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After the shocking ending of Infinite Frontier, Justice League Incarnate defends the Multiverse from Darkseid across infinite Earths! Following a devastating defeat at the hands of the one true Darkseid, the Superman of Earth-23 leads a team of superheroes from myriad worlds that includes Flashpoint Batman, China’s Flash from Earth-0, Captain Carrot from Earth-26, and the brand new superhero DR. MULTIVERSE from Earth-8 in a last ditch effort to stop the end of every possible universe as we know it! Written by Joshua Williamson and Dennis Culver with first-issue art by Brandon Peterson and Andrei Berssan and a rotating cast of artists exploring the many different worlds of the DC Multiverse, this can’t-miss series is the next thrilling chapter in the Infinite Frontier saga!
"Prove you're an Olympian, and I'll listen."Hermes held out his hand. The air shimmered, before a staff burst into existence. And I mean literally burst into existence. But it wasn't exactly a staff.It was a Caduceus, the famed symbol of Hermes.* * *On her eighteenth birthday, Eden Hills gets a surprise visit from someone she would expect the least. Or, at least, from someone she never knew existed. Never knew could exist.Soon, she finds herself in a world that she, in all her years alive, never thought she would be in, but that's the least of her worries. People who want her dead, namely enemies and monsters, are out for her blood. Her past is catching up to her, and she isn't sure what she should do when it finally does.The only problem is, she can't quite remember her past....
"You look like hell," gasped a woman on TV to a disheveled man. What did she mean? What did she think hell looked like? What did the term hell contribute to her portrait? This is an example of the widespread trivializing of a once-powerful term to depict eternal damnation to mere minutia. Why does God damn the wicked to eternal punishment? Or does He? How is His judgment just? Why and how do theologians strive to modify the results of his judgment? How are we to evaluate views of hell that either soften or deny it? The doctrine of punishment of the unredeemed after death originates in the Old Testament, is developed in the intertestamental Jewish literature, and culminates in the divinely authoritative New Testament doctrine of hell. How can people avoid that dreadful fate? If they should escape from it, what should they then do? What is involved in their saving others "by snatching them out of the fire" (Jude 23)? How does the deliverance from eternal punishment enhance our appreciation of what Jesus Christ accomplished on the cross? What effect should it have on our Christian witness? Distinctive contributions include: (1) a careful exegesis of key biblical texts, containing a thorough analysis of the doctrine of hell, (2) a rationale of God's punishment of the unredeemed, (3) examination of the tours of hell genre, (4) biblical and historical theological themes of witness and evangelism, (5) ramifications of eternal damnation of the unsaved in terms of the urgency of witness.
"Somebody get us the hell out of..." This is the last transmission received from Caitlin Palamara's audit team. What could never happen is now a terrifying fact. The five-person crew of the ISEA audit ship jack-a-dandy has vanished during a routine skip from sector ship Graywand to the planet Sierra. Palamara and the others find themselves stranded on a hostile, undeveloped planet that bears no resemblance at all to Sierra. They've lost communication with Graywand, and their drive system is dead. Just when it seems that things can't get worse, John Wheeler, who feels a connection with a mysterious alien presence, wanders off and stumbles upon the sprawling ruins of an ancient city. The others have no choice but to go after him. The place is more than a little spooky. But there's no real danger, right? The city is long dead, abandoned eons ago. Right? Wrong. For Caitlin Palamara's small audit team, it's the end of their comfortable routine, and the beginning of the interstellar nightmare that becomes known in ISEA archives as The Tartarus Incident.
Friedrich Schiller, the great German classical poet and friend of the American Revolution, assigned to art the task of ennobling the spirit of Man, especially at those times when political circumstances are most unfavorable, men most degraded, and when the qualities of genius are most urgently required to find a way to avert political catastrophe. Reading Schiller’s poetry, as well as his historical, philosophical, and aesthetic works, has precisely the effect on the sensitive reader of which Schiller informed us--to produce in the reader an ennobling power which then continues to exist long after the reading is done. This is volume 3 of the four volume collection of translations. Volume 3 includes Schiller Institute English translations of the following: The Virgin of Orleans--a drama about the life of Joan of Arc Introduction to The History of the Revolt of the Netherlands Against Spanish Rule Homage to the Arts The Diver Philosophical Letters On the Sublime On Naive and Sentimental Poetry