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This is a bilingual (English and Japanese) story about the struggles and triumph of a young fisherman in old Japan. Inspired by the ancient Japanese feat of “Nankin Tamasudare” in which bamboo sticks are manipulated into figures, and the art of the great Japanese master Hokusai, the story was written in America, translated in Japan and illustrated in Hungary!Richard Hatch, the author, is a professional magician and co-founder of the Hatch Academy of Magic and Music. He includes his telling of this tale, illustrated with the mysterious tamasudare mat, in many performances, often accompanied by his wife, violinist Rosemary Kimura Hatch.András Balogh, the illustrator, is a children's book designer and digital painter living in Székesfehérvár, Hungary. He studied at the Free School of Fine Arts in Kecskemét where he received a strong foundation in the arts, visual creativity and traditional painting. Since 2003 he has been an invited member of the government of Bács Kiskun's country painter camp and is a full member of the Society of Children's Book Writers and Illustrators (SCBWI). Yukishige Kadoya, the translator from English into Japanese, is a freelance translator and writer based in Nagoya, Japan. He is also a performing magician and a scholar of magic. He often serves as the interpreter for the many major foreign magicians who lecture and perform in Japan. He has written several books, including Tokyo-do Shuppan Publishing's best-selling “Eigo de Pera-Pera Magic (Let's perform magic in English)”.Children's Bookwatch, Vol. 23, no. 2 (February 2013): ""Taro-San the Fisherman and the Weeping Willow Tree" is a beautiful, traditionally illustrated, bilingual children's tale written in Japanese and translated into English for children age 8 and up. Taro-San grew up as a boy sitting on a river bank under a weeping willow tree, fishing all day long. He wanted nothing more than to be a professional fisherman. However, when Taro-San is finally able to buy a boat and cast out to sea to fish, his nets come up empty for two weeks in a row! He decides to make a special pilgrimage to a sacred Shinto shrine. When he arrived at the beautiful O-Torii gate to the harbor of the sacred shrine, he enjoyed seeing the beauty of the setting. Taro-San crossed on a bridge to approach a special well, like a wishing well, where he respectfully wrote his wish to become a successful fisherman on a piece of parchment, dropped it into the well, and struck a bell three times to summon his ancestors to hear the request he made of them. A rainbow cheers and heartens him as he leaves the shrine. Soon he meets an old man who is a successful fisherman and asks him for his secrets for success. Here Taro-San discovers he has omitted an important step in his venture: He has not chosen a name for his boat. With the guidance of the old man, Taro-San chooses just the right name and paints it on the boat in Kanji characters. After that, Taro -San is so successful with his fishing that he can barely sail his catch home each day. What was the name he chose, the name that enchanted the fish so they came to the boat willingly to be caught? Of course, it was the Weeping Willow Tree. "Taro-San the Fisherman and the Weeping Willow Tree" is presented in both English and Japanese, beautifully illustrated with a traditional appearing style of delicately tinted paintings by Hungarian artist Andras Balogh. The story of "Taro-San the Fisherman and the Weeping Willow Tree" was inspired by a traditional storytelling art called "Nankin Tamasudare," in which a bamboo mat is used to represent many different figures in the story. For a visually stunning, multi-cultural reading-storytelling experience, "Taro-San the Fisherman and the Weeping Willow Tree" is an exquisite choice for juvenile audiences age 7 and up."
A retelling, in parallel English and Spanish text, of the traditional tale told in the Southwest and in Mexico of how the beautiful Maria became a ghost.
An old cherry tree and a bird, two best friends, become fearful of the imminent threat of a new orchard and factory. What happens when the nearby creek becomes polluted? Can the bird help out his best friend or is it too late?
A sparkling lake set amidst lovely hills is full of fish of an unusual beauty. But when the sultan orders his cook to prepare some, the task is trickier than it seems. The Fisherman and the Jinni is one of the great tales from The Arabian Nights. Enter a world of enchantment and discover an extraordinary web of beautifully interwoven stories. The Arabian Nights (also known as The One Thousand and One Nights) is an ancient collection of tales that have existed for thousands of years. Harpendore's Arabian Nights Adventures are beautifully retold versions of these ancient classics that are specially designed to appeal to children aged seven years and above. They are written in a warm and accessible style and include wonderful illustrations inside. With mischief and magic in equal measure, this series is sure to captivate readers everywhere. The Arabian Nights Adventures series continues to be released throughout 2018. Stories included in the series are: The Adventures of Prince Camar & Princess Badoura Aladdin and his Wonderful Lamp Gulnare of the Sea Ali Baba and the Forty Thieves The Seven Voyages of Sinbad the Sailor The Enchanted Horse The Talking Bird, the Singing Tree and the Golden Water The Merchant and the Genie The Tale of Zubaidah and the Three Qalandars The Adventures of Harun al-Rashid, Caliph of Baghdad The Three Princes, the Princess and the Jinni Pari Banou The Fisherman and the Genie The King's Jester (also known as The Little Hunchback)
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
In Bashō's Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashō's literary prose, as well as a companion piece to his previous translation, Bashō's Haiku. One of the world's greatest nature writers, Bashō (1644–1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashō's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashō was the first master of haibun, short poetic prose sketches that usually included haiku. As he did in Bashō's Haiku, Barnhill arranges the work chronologically in order to show Bashō's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Bashō's prose and discusses the significance of nature in this literary form, while also noting Bashō's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.
In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement, this beautifully illustrated book includes a wide selection of his finest poems, paintings, and calligraphy.
Matsuo Basho stands today as Japan's most renowned writer, and one of the most revered. Yet despite his stature, Basho's complete haiku have never been collected under one cover. Until now. To render the writer's full body of work in English, Jane Reichhold, an American haiku poet and translator, dedicated over ten years to the present compilation. In Barbo: The Complete Haiku she accomplishes the feat with distinction. Dividing the poet's creative output into seven periods of development, Reichhold frames each period with a decisive biographical sketch of the poet's travels, creative influences, and personal triumphs and defeats. Supplementary material includes two hundred pages of scrupulously researched notes, which also contain a literal translation of the poem, the original Japanese, and a Romanized reading. A glossary, chronology, index of first lines, and explanation of Basho's haiku techniques provide additional background information. Finally in the spirit of Basho, elegant semi-e ink drawings by well-known Japanese artist Shiro Tsujimura front each chapter.