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CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations. Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and the city as her own. As Cassie learns, anyone can fly. “All you need is somewhere to go you can’t get to any other way. The next thing you know, you’re flying among the stars.”
It's a special day for Cassie. Her daddy's taking her out for a surprise treat. As she gets dressed, she chooses many colorful items: her yellow-and-red polka-dot dress, purple shoes, a green pocketbook. What's the surprise? He's taking her to the ice cream parlor, with its blueand-orange sign. Cassie orders her favorite--a pink strawberry sundae!
Acclaimed artist and Caldecott-winning picture book creator Faith Ringgold shares an inspiring look at America's lineage in this stunning ode to our country--past, present, and future. America is a land of diversity. Whether driven by dreams and hope, or escaping poverty or persecution, our ancestors--and the faces of America today--represent people from every reach of the globe. And each person brought with them a unique gift--of art and music; of determination and grit; of ideas and strength--that forever shaped the country we all call home. Vividly evoked in Faith Ringgold's sumptuous colors and patterns, WE CAME TO AMERICA is an ode to every American who came before us, and a tribute to the children who will carry its message into our future.
Count all the good things from one to ten that Cassie and her family take to the rooftop for their scrumptious picnic on Tar Beach. Lemonade, chickens, watermelons, and chocolate chip cookies are just some of the things they're going to enjoy. Toddlers will love learning to count with this delicious introduction to numbers.
When Cassie Louise Lightfoot encounters Harriet Tubman and a mysterious train in the sky, what follows is a compelling journey in which the author masterfully integrates fantasy and historical fact (School Library Journal, starred review). Full color.
This is an important new book published to coincide with a major exhibition of Faith Tinggold's new work and Studio collection. While the book explores Faith's work in her studio and her personal artistic journey, it is also an encounter between one artist and another, between Faith and her collaborator Curlee Holton. The mix provides unique insights into the struggles and triumphs of a woman who is at once an activist and an artist and whose achievements are admired throughout the world.
One of the country's preeminent African-American artists and an award-winning children's book author shares the fascinating story of her life as she looks back on her struggles, growth, and triumphs in this gorgeously illustrated work. (Memoir)
Retold Afro-American folktales of animals, fantasy, the supernatural, and desire for freedom, born of the sorrow of the slaves, but passed on in hope.
SCAD University Press announces the release of Kenturah Davis: Everything that Cannot be Known, the artist's first monograph on the occasion of her first solo museum exhibition at the SCAD Museum of Art, Feb. 6-Dec. 13, 2020. Featuring an insightful preface by Diane Von Furstenberg and an oeuvre-defining essay by curator Humberto Moro, the catalog also includes a conversation between Davis and BOMB Magazine's Stephanie E. Goodalle and poems by Jayy Dodd.Reworking photographs from fact to fiction, Davis uses mark-making processes, including her own handwriting and rubber letter stamps, to explore the impossibilities of representing Black bodies. Often blurred by other layers of material treatment, her figures seem to display auras or traces of movement in areas of raised or recessed relief. Witnessing the works' graphic complexity as a metaphor, the viewer ultimately wonders: can the multitudes of our identities ever be known?
A biography of the African American woman and Civil Rights worker, whose refusal to give up her seat on a bus led to a boycott, which lasted more than a year in Montgomery, Alabama.