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Tall Tales of a Short Clown is the story of Barry Lubin, whose alter ego, Grandma, became one of the most successful clowns in American history, and was named "The World's Funniest Grandma" in Germany. Barry has entertained well over a hundred million people in circus rings, stadiums, arenas, on stage, in festivals, in films, and on television as the funny little carpetbagger with a mischievous view of the world. Barry is undoubtedly the only person to have achieved the combination of performing a running headstand onto a whoopee cushion on stage at Carnegie Hall, eating well over 10,000 bagels, and managing to piss off Ringo Starr, Meryl Streep, Gene Kelly, and Bruce Springstein as well as being inducted into the International Clown Hall of Fame. Tall Tales of a Short Clown follows Barry's journey from Emerson College dropout to Clown College graduate, from his early failures on the Greatest Show on Earth to his induction into the Ring of Fame, the highest honor in clowning and in circus. He reveals his struggles with drug abuse and alcoholism and his journey into sobriety, his bout with thyroid cancer and his triumphant return to the ring, and his love affair with audiences on six continents over five decades, to earn his place as one of the most beloved clowns in history.
A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.
A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.
Whimsical and touching images tell the story of an unexpected friendship and the revelations it inspires in this moving, wordless picture book from two-time Caldecott Honor medalist Marla Frazee. A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer’s vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves—and about life! Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
The Sad Clown, from the book series, "The Shortest Stories Ever Written" will take you on a very short journey about a Sad Clown, and how a certain man changed his entire life around! If you're one of those readers looking for exciting, yet very short stories, for yourself or for your children, this is the one.. So let's open this book, and read one of the shortest stories ever written!
Some people are scared of clowns. It's a real phobia. I read once that it's something about their smiles, the painted grins are just a little too wide and whatever it is in our heads that recognizes faces, gets twitchy. It isn't wired to see a smile, or a mouth that wide, without instantly thinking of teeth, seeing the threat of a mouth that wide as something with the potential to bite, or even to consume. Of course, that's ridiculous. Most of the time. I'm not scared of clowns. I've worked with enough of them, metaphorically at least, to have developed an immunity. The only literal clown I ever worked with wasn't frightening either, but the thing that scared him, the thing that clowns are scared of, well, that I am scared of too. It's the reason I no longer do what I did and why my hair stands on end at the tinkling sound of bells. Of course, there had always been strange ones. In my line of work you get to meet some truly...GET YOUR COPY TODAY!
A collection of short stories ranging from the poignantly autobiographical to a dark tale of passion and revenge with a supernatural undercurrent.
Moral-free America didnt happen overnight. The Great Depression was a time in American history where citizens had to fight to survive the hard timesand this often meant breaking the law. Making and distributing moonshinea dangerous homemade brew of alcoholwas one way to try and survive. But these adults did little to hide their illegal lifestyle from their children, often even glorifying their illicit activities and relishing in their own alcoholism. A time also marred by prejudice and racism, this bitter atmosphere helped shape the younger generation of the early twentieth century. Dont Play in the Sandpit chronicles the way this immoral atmosphere has been passed on between generationsgradually breaking apart any belief by society of a moral code. Opening during the Great Depression in a fictionalized, isolated Florida community where moonshining, rum running, and gambling lead to its demise, the story points a finger at adultsparents includedwho do not do their part to discourage young people from drinking alcohol. And as the story unfolds, the costs of adults endorsing alcohol abuseeither by their silence, by their own indulgence, or by embracing young drinkersare ultimately paid with the health of todays generations. What can be done to confront the disease of alcoholism? The medical establishment can research the effects of excessive drinking, but it is up to parents and society in general to take responsibility for curbing its useand they must do it by example.
Josh is terrified of clowns, and the news that someone dressed as a clown in a neighboring town has been kidnapping children does not help, especially after the kidnapper escapes custody; so when he encounters a threatening clown at the House of Horrors at the amusement park he panics--but will he be able to save himself, much less rescue a little girl who is lost in the hall of mirrors?