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Tori Ingles has something of a reputation for having a sympathetic ear and a soft shoulder to cry on and is asked by her boss Libby Cameron to use her skills to comfort and restore the self-esteem her brother Mitchell recently suffered by the defection of his fiancEe. Contrary to being the betrayed fiancE Mitchell Cameron, is in fact, the ultimate playboy and is aware that his sister has once again hatched a plot to bring him to heel. Tori soon discovers all is not as it seems with Mitchell (Mitch) Cameron and takes him to task but soon finds she has fallen victim to his playboy image......
Fearless, tough-as-nails cowboy Frank Bassett gets thrown from a bucking bronco and injures his leg, leaving him with a severe limp. Not to be defeated, he moves to a new town with plans for a slower-paced life. There he meets a woman more defiant and standoffish than the wildest mustang, and he reckons he's got one more filly to tame before tossing his Stetson aside. Local beauty Victoria Davis longs for a worthy gentleman to court her. Instead, a crippled cowboy limps into her shop and scolds her for being rude. Though outraged, she's also intrigued by the submissive feelings he inspires in her. Victoria learns that Frank is as kind and generous as he is tough, and love blooms. But when a stroke of misfortune once again befalls the cowboy, their feelings for each other are tested. Was Frank's quest to tame Tori a foolish venture, or will it pave a path to healing for them both?
­Arminita Robicheaux—Cinderella’s daughter—discovers that the best way to happily ever after is doing what you can to make your own fairy tale come true in this enchanting follow-up to Charmed, I’m Sure that’s perfect for fans of The Descendants! Arminita Robicheaux is convinced her parents are out to ruin her life. Not only did they move Minty to New York City right before the school year started, but her mom’s late-night infomercials for a variety of cleaning products follow Minty wherever she goes. Oh, and did she mention that her mother happens to be Ella Robicheaux—a.k.a. Cinderella? And Minty’s eccentric aunties—who may or may not have made Ella clean and wait on them while growing up—decide to cast Minty’s entire class in their new commercial for their “Comfortably Ever After” shoe line, complete with raps that make Minty want to run far, far away. But Minty’s new friend has a perfect distraction; the boy-band mega-star Theo Downy who is staying in town for a series of concerts. If Minty can find a way to get her shoe designs in front of Theo, maybe she can get tickets to the sold-out show. Of course, things don’t go according to plan, and Minty ends up leaving a big clue behind… Like mother, like daughter!
Meet Robin Page: outcast sorceress, mythic history buff, unapologetic bookworm, and the last person you'd expect to command the rarest demon in the long history of summoning. Though she holds his leash, this demon can't be controlled ... but can he be tamed?
This is the first ever monograph on the Whooper Swan. This species is found in the northern Palearctic and is the world's most widely distributed swan. It is a familiar bird in northern Europe and across Asia to the far East, and is particularly noticeable when migrating between breeding and wintering grounds in large, noisy flocks. This migratory behaviour makes it a powerful symbol of seasonal change, and this, together with the bird's beautiful appearance, make it a popular subject of folklore and legend. For much of its range the Whooper Swan is the archetypal 'wild swan', and its voice and appearance is deeply evocative of time and place. This book looks at all aspects of the life and times of this enchanting bird. The book includes chapters on taxonomy, population, range and distribution, diet, breeding biology, behaviour, migratory behaviour and longevity, as well as taking a look at the swan's associations with our own species in history and legend and throughout its geographic range. This book is a brilliantly readable and exhaustively researched monograph. It is illustrated throughout with numerous photographs and line drawings, illustrating various aspects of the species' behaviour and morphology. It will appeal greatly to all those with an interest in birdwatching, especially those who already know something of this wonderful and inspirational bird.
Edited by John Haffenden With a Preface by Robert Giroux John Berryman, one of America's most talented modern poets, was winner of the Pulitzer Prize for 77 Dream Songs and the National Book Award for His Toy, His Dream, His Rest. He gained a reputation as an innovator whose bold literary adventures were tempered by exacting discipline. Berryman was also an active, prolific, and perceptive critic whose own experience as a major poet served to his advantage. Berryman was a protégé of Mark Van Doren, the great Shakespearean scholar, and the Bard's work remained one of his most abiding passions--he would devote a lifetime to writing about it. His voluminous writings on the subject have now been collected and edited by John Haffenden.
This book provides the theory for stratified spaces, along with important examples and applications, that is analogous to the surgery theory for manifolds. In the first expository account of this field, Weinberger provides topologists with a new way of looking at the classification theory of singular spaces with his original results. Divided into three parts, the book begins with an overview of modern high-dimensional manifold theory. Rather than including complete proofs of all theorems, Weinberger demonstrates key constructions, gives convenient formulations, and shows the usefulness of the technology. Part II offers the parallel theory for stratified spaces. Here, the topological category is most completely developed using the methods of "controlled topology." Many examples illustrating the topological invariance and noninvariance of obstructions and characteristic classes are provided. Applications for embeddings and immersions of manifolds, for the geometry of group actions, for algebraic varieties, and for rigidity theorems are found in Part III. This volume will be of interest to topologists, as well as mathematicians in other fields such as differential geometry, operator theory, and algebraic geometry.
Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar. Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'. Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read.