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Acclaimed as a magisterial, classic work, A Social History of English Cricket is an encyclopaedic survey of the game, from its humble origins all the way to modern floodlit finishes. But it is also the story of English culture, mirrored in a sport that has always been a complex repository of our manners, hierarchies and politics. Derek Birley’s survey of the impact on cricket of two world wars, Empire and ‘the English caste system’, will, contends Ian Wooldridge, ‘teach an intelligent child of twelve more about their heritage than he or she will ever pick up at school.’ In just under 400 pages Birley takes us through a rich historical tapestry: how the game was snatched from rustic obscurity by gentlemanly gamblers; became the height of late eighteenth century metropolitan fashion; was turned into both symbol and synonym for British imperialism; and its more recent struggle to dislodge the discomforting social values preserved in the game from its imperial heyday. Superbly witty and humorous, peopled by larger-than-life characters from Denis Compton to Ian Botham, and wholly forswearing nostalgia, A Social History of English Cricket is a tour-de-force by one of the great writers on cricket.
'A treasure of recollections and reactions, talking heroes, controversies and big themes' i paper 'Brearley is at his best in these quirky, delightful essays when he is exploring the human qualities of humbler players . . . Brearley's admiration for his friends' decency, craftsmanship and modesty seems to recall a golden age of country cricket' The Times 'Brearley has a knack for paying respect to the past without denigrating the present and for calmly considering the future' Mail on Sunday Mike Brearley was arguably one of England's finest cricket captains; not just for his outstanding record leading his country but also for the way he orchestrated, during the 1981 Ashes series, one of the most extraordinary reversals in sporting history. In this collection of sparkling essays, Brearley reflects on the game he has come to know so well. He ranges from the personal - the influence of his Yorkshire father and the idols of his youth - to controversial aspects of the professional game, including cheating, corruption, and innovation, the latter often being on a borderline between genius and rebellion. Brearley also evaluates his heroes (amongst them Viv Richards, Bishan Bedi and Dennis Lillee), the game changers, the outstanding wicketkeepers, the 'Indian-ness' of four generations of Indian batsmen and the important commentators (including Harold Pinter, John Arlott and Ian Chappell). The Ashes, the most sustained love-hate relationship in the history of sport and key to Brearley's test-playing career, are raked over. Central to the book is an important section on race and cricket, and the legacy of C. L. R. James. Insightful and humorous, On Cricket is an intelligent exposition of the game's idiosyncratic culture and its enduring appeal.
On a sunny afternoon in May 1868, nineteen-year-old Gilbert Grace stood in a Wiltshire field, wondering why he was playing cricket against the Great Western Railway Club. A batting genius, 'W. G.' should have been starring at Lord's in the grand opening match of the season. But MCC did not want to elect this humble son of a provincial doctor. W. G's career was faltering before it had barely begun. Grace finally forced his way into MCC and over the next three decades, millions came to watch him - not just at Lord's, but across the British Empire and beyond. Only W. G. could boast a fan base that stretched from an American Civil War general and the Prince of Wales's mistress to the children who fingered his coat-tails as he walked down the street, just to say 'I touched him'. The public never knew the darker story behind W. G.'s triumphal progress. Accused of avarice, W. G. was married to the daughter of a bankrupt. Disparaged as a simpleton, his subversive mind recast how to play sport - thrillingly hard, pushing the rules, beating his opponents his own way. In Amazing Grace, Richard Tomlinson unearths a life lived so far ahead of his times that W. G. is still misunderstood today. For the first time, Tomlinson delves into long-buried archives in England and Australia to reveal the real W. G: a self-made, self-destructive genius, at odds with the world and himself.
This antiquarian volume contains a collection of E. V. Lucas's writings and short essays on a variety of subjects. These witty and often thought-provoking essays make for fascinating light reading, and will be of considerable interest to fans and collectors of Lucas's work. The essays contained herein include: 'The Town Week', 'A Word on Toast', 'Concerning Breakfast', 'Footpaths and Walking-Sticks', 'Birds and their Enemies', 'The Divine Leaf', 'School-Hampers and Fireworks', 'The Poetry of Catalogues', 'Clothes Old and New', 'Fires', 'The Post', etcetera. Edward Verrall Lucas (1868 - 1938) was a renowned English novelist, playwright, biographer, publisher, poet, and short story writer. We are republishing this vintage volume now in an affordable, modern edition, complete with a specially commissioned new biography of the author.
Britain in 1846 was a nation in the grip of dramatic change. As the Industrial Revolution reached its height, people were flooding from countryside to city; the railways were spreading; starvation and destitution existed alongside immense wealth and power, generating profound social tensions. And seismic change was afoot in the world of politics. Parliament's repeal of the protectionist Corn Laws eroded the powers of the landowners and ushered in an age of free trade that would form the basis of Britain's future wealth and industiral prosperity. Stephen Bates paints a kaleidoscopic portrait of a pivotal year in British history – and of a society on the cusp of modernity.