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A woman’s story of learning to dance, and becoming comfortable in her own skin and in the arms of others: “Witty, incisive [and] vibrantly intelligent.”—Kirkus Reviews (starred review) Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. So she dug up an old dream and tried on her dancing shoes. In tango, there’s a leader and a follower, and, traditionally, the woman follows. As Meghan moved from beginner classes to the late-night dance halls of New York’s vibrant tango underground, she discovered that more than any footwork, the hardest and most essential lesson of the dance was to follow with strength and agency; to find her balance, regardless of the lead. And as she broke her own rule—never mix romance and tango—she started to apply those lessons in every corner of her life. Written in wry, lyrical prose, and beautifully enriched by the vivid history and culture of the dance, Tango Lessons is a transformative story of conquering your fears, living your dreams, and enjoying the dizzying freedom found in the closest embrace. “Like Sweetbitter, this is a memoir of a young woman trying to make it in contemporary New York City. Like H Is for Hawk and Julie and Julia, it is also portrait of obsession...Flaherty is self-aware and writes beautifully.”—New York Journal of Books “Flaherty's writing contains moments of real beauty.”—Newsday
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
The tango is easily the most iconic dance of the last century, its images as familiar as an old friend. But are they the whole story? Peeling back the poster propaganda that has always characterized the tango publicly, this intimate study shows the invisible heart of the dance and the culture that raised it. Drawing on direct experience and conversations with dancers, it reveals much about the role of the tango in Argentinean culture. Instructors considering this book for use in a course may request an examination copy here.
The Argentine tango is one of the world’s best-known partner dances. Though tango is much admired and discussed, very little has been written on its ongoing evolution. In this innovative work, Carolyn Merritt surveys tango history while focusing on the most recent iteration of the dance, tango Nuevo, and the práctica scene that has exploded in Buenos Aires since the early 2000s. After starting with an overview of tango, Merritt leads readers on a great adventure through the traditional dance halls and the less formal prácticas of Buenos Aires to tango communities on both coasts of the United States. Along the way, Merritt’s personal observations show the dance’s emotional depth and the challenges dancers face in tango venues old and new. Her investigation also demonstrates how innovation, globalization, and fusion, which many associate with nuevo, have always been at work in tango. Combining sensuous prose, provocative images, and often heartbreaking stories, this book takes an unflinching look at the complex motivations driving the pursuit to master this intricate dance. Throughout, Merritt questions the "newness" of Nuevo through portraits of machismo, violence, and elitism in contemporary tango. The result is a volume that highlights the tensions between preservation and evolution of this--or any--cultural art form. Members of the global tango community as well as students of dance, folklore, anthropology, and the social sciences will embrace this book. For those who are devoted to Argentine tango as dance, this book will be indispensable to understanding its most recent transformations.
In a twenty-first century which celebrates freedom and equality while also beginning to question the lax attitudes and methods which have triumphed since the late Sixties, reflecting on the concept of authority is as necessary as ever. What role does, and should, authority play in political, social, and academic organization? Should one plead for stricter or more flexible authority? Where does the frontier between authority and authoritarianism lie? In examining these, and other related questions, this volume, postulating the interconnectedness between authority and discourse, also discusses the rhetorical strategies whereby authority is constructed, manifested, and resisted. Pertaining to subjects as various as politics, culture, literature, history, and pedagogy, the twenty chapters which constitute this book offer an interdisciplinary, yet thematically coherent, coverage of the question under discussion, and encompass a wide historical and spatial scope, which ranges from the Islamic Middle Ages to twenty-first century America, passing through nineteenth- and twentieth-century Europe, India, and North Africa on the way.
In the fully updated Sixth Edition of Understanding Global Cultures: Metaphorical Journeys Through 34 Nations, Clusters of Nations, Continents, and Diversity, authors Martin J. Gannon and Rajnandini Pillai present the cultural metaphor as a method for understanding the cultural mindsets of individual nations, clusters of nations, continents, and diversity in each nation. A cultural metaphor is any activity, phenomenon, or institution that members of a given culture consider important and with which they identify emotionally and/or cognitively, such as the Japanese garden and American football. This cultural metaphoric approach identifies three to eight unique or distinctive features of each cultural metaphor and then discusses 34 national cultures in terms of these features. The book demonstrates how metaphors are guidelines to help outsiders quickly understand what members of a culture consider important.
The award-winning author of The End of Vandalism pens “a gorgeous, inexplicably sad and funny novel about screwups trying to do better” (Salon). In this mesmerizing novel, Tom Drury once again journeys to the quiet Midwest to spend an action-packed October weekend in the lives of a precarious family whose members all want something without knowing how to get it: for Charles, an heirloom shotgun; for his wife, Joan, the imaginative life she once knew; for their young son, Micah, a knowledge of the scope and reliability of his world, aided by prowling the empty town at night; and for Joan’s daughter, Lyris, a stable foot from which to begin to grow up. Sometimes together, sometimes crucially apart, father, mother, son, and daughter move through a series of vivid encounters that demonstrate how even the most provisional family can endure in its own particular way. “A beguiling novel . . . perceptive and captivating.” —The New York Times “Entrancing.” —The Guardian “Startling and utterly original.” —Newsday “Drury is an absolutely delightful writer who has carved out a world of his own in American fiction, one that is odd, revealing, and yet filled with love.” —Library Journal “The trick and true pleasure here are in the utterly ordinary context these extraordinary events occur in. Drury never misses a beat—the quiet moments dazzle as much the louder ones.” —Kirkus Reviews