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Shows and identifies the tartans of Scotland, explains how they are woven, and recounts the myths surrounding their origins.
There are almost 200 Scottish clans in all, each with its own set of tartans. This book provides a short history of each clan accompanied by a picture of at least one of its tartans, and includes lists of various clan associations around the world.'
William “Braveheart” Wallace did battle in it. Queen Victoria decked Balmoral in it. Madonna donned it to strut around the stage. Tartan, the beloved symbol of kin, clan and nation to the Scots, has evolved into the one of the world’s favorite fabrics. Serving as inspiration for designers of everything from haute couture to furniture, tartan mania is in full swing. Fashion world insiders Jeffrey Banks and Doria de La Chapelle have written the definitive book on tartan, bringing together a dizzying array of images to tell the story of tartan’s humble beginnings to its current status as the ultimate emblem of great taste and high fashion. In addition to chronicling tartan enthusiasts from every age–including the incomparably fashionable Duke of Windsor whose closet was jam-packed with tartan kilts–Tartan profiles the designers who’ve made tartan an integral part of their work, from punk-inspired provocateurs Vivienne Westwood, Jean-Paul Gaultier, and Alexander McQueen to the more refined fashions of titan Ralph Lauren and Burberry. The perfect mix of a fashion and lifestyle book, this volume explores the global phenomena of tartan mania.
Tartan and Tweed is a comprehensive look at the chequered history of tartan and tweed from their origins in the Scottish Highlands to their reinvention, growing and continued popularity and use in contemporary fashion design, music, art and film. Both tweed and tartan are fabrics with a strong cultural identity and history. But they have been reinvented to create multiple meanings, particularly when used in street fashions and in haute couture to mimic or parody the aristocracy, and to act as a subversive symbol of rebellion. This lavishly illustrated book focuses on fashion over the last century whilst looking back at the journey these fabrics have made from traditional cloth to stylish fabrics. We follow the early popularity of tartan and tweed including the fabrics' connections from crofters and clans to aristocracy, and look at tweed's dramatic recovery during an economic crisis and its subsequent re-invention as desirable luxury fashion fabric. The book explores the use of tartan and tweed in fashion in the collections of leading designers including Vivienne Westwood, Alexander McQueen and Chanel who have used these textiles in a fresh, subversive way, while also paying tribute to their history. Making use of first person sources, historic documents, paintings and fashion photographs, this is a complete overview of tartan and tweed in Scotland and beyond.
An outstanding and comprehensive contribution to the history of Tartan. – Telegraph Featuring new insights and an additional chapter on masculinities, this updated edition of Tartan revitalizes discussions about the fabric's traditional, sentimental Highland origins and its deliberate subversion by contemporary designers. Tartan's history has made it uniquely capable of expressing both conformity and subversion, tradition and innovation. Through positioning tartan within broader philosophical, political and cultural contexts, from the tartan-clad Highland regiments and Queen Victoria's royal endorsement, to the fabric's influence on Westwood and McQueen and a generation of Japanese designers such as Watanabe and Takahashi, Jonathan Faiers traces tartan's development from clanship to contemporary fashion and its enormous domestic and global impact. Beautifully illustrated and weaving together a story out of history, art, music, film and fashion, Tartan demonstrates that this most traditional and radical fabric has become one of extraordinary versatility and far-reaching appeal.
'Something of a doubtful mist still hangs over these Highland traditions, nor can it be entirely dispelled by the most ingenious researches of modern criticism...' So wrote D.C.Stewart in the Preface to the first edition of The Setts of the Scottish Tartans published in 1950. His definitive work did much to remedy the situation, but subsequent further research made the need for a new book apparent. The author combines practical experience with a grasp of Highland social history in this book, which although aimed specifically at the amateur tartan-weaver, contains much of which will be of interest to students of either subject. The weaver is provided with precise hints on the special requirements of weaving tartan including threadcounts, accompanied by historical notes for 228 tartans, 142 of them illustrated in glowing colours which seem to reflect the lakes, sky, hills and valleys of Scotland. There are concise and informative articles on tartan pattern, colour, yarn, thread counts, yarn thicknesses and the actual weaving of the cloth. The basis of any tartan, as the author points out, is a simple two-colour check which may be varied by the addition of over-checks, bands and stripes in contrasting colours so arranged as to give a balanced and harmonious pattern.The author's interest in tartan brought him early into contact with the Scottish Tartans Society and with the late Donald C. Stewart with whom he collaborated over several years in a serious study of the subject, collaboration which resulted in the publication of a number of books, most recently his definitive work Tartan: The Highland Textile.His advice has been sought on the design of new tartans, notably the American Bicentennial, but his main interest is in the old ones. As one of the few specialist handweavers of tartan, he concentrated on making facsimiles and wove a reproduction of a pre-1745 plaid for the National Trust for Scotland's Centre at Culloden. In 1994 he handed his extensive archive, covering about one hundred years of serious tartan research, to the Highland Regional Archive for its preservation and for the benefit of future students.
This text aims to introduce students to culture around the world through simple art activities, while building creativity and critical-thinking skills. It provides resources for teachers who want to develop their multicultural education programs using art projects. Each chapter provides a brief text on a chosen subject, and a list of reference sources with activities to present the topic. Introduce students to cultures around the world with simple art activities that encourage creativity and critical thinking. Chapters focus on China, Japan, India, Australia, Africa, Egypt, Israel, Great Britain, the Netherlands, Greece, Italy, Russia, France, Scandinavia, Mexico, American Indians, and Hawaii. A wonderful supplement to multicultural units.