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Aotearoa New Zealand has been shaped by a long and dynamic history with the other islands of the Pacific, their people and their cultures. Today, it is home to the largest population of Pacific Islanders anywhere in the world. The first of its kind, this illustrated history tells the fresh and surprising story of over a thousand years of Pacific peoples in New Zealand - a millennium of exploration, encounter and cultural exchange - from the legendary feats of exploration and migration undertaken by the ancestors of modern Maori to the politically explosive dawn raids of the 1970s to Tana Umaga becoming the first PI captain of the All Blacks. Uniquely, Tangata o le Moana puts the Pacific Island viewpoint at its centre, using all new primary sources and a rich cache of oral history material to tell the stories of our shared past. Across fifteen chapters written by leading historians and writers, every aspect of this history is touched on, from migration to tourism, economics to politics, sport to the arts. The book is lavishly illustrated with hundreds of historical and contemporary photos, archival documents, specially commissioned maps and beautiful images of evocative museum objects. Tangata o le Moana is a rigorously researched, but human and colourful, record of the story of New Zealand as a Pacific place.
Well-documented and comprehensive study of the Pacific peoples now resident in New Zealand and the evolution and emergence of new forms of identity and community within these populations. It also discusses some of the contributions these communities are making to the wider institutions of this country.
From the &“golden weather&” of postwar economic growth, through the globalization, economic challenges, and protest of the 1960s and 1970s, to the free market revolution and new immigrants of the 1980s and 1990s and beyond, this account, the most complete and comprehensive history of New Zealand since 1945, illustrates the chronological and social history of the country with the engaging stories of real individuals and their experiences. Leading historians Jennifer Carlyon and Diana Morrow discuss in great depth New Zealand's move toward nuclear-free status, its embrace of a small-state, free-market ideology, and the seeming rejection of its citizens of a society known for the &“worship of averages.&” Stories of pirate radio in Auckland's Hauraki Gulf, the first DC8 jets landing at Mangere airport, feminists liberating pubs, public protests over the closing of post offices, and indigenous language nests vividly demonstrate how a postwar society famous around the world for its dull conformity became one of the most ethnically, economically, and socially diverse countries on earth.
"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover
Explores the relationship between indigeneity and migration among Maori and Pacific peoples
The task of living in modern New Zealand – and especially in modern Auckland – is not just to understand how to live with different peoples, but how to adapt to the future that has already happened. New Zealand is a nation that exists on Pacific Islands, but does not, will not, perhaps cannot, see itself as a Pacific Island nation. Yet turning to the Pacific, argues Damon Salesa, enables us to grasp a fuller understanding of what life is really like on these shores. After all, Salesa argues, in many ways New Zealand’s Pacific future has already happened. Setting a course through the ‘islands’ of Pacific life in New Zealand – Ōtara, Tokoroa, Porirua, Ōamaru and beyond – he charts a country becoming ‘even more Pacific by the hour’. What would it mean, this far-sighted book asks, for New Zealand to recognise its Pacific talent and finally act like a Pacific nation?
This handbook engages key debates in Australian and New Zealand criminology over the last 50 years. In six sections, containing 56 original chapters, leading researchers and practitioners investigate topics such as the history of criminology; crime and justice data; law reform; gangs; youth crime; violent, white collar and rural crime; cybercrime; terrorism; sentencing; Indigenous courts; child witnesses and children of prisoners; police complaints processes; gun laws; alcohol policies; and criminal profiling. Key sections highlight criminological theory and, crucially, Indigenous issues and perspectives on criminal justice. Contributors examine the implications of past and current trends in official data collection, crime policy, and academic investigation to build up an understanding of under-researched and emerging problem areas for future research. An authoritative and comprehensive text, this handbook constitutes a long-awaited and necessary resource for dedicated academics, public policy analysts, and university students.
The SAGE Handbook of International Migration provides an authoritative and informed analysis of key issues in international migration, including its crucial significance far beyond the more traditional questions of immigrant settlement and incorporation in particular countries. Bringing together chapters contributed by an international cast of leading voices in the field, the Handbook is arranged around four key thematic parts: Part 1: Disciplinary Perspectives on Migration Part 2: Historical and Contemporary Flows of Migrants Part 3: Theory, Policy and the Factors Affecting Incorporation Part 4: National and Global Policy Challenges in Migration The last three decades have seen the rapid increase and diversification in the types of international migration, and this Handbook has been created to meet the need among academics and researchers across the social sciences, policy makers and commentators for a definitive publication which provides a range of perspectives and insights into key themes and debates in the field.
This book explores the question of whether the conceptualisation of New Zealand as a welcoming nation is accurate. Examining historical and contemporary narratives of migrant and refugee discrimination, it considers the economic, social, political, cultural and historical contexts from which discrimination emerges and its repercussions. Alert to race and ethnicity, gender, age, class, religion and inter-ethnic migrant conflict, this volume traverses an array of discriminatory practices – including xenophobia, racism and sectarianism – and responses to them. With rich evidence, fascinating new insights and engagement comparatively and transnationally with global themes of exploitation, exclusion and inequalities, Narratives of Migrant and Refuge Discrimination in New Zealand will appeal to scholars across the humanities and social sciences with interests in migration and diaspora studies, race and ethnicity and refugee studies.
With a history now stretching back four decades, Pacific festivals of Aotearoa assert a multicultural identity of New Zealand and situate the country squarely within a sea of islands. In this volume, Jared Mackley-Crump gives a provocative look at the changing demographics and cultural landscape of a place frequently viewed through a bicultural lens, Pākehā and Māori. Taking the post–World War II migrations of Pacific peoples to New Zealand as its starting point, the story begins in 1972 with the inaugural Polynesian Festival, an event that was primarily designed as a Māori festival, now known as Te Matatini, the largest Māori performing arts event in the world. Two major moments of festivalization are considered: the birth of Polyfest in 1976 and the inaugural Pasifika Festival of 1993. Both began in Auckland, the home of the largest Pacific communities in New Zealand, and both have spawned a series of events that follow the models they successfully established. While Polyfests focus primarily on the transmission of performance traditions from culture bearers to the young, largely New Zealand–born generations, Pasifika festivals are highly public community events, in which diverse displays of material culture are offered up for consumption by both cultural tourists and Pacific communities alike. Both models have experienced a significant period of growth since 1993, and here, the author presents a thought-provoking and wide-ranging analysis to explain the phenomenon that has been called a “Pacific renaissance.” Written from an ethnomusicological perspective, The Pacific Festivals of Aotearoa New Zealand incorporates lively first-person observations as well as interviews with festival organizers, performers, and other important historical figures. The second half of the book delves into the festival space, uncovering new meanings about the function and role of music performance and public festivity. The author skillfully challenges accounts that label festivals as inauthentic recreations of culture for tourist audiences and gives both observers and participants an uplifting new approach to understand these events as meaningful and symbolic extensions of the ways diasporic Pacific communities operate in New Zealand.