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First published in its English translation in 1903, this memoir is composed from private journal entries of Gaspard Gourgaud as a result of his conversations with Napoleon I of France between June 1815 and March 1818, during the latter’s exile on St. Helena. Additionally, journal entries made by Gourgaud on his voyage to St. Helena with Napoleon are included. “It is hoped that this record of what Napoleon said, taken down by one whose truthfulness Napoleon himself vouched for, may be found interesting by many who might have been wearied by reading the larger part of this record, although it was kept by a man who loved his master devotedly, and who had been attached to his personal service since 1812.” “The one capital and superior record of life at St. Helena is the private journal of General Gourgaud. It was written, in the main at least, for his own eye, without flattery or even prejudice. It is sometimes almost brutal in its realism. He alone of all the chroniclers strove to be accurate, and on the whole succeeded.”—Lord Roseberry, Napoleon: The Last Phase
Many books have been written about St Helena and its most famous resident, the exiled Emperor Napoleon Bonaparte. The episode has been so intensively researched that it is rare for a fresh, unpublished account to come to light. Yet Dr James Verling's St Helena journal is just such a source. Verling was based on St Helena during Napoleon's imprisonment and he was even appointed as Napoleon's official physician. Throughout his stay, this young doctor kept a vivid diary of his experiences. Through Verling's eyes we get a fresh view of daily life on the island and of the suspicion-filled society that grew up around Napoleon during his last years.
Marking the 200th anniversary of his death, Napoleon is an unprecedented portrait of the emperor told through his engagement with the natural world. “How should one envisage this subject? With a great pomp of words, or with simplicity?” —Charlotte Brontë, “The Death of Napoleon” The most celebrated general in history, Napoleon Bonaparte (1769–1821) has for centuries attracted eminent male writers. Since Thomas Carlyle first christened him “our last Great Man,” regiments of biographers have marched across the same territory, weighing campaigns and conflicts, military tactics and power politics. Yet in all this time, no definitive portrait of Napoleon has endured, and a mere handful of women have written his biography—a fact that surely would have pleased him. With Napoleon, Ruth Scurr, one of our most eloquent and original historians, emphatically rejects the shibboleth of the “Great Man” theory of history, instead following the dramatic trajectory of Napoleon’s life through gardens, parks, and forests. As Scurr reveals, gardening was the first and last love of Napoleon, offering him a retreat from the manifold frustrations of war and politics. Gardens were, at the same time, a mirror image to the battlefields on which he fought, discrete settings in which terrain and weather were as important as they were in combat, but for creative rather than destructive purposes. Drawing on a wealth of contemporary and historical scholarship, and taking us from his early days at the military school in Brienne-le-Château through his canny seizure of power and eventual exile, Napoleon frames the general’s story through the green spaces he cultivated. Amid Corsican olive groves, ornate menageries in Paris, and lone garden plots on the island of Saint Helena, Scurr introduces a diverse cast of scientists, architects, family members, and gardeners, all of whom stood in the shadows of Napoleon’s meteoric rise and fall. Building a cumulative panorama, she offers indelible portraits of Augustin Bon Joseph de Robespierre, the younger brother of Maximilien Robespierre, who used his position to advance Napoleon’s career; Marianne Peusol, the fourteen-year-old girl manipulated into a Christmas-Eve assassination attempt on Napoleon that resulted in her death; and Emmanuel, comte de Las Cases, the atlas maker to whom Napoleon dictated his memoirs. As Scurr contends, Napoleon’s dealings with these people offer unusual and unguarded opportunities to see how he grafted a new empire onto the remnants of the ancien régime and the French Revolution. Epic in scale and novelistic in its detail, Napoleon, with stunning illustrations, is a work of revelatory range and depth, revealing the contours of the general’s personality and power as no conventional biography can.