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Shows and identifies the tartans of Scotland, explains how they are woven, and recounts the myths surrounding their origins.
There are almost 200 Scottish clans in all, each with its own set of tartans. This book provides a short history of each clan accompanied by a picture of at least one of its tartans, and includes lists of various clan associations around the world.'
William “Braveheart” Wallace did battle in it. Queen Victoria decked Balmoral in it. Madonna donned it to strut around the stage. Tartan, the beloved symbol of kin, clan and nation to the Scots, has evolved into the one of the world’s favorite fabrics. Serving as inspiration for designers of everything from haute couture to furniture, tartan mania is in full swing. Fashion world insiders Jeffrey Banks and Doria de La Chapelle have written the definitive book on tartan, bringing together a dizzying array of images to tell the story of tartan’s humble beginnings to its current status as the ultimate emblem of great taste and high fashion. In addition to chronicling tartan enthusiasts from every age–including the incomparably fashionable Duke of Windsor whose closet was jam-packed with tartan kilts–Tartan profiles the designers who’ve made tartan an integral part of their work, from punk-inspired provocateurs Vivienne Westwood, Jean-Paul Gaultier, and Alexander McQueen to the more refined fashions of titan Ralph Lauren and Burberry. The perfect mix of a fashion and lifestyle book, this volume explores the global phenomena of tartan mania.
Tartan has colonized the world. The flexibility of its design and the traditionalism of its symbolism - as well as the travels of the Scots - have taken the fabric around the globe. Traditionally the visual sign of clanship and district, tartan was popularized outside Scotland by the tartan-clad Highland regiments and Queen Victoria's royal endorsement. Hollywood has continued to sustain the romantic fictions of tartan from Brigadoon to Braveheart. At the same time, designers such as Westwood and McQueen have deliberately subverted the traditional and historical associations of the fabric, as have contemporary artists such as Matthew Barney. Post-punk, tartan now turns up in the most surprising places, influencing the conceptual clothing of a generation of Japanese designers such as Watanabe and Takahashi, the stage costumes of Outkast's Andre 3000 and contemporary interior design. Beautifully illustrated and weaving together a story out of history, art, music, film and fashion, Tartan contains everything you ever wanted to know about this most radical and most traditional of fabrics.
Tartan and Tweed is a comprehensive look at the chequered history of tartan and tweed from their origins in the Scottish Highlands to their reinvention, growing and continued popularity and use in contemporary fashion design, music, art and film. Both tweed and tartan are fabrics with a strong cultural identity and history. But they have been reinvented to create multiple meanings, particularly when used in street fashions and in haute couture to mimic or parody the aristocracy, and to act as a subversive symbol of rebellion. This lavishly illustrated book focuses on fashion over the last century whilst looking back at the journey these fabrics have made from traditional cloth to stylish fabrics. We follow the early popularity of tartan and tweed including the fabrics' connections from crofters and clans to aristocracy, and look at tweed's dramatic recovery during an economic crisis and its subsequent re-invention as desirable luxury fashion fabric. The book explores the use of tartan and tweed in fashion in the collections of leading designers including Vivienne Westwood, Alexander McQueen and Chanel who have used these textiles in a fresh, subversive way, while also paying tribute to their history. Making use of first person sources, historic documents, paintings and fashion photographs, this is a complete overview of tartan and tweed in Scotland and beyond.
This text aims to introduce students to culture around the world through simple art activities, while building creativity and critical-thinking skills. It provides resources for teachers who want to develop their multicultural education programs using art projects. Each chapter provides a brief text on a chosen subject, and a list of reference sources with activities to present the topic. Introduce students to cultures around the world with simple art activities that encourage creativity and critical thinking. Chapters focus on China, Japan, India, Australia, Africa, Egypt, Israel, Great Britain, the Netherlands, Greece, Italy, Russia, France, Scandinavia, Mexico, American Indians, and Hawaii. A wonderful supplement to multicultural units.
Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on proper contextualisation and coherent analysis. This critical re-evaluation of one of the more controversial aspects of recent debates on Scottish culture draws together contributions from leading researchers in a wide variety of disciplines, resulting in a highly accessible yet authoritative volume. This book, like tartan, weaves together two strands. The first, like a warp, considers the significance of tartan in Scottish history and culture during the last four centuries, including tartan's role in the development of diaspora identities in North America. The second, like a weft, considers the place of tartan and rise of tartanry in the national and international representations of Scottishness, including heritage, historical myth-making, popular culture, music hall, literature, film, comedy, rock and pop music, sport and 'high' culture. From Tartan to Tartanry offers fresh insight into and new perspectives on key cultural phenomena, from the iconic role of the Scottish regiments to the role of tartan in rock music. It argues that tartan may be fun, but it also plays a wide range of fascinating, important and valuable roles in Scottish and international culture.