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Step into the tumultuous world of ambition and conquest with Christopher Marlowe's classic, "Tamburlaine the Great, Part I." Witness the rise of a shepherd turned tyrant whose insatiable drive for power shakes the very foundations of the known world. As Marlowe's dramatic tale unfolds, follow the meteoric ascent of Tamburlaine as he defies the gods and challenges empires. The play’s intense narrative delves into themes of power, ambition, and destiny, offering a raw portrayal of a man who refuses to be bound by fate. But here's a provocative question to ponder: Can one man's unrelenting ambition reshape the destiny of entire nations? Will Tamburlaine's ruthless quest for dominance lead to his ultimate glory or inevitable downfall? Discover the grandeur and brutality of Marlowe’s world, where every battle and betrayal paints a vivid picture of ambition’s cost. This is not just a story of historical conquest but a timeless exploration of human nature's darker impulses. Are you ready to witness the epic rise and relentless drive of the legendary Tamburlaine? Dive into "Tamburlaine the Great, Part I" and experience the thrilling blend of drama and intrigue that only Marlowe can deliver. Embrace the challenge and immerse yourself in Marlowe’s riveting narrative. Don't just read about history—be part of the dramatic saga. Purchase "Tamburlaine the Great, Part I" today, and engage with the explosive ambitions that shaped a legendary era.
London, 1593. A city on edge. Under threat from plague and war, strangers are unwelcome, suspicion is wholesale, severed heads grin from the spikes on Tower Bridge. Playwright, poet and spy, Christopher Marlowe walks the city's mean streets with just three days to find the murderous Tamburlaine, a killer escaped from the pages of his most violent play. Tamburlaine Must Die is the searing adventure of a man who dares to defy both God and the state and whose murder remains a taunting mystery to the present day.
Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
The definitive biography: a masterly account of Marlowe's work and life and the world in which he lived Shakespeare's contemporary, Christopher Marlowe revolutionized English drama and poetry, transforming the Elizabethan stage into a place of astonishing creativity. The outline of Marlowe's life, work, and violent death are known, but few of the details that explain why his writing and ideas made him such a provocateur in the Elizabethan era have been available until now. In this absorbing consideration of Marlowe and his times, David Riggs presents Marlowe as the language's first poetic dramatist whose desires proved his undoing. In an age of tremendous cultural change in Europe when Cervantes wrote the first novel and Copernicus demonstrated a world subservient to other nonreligious forces, Catholics and Protestants battled for control of England and Elizabeth's crown was anything but secure. Into this whirlwind of change stepped Marlowe espousing sexual freedom and atheism. His beliefs proved too dangerous to those in power and he was condemned as a spy and later murdered. In The World of Christopher Marlowe, Riggs's exhaustive research digs deeply into the mystery of how and why Marlowe was killed.
Presenting the first exploration of Christopher Marlowe's complex place in the canon, this collection reads Marlowe's work against an extensive backdrop of repertory, publication, transmission, and reception. Wide-ranging and thoughtful chapters consider Marlowe's deliberate engagements with the stage and print culture, the agents and methods involved in the transmission of his work, and his cultural reception in the light of repertory and print evidence. With contributions from major international scholars, the volume considers all of Marlowe's oeuvre, offering illuminating approaches to his extended animation in theatre and print, from the putative theatrical debut of Tamburlaine in 1587 to the most current editions of his work.
Tamburlaine the Great Part 1 Christopher Marlowe - Tamburlaine the Great Part 1 by Christopher MarlowePart 1 opens in Persepolis. The Persian emperor, Mycetes, sends troops to get rid of Tamburlaine, a Scythian shepherd and, at that point, a nomadic bandit. In the same scene, Mycetes' brother Chosroes plots to overthrow Mycetes and take the throne.The scene shifts to Scythia, where Tamburlaine is shown courting, capturing and conquering Zenocrates, the daughter of the Egyptian king. Confronted by the soldiers of Mycetes, he convinces first the soldiers and then Chosroes to join him in a fight against Mycetes. Although he promises Chosroes the Persian throne, Tamburlaine reneges on this promise and, after defeating Mycetes, takes personal control of the Persian Empire.Now a powerful figure, Tamburlaine turns her attention to Bajazeth, emperor of the Turks. He defeats Bajazeth and his tributary kings, capturing the emperor and his wife Zabina. The victorious Tamburlaine keeps the defeated ruler in a cage and feeds him the leftovers from his table, freeing Bajazeth only to use him as a stool. Bajazeth later kills himself on stage by banging his head against the bars after hearing of Tamburlaine's upcoming victory. After finding his body, Zabina does the same.Having conquered Africa and appointed himself emperor of that continent, Tamburlaine sets his sights on Damascus, a goal that places the Egyptian sultan, his future father-in-law, directly on his path. Zenocrates begs her future husband to spare her father. He obeys, making the sultan a tributary king instead. The show ends with the marriage of Tamburlaine and Zenocrate, who is crowned Empress of Persia.
This book offers a lively introduction to all of the plays of Christopher Marlowe and to the central concerns of his age, many of which are still important to us--religious uncertainty, the clash between Islam and Christianity, ideas of sexuality, and the role of the marginalised inidividual in society.Each chapter focuses on a specific aspect of Marlowe's work and its cultural contexts: Marlowe's life and death; the Marlowe canon; the theatrical contexts and stage history of the plays; Marlowe's interest in old and new branches of knowledge; the ways in which he transgresses against established norms and values; and the major issues which have been raised in critical discussions of his plays.