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Alan Shapiro is at his most passionate in this collection. A work full of life, jealousy, lust, and romantic abandon, Tantalus in Love begins with the sorrow of a disintegrating marriage, with its anger and suspicion, its hurt and rage, but moves on to celebrate the resilience of love after loss and the awakening glory of an amorous middle age. Reinventing myth and symbol in lyrical portraits of astounding resonance, Shapiro's poems yearn with hesitant love, heated at renewal, fragile but intensified by past experience of love's evanescence and uncertainty.
Taming an Impossible Rogue Suzanne Enoch One year ago, Lady Camille Pryce left her haughty fiancé at the altar-for good reason. Not only was the marriage arranged before she could even walk, her betrothed was too smug to exert himself to meet her! Now, disowned, with no husband or family to support her, she's left with one option: go to work in the notorious Tantalus Club... A gentleman's gaming house run by a woman, the Tantalus is no place for a proper lady; so, to save face, her jilted fiancé must retrieve her. But banned from the club, he's forced to employ his ne'er-do-well cousin instead. A handsome, experienced rogue, Keating Blackwood is the perfect man to lure Camille away. But the moment they meet, Keating instead wants to save her...for himself. Impossible? Perhaps. But if Camille can make the ultimate player lay his cards on the table-and risk his heart-all bets are off...
Aeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime, influenced many of his plays. The Oresteia is a trilogy of Greek tragedies written by Aeschylus, which concerns the end of the curse on the House of Atreus. The plays were "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).
The fourth and final book in the hilarious bestselling WHO LET THE GODS OUT series; perfect for fans of David Solomons! 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.' ROBIN STEVENS on book 1 'One of the funniest new voices in children's literature. The laughs come thick and fast' DAVID SOLOMONS on book 1 In the series finale of Maz Evans' bestselling Who Let the Gods Out? series, Elliot faces his darkest period yet. As well as facing up to his fears, he realises that the future of mankind - and the survival of everything he holds dear - is at stake. But can a bunch of misfit gods, a lost constellation and a mortal boy stand up to the daemon hordes?
An AI cannot lie. An AI must obey human commands. An AI cannot kill. These are the laws SCARAB has broken, and only Mary knows. The Tantalus 13 survey expedition went off the rails as soon as Mary Ketch and the crew of the Diamelen learned that the thing beneath their feet wasn’t a planet. An impossibly vast and ancient artificial structure lies below, hidden from the universe under a façade of cratered stone. SCARAB arrived on Tantalus 13 two years ago. An artificially intelligent, self-constructing factory, it was supposed to aid the crew in their mission, to meet their every need. But when erratic behavior in the AI coincides with a series of deadly accidents among the crew, Mary faces the horrifying possibility that SCARAB has gone rogue. With the AI watching her every move, any attempt to warn the crew could be disastrous. But SCARAB knows far more about the Tantalus 13 enigma than it lets on, and the secrets it’s willing to kill for may have dire implications for all humankind.
THE HANDBOOK TO HANDLING HIS LORDSHIP SUZANNE ENOCH Emily Portsman has a secret, and three years ago she decided the best way to keep it would be to work at the Tantalus Club, a notorious gaming establishment for gentlemen. It's not the sort of work a beautiful, well-bred governess would ever consider-unless she's hiding from her past and a man who wants to destroy her present... Nate Stokes, Earl of Westfall, is a supremely accomplished former spy more at home on London's seedy streets than in any glittery ballroom. His peers know him only as a bookish fellow who can find anything-or anyone. When the Marquis of Ebberling hires him to find a murderess, Nate's search leads him to the Tantalus Club and Emily Portsman. In a game where no one is who they seem and when every conversation is a deadly dance of trust and desire, the only thing Nate knows for sure is that once he gets Emily in his arms, he will never let go...
In Hillsbury, the last long weekend of summer is a golden time for the campers and cottage dwellers who flock to the waters of Cape's Side Bay. But this year, the disappearance of a local boy brings to all an early chill. Two wardens of Hillsbury, ranger Henry Carter and deputy Bentley Trundle, set out to find the boy who has vanished without a trace. As rumors spread of a lurking evil that snatched the child, more bodies are uncovered, each bearing an odd mutilation. Eyes sewn closed, ears chopped off, mouth stitched shut . . . each thread made from a material not found on the periodic table. The end of summer is a golden time by Cape's Side Bay, but the residents of Hillsbury soon learn that some waters are best left undisturbed, and some mysteries are better left unsolved.
From a "New York Times"-bestselling author comes the second installment in her thrilling new Regency historical romance series. When it comes to romance, risk is its own reward. Original.