Moritz Ingwersen, Cristina Iuli, Tanja Nusser, Angela Rawlings, Manuela Rossini, Dorion Sagan, Laura Shackelford, Amalie Smith, Marianne Sommer, Steve Tomasula, David Wagner, Jeff Wallace, Dominik Zechner.
A showcase of one hundred of the world's most significant books offers the author's introductory essays on such writers as James Boswell, Colette, and Joseph Roth, and includes explorations of a range of genres and specific works.
The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.
One of today's best young novelists, Ray Robertson is also one of its ablest critics. Mental Hygiene is a collection of his most entertaining, insightful, controversial, and funniest reviews and essays written over the last five years. Believing that ''writers have a responsibility to help maintain the mental hygiene of their time, '' Robertson, following in the footsteps of Mordecai Richler and other novelist-critics such as Anthony Burgess, Kingsley and Martin Amis and John Updike, is at the front line of contemporary literary debate. Whether castigating the bland cabal he refers to as McCanlit, poking fun at the trendy ephemera of intellectual fashion or arguing for his own unique fictional aesthetic, Robertson pulls no punches and suffers no fools
Some oldthinkers still read books . . . Carl Wells has been one of them. Some of those books have made a huge impression on him. Books I Have Loved gives us Wells' response to 46 books (by 41 authors) encountered through a longish life mostly spent (misspent?) reading books. His only regret is that he didn't spend more time reading.
Was Superman's arch nemesis Lex Luthor based on Aleister Crowley? Can Captain Marvel be linked to the Sun gods on antiquity? In Our Gods Wear Spandex, Christopher Knowles answers these questions and brings to light many other intriguing links between superheroes and the enchanted world of estoerica. Occult students and comic-book fans alike will discover countless fascinating connections, from little known facts such as that DC Comics editor Julius Schwartz started his career as H.P. Lovecraft's agent, to the tantalizingly extensive influence of Madame Blavatsky's Theosophy on the birth of comics, to the mystic roots of Superman. The book also traces the rise of the comic superheroes and how they relate to several cultural trends in the late 19th century, specifically the occult explosion in Western Europe and America. Knowles reveals the four basic superhero archetypes--the Messiah, the Golem, the Amazon, and the Brotherhood--and shows how the occult Bohemian underground of the early 20th century provided the inspiration for the modern comic book hero. With the popularity of occult comics writers like Invisibles creator Grant Morrison and V for Vendetta creator Alan Moore, the vast ComiCon audience is poised for someone to seriously introduce them to the esoteric mysteries. Chris Knowles is doing just that in this epic book. Chapters include Ancient of Days, Ascended Masters, God and Gangsters, Mad Scientists and Modern Sorcerers, and many more. From the ghettos of Prague to the halls of Valhalla to the Fortress of Solitude and the aisles of BEA and ComiCon, this is the first book to show the inextricable link between superheroes and the enchanted world of esoterica. * Chris Knowles is associate editor and columnist for the five-time Eisner Award-winning Comic Book Artist magazine, as well as a pop culture writer for UK magazine Classic Rock. * Knowles worked with Robert Smigel on The X Presidents graphic novel, based on the popular Saturday Night Live cartoon, and has created designs and artwork for many of the world's top superheroes and fantasy characters. * Features the art of Joe Linsner, creator of the legendary Dawn series, and more recently a collaborator with comics maestro Stan Lee.