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RUSTI is a Mongol warrior, fighting for the bloodthirsty Tamburlaine, Conqueror of the World. He intends to show the enemy neither fear nor mercy... until he comes face-to-face with his first elephant. KAVI is the elephant's rider. Captured by the terrifying Mongol Horde, he fears for his life. But the boy who takes him prisoner does not kill him. And soon it seems they might almost become ... friends. Then Rusti uncovers a terrible secret, and the unlikeliest of friendships is put to the ultimate test.
London, 1593. A city on edge. Under threat from plague and war, strangers are unwelcome, suspicion is wholesale, severed heads grin from the spikes on Tower Bridge. Playwright, poet and spy, Christopher Marlowe walks the city's mean streets with just three days to find the murderous Tamburlaine, a killer escaped from the pages of his most violent play. Tamburlaine Must Die is the searing adventure of a man who dares to defy both God and the state and whose murder remains a taunting mystery to the present day.
However, although employing a critical methodology that has become increasingly popular during the past decade, the essays in this section also seek to discover new relationships between Marlowe's plays and their social environment."--BOOK JACKET.
A contemporary of Shakespeare, Marlowe's life was cut short when he died at the age of 29. Take a closer look at Tamburlaine Part I and II, The Jew of Malta, Dr. Faustus and Edward II.
Papers presented at a symposium organized by the Dept. of English Literature and Literary Linguistics, School of English, Adam Mickiewicz University in Poznaaan.
The Cambridge Companion to Christopher Marlowe provides a full introduction to one of the great pioneers of both the Elizabethan stage and modern English poetry. It recalls that Marlowe was an inventor of the English history play (Edward II) and of Ovidian narrative verse (Hero and Leander), as well as being author of such masterpieces of tragedy and lyric as Doctor Faustus and 'The Passionate Shepherd to His Love'. Sixteen leading scholars provide accessible and authoritative chapters on Marlowe's life, texts, style, politics, religion, and classicism. The volume also considers his literary and patronage relationships and his representations of sexuality and gender and of geography and identity; his presence in modern film and theatre; and finally his influence on subsequent writers. The Companion includes a chronology of Marlowe's life, a note on reference works, and a reading list for each chapter.
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. Analyzing plays by Shakespeare as well as other early modern dramatists, Lisa Hopkins explores the way in which the stories of the Caesars can be used to figure the stories of English rulers on the Renaissance stage.