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An Armenian folktale about two robbers courting the same girl.
The manuscript used by the printer for the first edition of 1853.
Tanglewood Tales for Boys and Girls (1853) is a book by American author Nathaniel Hawthorne, a sequel to A Wonder-Book for Girls and Boys. It is a re-writing of well-known Greek myths in a volume for children. The book includes the myths of: Theseus and the Minotaur (Chapter: "The Minotaur") Antaeus and the Pygmies (Chapter: "The Pygmies") Dragon's Teeth (Chapter: "The Dragon's Teeth") Circe's Palace (Chapter: "Circe's Palace") Proserpina, Ceres, Pluto, and the Pomegranate Seed (Chapter: "The Pomegranate Seed") Jason and the Golden Fleece (Chapter: "The Golden Fleece") Hawthorne wrote introduction, titled "The Wayside," referring to The Wayside in Concord, where he lived from 1852 until his death. In the introduction, Hawthorne writes about a visit from his young friend Eustace Bright, who requested a sequel to A Wonder-Book, which impelled him to write the Tales. Although Hawthorne informs us in the introduction that these stories were also later retold by Cousin Eustace, the frame stories of A Wonder-Book have been abandoned
Tanglewood Tales for Girls and Boys, Being a Second Wonder-book by Nathaniel Hawthorne. This book is a reproduction of the original book published in 1898 and may have some imperfections such as marks or hand-written notes.
"Circe's Palace" is a short story that draws inspiration from Greek mythology and the myth of Circe, a powerful sorceress from Homer's "Odyssey." In the story, Hawthorne reimagines the myth in his unique style. The narrative follows a group of sailors who, like Odysseus' men, encounter the enchantress Circe on an isolated island. She invites them into her palace and offers them a mysterious and alluring drink, much like the wine she gave to Odysseus' crew, which turned them into animals. As the sailors partake in the drink, they gradually undergo a transformation, experiencing altered states of being. The story explores themes of enchantment, illusion, and the power of desire. It delves into the idea of losing one's sense of self and reality when subjected to temptation and seduction. Hawthorne's "Circe's Palace" is emblematic of his fascination with myth, allegory, and the darker aspects of the human psyche. It serves as a literary reimagining of the classical myth, adding Hawthorne's own depth and symbolism to the narrative. The story is a prime example of Hawthorne's style and his interest in exploring the complexities of human nature, often through allegorical and symbolic storytelling. In "Circe's Palace," readers are invited to ponder the consequences of succumbing to seductive and enchanting illusions, with Hawthorne's characteristic blend of romantic and dark romantic themes.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.